March 10, 2014
Tickets have gone on sale for the RSC’s acclaimed productions of Wolf Hall and Bring Up The Bodies.
The two plays will run at the Aldwych Theatre in London from 1 May to 6 September 2014.
Based on Hilary Mantel’s Man Booker Prize winning novels, Wolf Hall and Bring Up the Bodies, which play in two separate parts, have been a huge commercial and critical success for the RSC in Stratford, and now transfer to London for a strictly limited season.
Directed by Jeremy Herrin (This House), the dramas have been adapted for the stage by Mike Poulton.
The cast includes Ben Miles as Thomas Cromwell, Lydia Leonard as Anne Boleyn, Lucy Briers as Jane Boleyn, Lady Rochford, Oscar Pearce as George Boleyn, Lord Rochford, Nathaniel Parker as Henry VIII, Madeleine Hyland as Lady in Waiting, and Leah Brotherhead as Jane Seymour.
January 31, 2014
Following sell-out audiences in Stratford, the RSC’s new versions of Hilary Mantel’s Wolf Hall and Bring Up The Bodies transfers to the West End’s Aldwych Theatre.
Running from 1 May to 6 September 2014, the new dramatisation of Hilary Mantel’s Man Booker Prize winning novels Wolf Hall and Bring Up the Bodies will play in two parts in the West End.
Directed by Jeremy Herrin (This House – National Theatre, Much Ado About Nothing – Shakespeare’s Globe), the dramas are adapted for the stage in two parts by Mike Poulton.
The cast includes Ben Miles as Thomas Cromwell, Lydia Leonard as Anne Boleyn, Lucy Briers as Jane Boleyn, Lady Rochford, Oscar Pearce as George Boleyn, Lord Rochford, Nathaniel Parker as Henry VIII, Madeleine Hyland as Lady in Waiting, and Leah Brotherhead as Jane Seymour.
Wolf Hall is set in England in 1527. Henry VIII has been King for almost 20 years and is desperate for a male heir. Intent on divorce he demands that Cardinal Wolsey persuade the Pope to grant him an annulment. With every month that passes without progress the King’s anger grows. Into this volatile court enters the commoner Thomas Cromwell – a one-time mercenary, master-politician, lawyer and doting father, who sets out to grant the King his desire whilst methodically and ruthlessly pursuing his own reforming agenda.
BOOK NOW > Book tickets to Wolf Hall >
In Bring Up The Bodies, Anne Boleyn is now Queen, her path to Henry’s side cleared by Cromwell. But Henry remains without a male heir, and the conflict with the Catholic Church has left England dangerously isolated as France and the Holy Roman Empire ominously manoeuvre for position. When the King begins to fall in love with the seemingly plain Jane Seymour, Cromwell must negotiate an increasingly dangerous court as he charms, bullies and manipulates nobility, commoners and foreign powers alike to satisfy Henry, keep the nation safe, and advance his own ambitions.
BOOK NOW >Book tickets to Bring Up The Bodies >
January 24, 2013
• David Tennant returns to the RSC in the title role of Gregory Doran’s production of Richard II
• World premiere of Wendy & Peter Pan by Ella Hickson, directed by Jonathan Munby, continues the RSC tradition of family shows
• World premiere adaptations of Hilary Mantel’s award-winning novels Wolf Hall and Bring up the Bodies, by Mike Poulton, commissioned by Playful Productions, and directed by Jeremy Herrin, play in repertoire in the Swan Theatre
• In Stitches – a celebration of RSC costume and the Company’s rich tradition of theatre craftsmanship runs throughout the Royal Shakespeare Theatre
• Erica Whyman outlines a new vision of radical mischief and new work ambitions for the RSC’s studio space, The Other Place
• Write Here Write Now with Matilda – national student writing challenge and online resources for UK schools launched by the RSC with Tim Minchin and Dennis Kelly
• Five new partner theatres join the RSC’s Learning and Performance Network to transform first experiences of Shakespeare in local schools
RSC Artistic Director, Gregory Doran, and Executive Director, Catherine Mallyon, make their first announcement as leaders of the RSC, outlining plans for the Company’s Winter 2013 season and their ambitions for the Company. The Winter Season is the first drawn up by Gregory, following a summer of shows programmed by his predecessor, Michael Boyd.
