Love Never Dies – Adelphi Theatre – Review
Review of Andrew Lloyd Webber’s Love Never Dies at the Adelphi Theatre in London
Review of Andrew Lloyd Webber’s Love Never Dies at the Adelphi Theatre in London
A round up of reviews of Andrew Lloyd Webber’s Love Never Dies at the Adelphi Theatre in London
Round up of reviews of PRIVATE LIVES starring Kim Cattrall at the Vaudeville Theatre in London
Review of Twelfth Night att he Duke of York’s Theatre in London
Round-up of reviews of LEGALLY BLONDE at the Savoy Theatre in London
Review of CAT ON A HOT TIN ROOF at Novello Theatre in London
Review of Alan Bennett’s The Habit of Art at the National Theatre in London
Review of Enron at the Royal Court Theatre in London
Review of Speaking on Tongues at the Duke of York’s Theatre in London.
Review of Breakfast at Tiffany’s at the Theatre Royal Haymarket
Round-up of An Inspector Calls reviews at the Novello Theatre, London
Round up of reviews for Sister Act at the London Palladium
The critics’ reception to Priscilla Queen of the Desert
A round-up of Oliver reviews, at the Theatre Royal Drury Lane.
The National’s major new production of Burnt by the Sun – review
Review of England People very nice at the National Theatre
In “Not In Front of the Audience”, Nicholas de Jongh’s 1992 book about homosexuality on stage, there is no mention of John Gielgud’s 1953 arrest and conviction for “importuning male persons for an immoral purpose”.
A review round-up for A Woman In Mind at the Vaudeville Theatre
A round-up of reviews of Thriller Live at the Lyric Theatre in London.
Review of ‘The Female Of The Species’ at the Vaudeville Theatre
Noel Coward’s far from perfect breakthrough play was The Vortex (1924), and the effect it had on complacent theatre audiences of the day must have been similiar to the impact experienced by theatregoers in 1956 at John Osborne’s Look Back in Anger. Unlike Osborne though, Coward wasn’t an angry young man; just a prodigiously talented one who, even at so young an age, was a master at surfing the celebrity wave. Being controversial, he knew, was the shortest route towards attracting media attention, and what better way was there to be talked about than to write a play about drug