Jamie Lloyd’s hit Broadway revival of Waiting for Godot, starring Keanu Reeves and Alex Winter, has become one of the season’s biggest successes, recouping its entire $7.5 million investment just eight weeks after performances began.
The production reached the milestone for the week ending 9 November and is now officially one of the fastest-recouping shows of the 2025–26 Broadway season.
The strictly limited run, which opened at the Hudson Theatre on 28 September, plays only until 4 January 2026.
The milestone extends a remarkable run for Lloyd, who has delivered a string of high-profile hits in recent years. His radical reimagining of Sunset Boulevard, starring Nicole Scherzinger, earned rave reviews first in London and then on Broadway. Most recently, his London revival of Evita, led by Rachel Zegler, was the smash-hit of the summer selling out the London Palladium — though there is still no news on whether that production will transfer to Broadway.
Audiences and critics have embraced Lloyd’s striking new take on Samuel Beckett’s classic. The New York Times praised the production as “pristinely chic,” while USA Today called Reeves “irresistible” and Winter “revelatory.” The Guardian said the pair’s chemistry is “unmatched.” Brandon J. Dirden has been singled out as “the finest Pozzo” by The New Yorker, and Variety hailed Michael Patrick Thornton’s Lucky as “magnificent.”
The cast also includes Zaynn Arora and Eric Williams, who share the role of the Boy, with Jesse Aaronson and Franklin Bongjio as understudies.
The show has also opened its doors to the wider community. In partnership with New York City’s Department of Education, the production recently invited more than 500 public school students and teachers from across all five boroughs to see the play — many experiencing Broadway for the first time. After the performance, they joined Jamie Lloyd and cast members for a special post-show conversation.
Lloyd’s longtime collaborators help shape the production’s minimalist atmosphere, including set and costume designer Soutra Gilmour, lighting designer Jon Clark, and sound designers Ben and Max Ringham. Cheryl Thomas designs hair and makeup, with casting by Jim Carnahan and Liz Fraser.
First performed in the 1950s, Waiting for Godot is widely regarded as one of the most important plays of the 20th century and continues to inspire artists and audiences around the world. In a major National Theatre survey, theatre experts named it the most significant play of the last 100 years.
Fans can also experience the world of the production through Music From Waiting for Godot, a new album of original instrumental music by Ben and Max Ringham, now available to stream on all major platforms.
Production photos
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