Erica Whyman takes up her role as Deputy Artistic Director, following critical acclaim for her most recent productions at Soho Theatre and Northern Stage, and seven years as Artistic Director and Chief Executive at Northern Stage. She was recently awarded an OBE in the New Year’s Honours list. The new role, created by Gregory, has special responsibility for leading the revitalisation of The Other Place in Stratford as an experimental studio and home for new work, as well as playing an active part in forging new artistic collaborations and directing productions.
Royal Shakespeare Theatre
The Winter 2013 season includes the return of David Tennant (now also an RSC Board member) who will play the title role in Shakespeare’s Richard II, directed in the Royal Shakespeare Theatre (RST) by Gregory Doran. This is the first production in a new cycle of Shakespeare History plays that Gregory will direct over the coming seasons. The collaboration between David and Gregory follows on from the hugely successful production of Hamlet in 2008, which was also filmed for BBC television by Illuminations, and they will be joined by Oliver Ford Davies who also appeared in that production. Richard II will transfer to the Barbican Theatre in December after its run in Stratford.
Ella Hickson gives a fresh new perspective on a much loved JM Barrie children’s classic with her new adaptation of Wendy & Peter Pan. Jonathan Munby, who was last at the RSC working with Gregory Doran on The Canterbury Tales, will direct and Colin Richmond is the designer. This production continues the RSC’s tradition of family shows after last winter’s The Mouse and his Child, 2011’s The Heart of Robin Hood by David Farr and 2010’s Matilda The Musical, all of which played to great audience response and critical acclaim in the RST and the Courtyard Theatre.
Richard II plays from 10 Oct – 16 Nov 2013 and Wendy & Peter Pan plays from 10 Dec 2013 – 2 Mar 2014 in the Royal Shakespeare Theatre. Richard II transfers to the Barbican Theatre to play from 9 Dec 2013 – 25 Jan 2014.
A much-anticipated double bill of Hilary Mantel’s Man Booker prize-winning novels, Wolf Hall and Bring up the Bodies, receives a world premiere in the Swan Theatre. The books are adapted for the first time for the stage in two parts by Mike Poulton, commissioned by Playful Productions, and directed by Jeremy Herrin. These two plays paint the compelling portrait of the political rise to power of Thomas Cromwell in the Tudor Court and will play in repertoire from December.
Wolf Hall won the Man Booker in 2009, and Bring up the Bodies won in 2012, making Mantel the first woman ever to have received the award twice. She achieved another first recently, when Bring up the Bodies also won the Costa Novel Award, the first time the same novel has won both this and the Man Booker.
Jeremy Herrin is an Associate Director at the Royal Court, where he is currently directing Polly Stenham’s new play No Quarter. His National Theatre production of James Graham’s political play This House is set to transfer to the Olivier Theatre in February this year after a sell-out run in the Cottesloe last year.
Wolf Hall plays from 11 Dec 2013 – 29 Mar 2014 and Bring up the Bodies plays from 19 Dec 2013 – 29 Mar 2014.
Touring and Newcastle
The Winter’s Tale, directed by Lucy Bailey, tours the UK after its run in the Royal Shakespeare Theatre in Stratford-upon-Avon, from 13 Mar – 20 Apr 2013, playing in Milton Keynes, York, Nottingham, Edinburgh, Hull and Stoke-on-Trent.
The RSC’s Summer Season of Royal Shakespeare Theatre shows; Hamlet (directed by David Farr), As You Like It (directed by Maria Aberg) and All’s Well That Ends Well (directed by Nancy Meckler), will transfer to Newcastle Theatre Royal and play from 18 Oct – 19 Nov. Further details will be announced by the Theatre Royal in early February when priority booking opens.
Gregory Doran’s production of Julius Caesar tours to the US, playing at BAM in New York from 10 – 28 April, and then the Southern Theatre, Columbus, Ohio from 1 – 5 May 2013, presented in collaboration with The Ohio State University.
Matilda The Musical, directed by Matthew Warchus, with book by playwright Dennis Kelly, music and lyrics by Australian comedian, musician and composer Tim Minchin, produced in America by the RSC and The Dodgers, will open on Broadway at the Shubert Theatre, previewing from 4 March, with opening night on 11 April 2013.
