Selected reviews by Nick Curtis, chief theatre critic of The Standard (formerly The Evening Standard).
Nick Curtis was appointed chief theatre critic of The Standard in July 2019.
Born in London, Nick began his career as an editor and theatre critic with Plays & Players magazine and Time Out before joining the Evening Standard as a reviewer, later becoming a feature writer and columnist. He was nominated for Critic of the Year by the Critics’ Circle early in his career and named Interviewer of the Year in the 2012 British Press Awards.
Nick has also written for the Times and Sunday Times, Daily and Sunday Telegraph, Daily Mail and Mail on Sunday, Guardian, Observer, Independent, Radio Times, GQ, Esquire, BA High Life, Marie Claire, Red, the BBC and others.
Nick is married and lives in south London.
More about Nick Curtis:
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Cloud 9 at the National Theatre Lyttelton (2026)
"Unfortunately, though Dominic Cooke's strongly cast production is as fluent as one could wish, the play resonates more for its…
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Cloud 9
★★★★★
"Keira Knightley's return to the stage is revolutionary." "You could almost call it a gesamtkunstwerk - a “total artwork” -…
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The Lives of Others
★★★
“This reworked musical about a French peasant returning to his wife but suspected of being an imposter, is committed but…
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Martin Guerre
Hay Fever at the Wyndham's Theatre (2026)
★★★
"A handsome, old-fashioned star vehicle for two great character actors and scene-stealers, Christine Baranski and Richard E. Grant." "The lines…
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Hay Fever
★★★★
"Gillian Anderson and Billy Crudup give towering performances." "This is a chance to see two actors at the top of…
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Who’s Afraid of Virginia Woolf?
The Last Ship at the Theatre Royal Drury Lane (2026)
★★
"Many of the songs have a certain majesty, and a resonant sense of working-class community and pride, not least because…
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The Last Ship
Fences at the Leeds Playhouse and Lyric Hammersmith (2026)
★★★★
"Ray Fearon’s sturdy, fiery Troy Maxson is a loving husband and a showmanlike embroiderer of his own myth[...]Fearon gives a…
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Fences
★★★★
“With masked gangs of angry men currently on British streets, Ava Pickett’s riposte to toxic masculinity, which transposes the aftermath…
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Bloodsport: After Helen of Troy
★★★★
“The scrappy Hackney Wick venue elbowed into a crowded London theatre scene in 2011, presenting innovative commissions and programming in…
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for colored girls who have considered suicide / when the rainbow is enuf
Kimberly Akimbo at the Hampstead Theatre (2026)
★★★★
" Michael Longhurst’s wry, nimble production also hands 66-year-old musical theatre star Maria Friedman a glittering singing role and an…
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Kimberly Akimbo
The Story at the National Theatre (2026)
★★★★
“A cracking melodrama about race and the media in America.” “Tracey Scott Wilson’s 2003 play has the pace and punch…
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The Story
★
“Purporting to reclaim Marilyn as a talented actress and an independent woman rather than a victim, it in fact ploughs…
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Who Killed Marilyn?
★★★
"meticulously plotted and executed, elegantly staged in the round as originally conceived" "coasts successfully on the comic timing of Dorothy…
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How the Other Half Loves
★
"The singing voices of a cast led by an extravagantly bewigged Alexandra Burke are pretty much the only saving grace"…
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I’m Every Woman - The Chaka Khan Musical
Tao of Glass at the @sohoplace (2026)
★★★★
"it's magic, and arguably profound." "Fundamentally it's about acceptance — of age and death… and the unknowable mystery of where…
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Tao of Glass
★★★★
"An OTT, aorta-pumping concert-style production… thrilling, high-octane." "Sheader's production… has the bleary, transportive mood of a festival." "This JCS is…
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Jesus Christ Superstar - London Palladium
★★★★
“Not every story needs to be turned into a musical, but Matthew Warchus’s 2014 film Pride seemed to be crying…
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PRIDE The Musical
★★★★
“Director Simon Evans and writer Debris Stevenson, who is a poet as well as a playwright, academic and “professional raver”,…
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Cyrano de Bergerac
★★★★
"Patrick Marber’s all-female staging of David Mamet’s hyper-masculine 1984 study of desperate real-estate salesmen somehow feels compellingly new and strange."…
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Glengarry Glen Ross
High Society at the Barbican Theatre (2026)
★★★
"See this for George, Kendal, Dyer and Lindsay" “It’s the women who impress in this reworked, airy Cole Porter musical…
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High Society
Equus at the Menier Chocolate Factory (2026)
★★★★
"A fine revival of a deeply odd but significant play" "A forceful revival of Peter Shaffer’s strange play at the…
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Equus
Sherlock Holmes at the Regent's Park Open Air Theatre (2026)
★★
"A garbled take" "Joel Horwood’s script, loosely based on [Conan Doyle's] story The Sign of Four, is an uneasy mix…
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Sherlock Holmes
1536 at the Ambassadors Theatre (2026)
★★★★★
"As the plot unfolds we judge how much and how little has changed since 1536." "Ava Pickett’s debut play, which…
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1536
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