Events and Exhibitions
In Stitches – A Celebration of RSC Costume
From spring 2013 through to spring 2014, the RSC celebrates its extraordinary costume collection with In Stitches – an exhibition displayed throughout its Stratford theatres. The free exhibition will reveal highlights from the Company’s extensive collection along with new artistic responses, interactive displays and opportunities for visitors to try on RSC theatre costumes with a special dressing up box. It will draw on the Company’s rich heritage of craftsmanship and demonstrate the specialist skills and imagination of artists, designers and makers in creating costume for work on stage.
As well as installations, displays and events throughout the building during the year, the PACCAR Room will feature Into the Wild, an RSC Costume Collection exhibition which explores how costume designers and makers have responded to themes of nature in Shakespeare’s work, interpreting them in diverse and imaginative ways. It will be an exclusive chance to see rarely displayed costumes, including many worn by some of the RSC’s best known actors including Dame Peggy Ashcroft, Sir Ian McKellen, Juliet Stevenson, Dame Judi Dench and David Tennant.
And from 4 May, the Ferguson Room will house Costume Craft – an interactive display for all the family that follows the journey of how a costume is made and maintained by the RSC’s Costume Department, from first fitting to final performance. Visitors will be able to learn about some of the processes used by costume makers as well as try on a finished article in the dressing up area.
Alongside this celebration of costume, Arts Council England has just announced that the RSC has been successful in the first stage of a bid to the large-scale capital funding programme towards the redevelopment of their Grade II listed Costume Workshop in Stratford. Detailed plans can now be drawn up for a stage two application for a potential grant for £2.147m to retain listed elements of the site and transform cramped and poorly accessible spaces into naturally lit and open plan studios. The transformation will allow the RSC to develop new training opportunities and open up more of its work behind the scenes to the public.
Matilda The Musical and education work
Write Here Write Now with Matilda
Inspired by the themes of Matilda The Musical, the RSC’s Education Department has created a specially-designed online resource which gives schools unique insights into the creative process of staging this award-winning musical. Write Here Write Now with Matilda is an interactive website that will inspire children to become creative writers, imaginative playwrights and avid readers. Through filmed interviews with the show’s creators, Dennis Kelly and Tim Minchin, together with comprehensive teacher notes for use in the classroom, this innovative website will help make storytelling vivid, accessible and enjoyable for children and their teachers.
To celebrate the launch of Write Here Write Now with Matilda, the RSC is setting a National Writing Challenge, inviting students aged between eight and thirteen to create an original script or song to be performed live in a special performance by the West End cast at London’s Cambridge Theatre in June 2013. Entries will go through a full script selection process by the RSC’s Literary and Education Departments and six songs or scenes will be fully rehearsed by members of the Matilda company before being performed on stage in front of the students and their classmates, all of whom will stay on to see Matilda The Musical that evening.
Additionally, and building on the highly successful active teaching approaches to Shakespeare developed by the RSC, Write Here Write Now with Matilda will also offer Teacher Professional Development days, providing practical approaches to creative writing using Matilda The Musical as a springboard.
New theatre partners for the RSC’s Learning and Performance Network
Alongside the Matilda The Musical programme, the Company continues to expand its highly-regarded national schools partnership, the Learning and Performance Network, by announcing five new regional theatre partners: the Alhambra Theatre, Bradford; the Grand Theatre, Blackpool; Curve Theatre, Leicester; the Marlowe Theatre, Canterbury; the New Vic Theatre, Newcastle-under-Lyme. This brings the total number of partner theatres working with the RSC on its education programme to ten, allowing the Company to extend its active teaching approaches into more schools and promote seeing Shakespeare live across the country through specially created touring productions for young audiences.
RSC Artistic Director, Gregory Doran, said:
“Together with Catherine Mallyon, our new Executive Director, I want us to produce the best possible live experience of Shakespeare for audiences of all ages and backgrounds and provide the most stimulating environment possible for creative artists to practise their craft. I have always thought of the RSC as a Shakespeare “gymnasium”.
“This winter season acts as a prologue to a wider plan, stretching forward over the next five years. I hope we will work through the entire canon, producing all his plays in our new Royal Shakespeare Theatre, but without repeating the titles in that time. The Swan will be dedicated largely to looking at the stable of writers who worked alongside Shakespeare; to the plays which inspired him and which he inspired; and to writing which matches his scale and ambition, providing a deeper context to the genius of our house playwright.
“2014 is Shakespeare’s 450th birthday and 2016 marks the quatercentenary of his death in 1616. We will celebrate Shakespeare’s life, from birth to grave, over an arc of three years, culminating in a major nationwide event in 2016.
“The prologue season demonstrates some of the key ingredients in our plan. I will begin with my own exploration of Shakespeare’s History plays with Richard II, and am delighted that David Tennant and Oliver Ford Davies will be returning to the company for this production. Following its run in Stratford, we will also be presenting Richard II to London audiences at the Barbican this winter, following our very successful collaboration during the World Shakespeare Festival. As we continue our journey to find a home for our work in London, it’s great to work with the Barbican again and it’s a fantastic space in which to present this particular production.
“In the Swan Theatre, we open with new adaptations of Hilary Mantel’s Man Booker Prize-winning novels, Wolf Hall and Bring up the Bodies, by Mike Poulton. Hilary Mantel has been working alongside us to find a genuine theatrical language for these plays, even promising to include material she left out of the books in order to do so. The gripping tale of Thomas Cromwell’s rise to power under Henry VIII, and the King’s infatuation with Anne Boleyn, has captivated readers in their thousands, and I am thrilled to bring them to our stages. Both plays will be directed by Royal Court Associate Director, Jeremy Herrin, making his RSC directing debut.
“Producing work for all ages is essential as we develop the theatregoing audiences of the future and this year we are presenting a brand new adaptation of one of the great works of children’s literature, Peter Pan. Ella Hickson’s Wendy & Peter Pan brings a fresh perspective to this well known tale which I have no doubt will captivate young and old alike. Jonathan Munby returns to the Company to direct.
“Over the coming months, I look forward to sharing more of our plans, not least the redevelopment of The Other Place, which will – along with the development of new work – be led by Erica Whyman, who has joined the Company in the new post of Deputy Artistic Director.”
RSC Executive Director, Catherine Mallyon, said:
“My focus over the next few years will be in working alongside Greg to make sure our audiences have the best possible experience wherever they are. We have a fantastic Stratford home and will be celebrating all that is made in Stratford, whilst acknowledging our role as a national organisation, based in the Midlands, with an incredible reach across the country and overseas, with our productions, education and public participation work.
“This spring, Lucy Bailey’s The Winter’s Tale will tour to six UK cities and in the autumn we’ll take all our Royal Shakespeare Theatre shows to Newcastle Theatre Royal. We’re also well underway with preparations to open not just one, but two productions in New York in April. Matilda The Musical transfers to Broadway, and Julius Caesar plays at the Brooklyn Academy of Music, before touring to Columbus, Ohio, presented in collaboration with The Ohio State University.
“We’re especially pleased to be announcing In Stitches, our celebration of costume, just as we learn we’ve been awarded Stage 1 approval of our £2.147m bid to Arts Council England’s capital investment programme for refurbishment of our historic Costume Workshop in Stratford.
“We have a wonderful team of craftspeople, designers and theatre-makers in Stratford and we make almost all our own costumes, props and sets. The quality of the work is extraordinary, but our Costume Workshop is an old building, desperately in need of a revamp. We’ll now be able to submit detailed plans to retain the grade II listed parts of the Workshop, whilst transforming the current warren of tiny rooms into naturally lit and open plan studios. The newly transformed space will be much more environmentally efficient and, along with new machinery and equipment, will allow us to open up more opportunities for training and to welcome the public into the costume workshop for tours and special exhibitions.”
“We also continue our commitment to young people and schools, with new partnerships with regional theatres and a fantastic challenge to schools and students, based on Matilda The Musical.”
Deputy Artistic Director, Erica Whyman, said:
“The Other Place has always seemed to me to embody a philosophy as much a physical space and I want to continue its rich culture of innovation and celebration as we create a new place for artists to experiment, encounter each other and encounter Shakespeare. I am looking forward exploring the TOP ethos and the extraordinary legacy of Buzz Goodbody, as we grow our relationships with theatre-makers, local, national and international, creating work with a sense of radical mischief and festivity, building on all that’s gone before and celebrating the theatre that we can make now.
“We’ve secured planning permission to retain the Courtyard structure and to remodel the interior to create a small scale studio theatre, two new rehearsal rooms and to allow us to move our costume store into the former auditorium, opening it up to the public for the first time. We’ll work on raising the capital to undertake the work and developing an operating model which will allow us to run it sustainably, but in the meantime, audiences can expect to see TOP work beginning to emerge in various forms from 2014, which is after all, the 40th anniversary of the founding of The Other Place.”
Director of Events and Exhibitions, Geraldine Collinge, said:
“We’re delighted to be celebrating the very best of our history of costume, revealing treasures from our Museum Collection for the first time in the new Royal Shakespeare Theatre. We will also be revealing the skill and craft which goes on behind the scenes and developing an exhibition to enable people to experience it for themselves.”
Director of Education, Jacqui O’Hanlon, said:
“Through our education work we connect young people and their teachers to the artists and artistic practices at the heart of the RSC. Our Write Here Write Now with Matilda education programme is infused with the inspiration of Dennis Kelly and Tim Minchin, challenging children aged 8 – 13 to create new scripts and songs. And our new partnerships with five regional theatres will mean that, together, we can reach over 30,000 children and young people this year, bringing Shakespeare vividly to life for local schools and their communities.”
Toni Racklin, Head of Theatre, at the Barbican, said:
“I am thrilled to welcome the RSC to the Barbican for Gregory Doran’s inaugural season with this highly anticipated production of Richard II with David Tennant. The play, which perfectly complements our year-round programme, will receive a seven-week run in the Barbican Theatre over Christmas and is part of our ongoing commitment to present world-class theatre on our stages and beyond. We look forward to working closely with our colleagues at the RSC to bring Richard II to London.”
Press release issued by: RSC press office
January 23, 2013
Monday 9 December 2013 – Saturday 25 January 2014
The Barbican and the RSC today announce a new production of Shakespeare’s Richard II with David Tennant in the title role at the Barbican from Monday 9 December 2013 to Saturday 25 January 2014. Tickets go on sale to Barbican and RSC members from Thursday 7 March and to the public from Monday 18 March. The play will be directed by Gregory Doran as part of the RSC’s winter 2013 season and it will transfer to the Barbican in December after its run in Stratford in the autumn.
The relationship between Tennant and Doran follows the hugely successful production of Hamlet in 2008, which was also filmed for BBC television by Illuminations, and for Richard II they will be joined by Oliver Ford Davies who also appeared in Hamlet.
Toni Racklin, Head of Theatre at the Barbican, said: “I am thrilled to welcome the RSC to the Barbican for Gregory Doran’s inaugural season with this highly anticipated production of Richard II with David Tennant. The play, which perfectly complements our year-round programme, will receive a seven-week run in the Theatre over Christmas and is part of our ongoing commitment to present world-class theatre on our stages and beyond. We look forward to working closely with our colleagues at the RSC to bring Richard II to London.”
Gregory Doran, Artistic Director of the RSC, said: “I am delighted that we will be presenting Richard II to London audiences at the Barbican this winter, following our very successful collaboration during the World Shakespeare Festival. As we continue our journey to find a home for our work in London, it’s great to work with the Barbican again and it’s a fantastic space in which to present this particular production.”
Press release issued by: Barbican press office
August 11, 2012
Part of the World Shakespeare Festival, the RSC brings its new production of Much Ado About Nothing into the West End. Iqbal Khan makes his RSC directorial debut with a vibrant and colourful Indian setting, starring Meera Syal.
August 11, 2012
The RSC transfer their acclaimed new production of Julius Caesar from Stratford to the Nöel Coward Theatre in London as part of the World Shakespeare Festival. Gregory Doran directs a cast that includes Ray Fearon, Paterson Joseph, Jeffery Kissoon and Cyril Nri.
April 15, 2012
Matilda The Musical dominated the 2012 Olivier Awards this evening at the Royal Opera House, winning seven awards.
The 2012 Olivier Awards were presented at the Royal Opera House today in a star-studded ceremony organised by The Society of London Theatre.
The awards were dominated by the RSC’s production of Matilda The Musical which scooped seven awards including Best New Musical, Best Director for Matthew Warchus, Best Actress in a Musical for the four young Matilda leads, Sophia Kiely, Kerry Ingram, Cleo Demetriou and Eleanor Worthington Cox, and Best Actor in a Musical for Bertie Carvel. The show also won Best Sound Design for Simon Baker, Best Theatre Choreography for Peter Darling and Best Set Design for Rob Howell. Based on Roald Dahl’s best-selling children’s book and written by Dennis Kelly with music and lyrics by comedian Tim Minchin, the show continues to play to packed audiences at the Cambridge Theatre in London.
Other big winners tonight included the Donmar’s production of Anna Christie which scooped Best Revival for Rob Ashford’s production and Best Actress for Ruth Wilson.
Benedict Cumberbatch and Jonny Lee Miller were jointly awarded the prize for Best Actor for their alternating roles in Danny Boyle’s Frankenstein at the National theatre, plus Bruno Poet won Best Lighting Design for the show. The National Theatre also took home Best New Play for Collaborators by John Hodge, although missed out on any awards for its blockbuster comedy One Man, Two Guvnors now playing on Broadway and at the Theatre Royal Haymarket.
The Open Air Theatre’s production of Crazy For You won both Best Musical Revival and Best Costume Design for Peter McKintosh. Other musical nods included the Radio Two Audience Award which went to Les Miserables and Nigel Harman winning Best Performance in a Supporting Role in a Musical for Shrek The Musical at the Theatre Royal Drury Lane.
Sheridan Smith, who won Best Actress in a Musical last year for her role in Legally Blonde, kept the momentum by taking home a Best Performance in a Supporting Role award for her role in Trevor Nunn’s Flare Path at the Theatre Royal Haymarket.
Outstanding Achievement in an Affiliate Theatre went to the Theatre Royal Stratford East in association with the Barbican and Traverse Theatre for Roadkill.
In dance, the Outstanding Achievement in Dance went to Edward Watson for his acclaimed performance in The Metamorphosis at the Royal Opera House, and the Royal Opera House’s Dame Monica Mason was presented with a Special Award by Zoe Wanamaker for her extraordinary contribution to British dance. The Best New Dance Production went to DESH by Akram Khan Company at Sadler’s Wells.
In the Opera categories, English National Opera triumphed by winning both awards: Best New Opera Production for Castor And Pollux and the Outstanding Achievement in Opera award for the breadth and diversity of its artistic programme.
Best Entertainment and Family show was won by Derren Brown for Svengali, taking home his second Entertainment Olivier Award.
The evening ended with a Special Award tribute to lyricist Sir Tim Rice, with Siobhan McCarthy and Maria Friedman singing I know Him So Well from Chess, Elaine Paige performing Don’t Cry For Me Argentina from Evita and the cast of The Lion Ling.
Hosted for a second year by Michael Ball and Imelda Staunton, who are currently starring in Sweeney Todd at the Adelphi Theatre, the awards celebrate the best of London’s West End Theatre.
April 15, 2012
David Edgar’s play Written On The Heart has transferred from the RSC’s Swan Theatre to the Duchess Theatre in the West End. Directed by Greg Doran, this fascinating play about the creation of the King James Bible stars Oliver Ford Davies and Stephen Boxer.
April 1, 2012
Winner of 7 awards at the 2012 Olivier Awards, including Best New Musical, the RSC’s bold, enchanting and ingenious new production of Roald Dahl’s Matilda is directed by Matthew Warchus and written by Dennis Kelly and award-winning musician and comedian Tim Minchin.
Inspired by the twisted genius of Roald Dahl, with book by Dennis Kelly and original songs by Tim Minchin, Matilda is the captivating musical masterpiece from the Royal Shakespeare Company that revels in the anarchy of childhood, the power of imagination and the inspiring story of a girl who dares to change her destiny.
Winner of 7 Olivier Awards including Best musical, Matilda The Musical has captured the imagination of young and old alike. The record-breaking production continues to play to packed houses at London’s Cambridge Theatre.
Matilda The Musical is written by playwright Dennis Kelly, with music and lyrics by comedian, musician and composer Tim Minchin, and direction by Matthew Warchus. The production is designed by Rob Howell, with choreography by Peter Darling, orchestrations, additional music and musical supervision by Christopher Nightingale, lighting by Hugh Vanstone, sound by Simon Baker and the special effects and illusions are by Paul Kieve.
Matilda The Musical opened at the Cambridge Theatre on 22 November 2011 (previews from 18 October 2011).
Theatre: Cambridge Theatre
June 22, 2011
In the business world, it always feels slightly wrong when a company heralds the arrival of a fabulous new executive whilst their predecessor is still sat at their desks.
And it happens in the theatre world too. In casting, there’s rarely a chance for the hoofer sweating away night-after-night to announce their departure before the press release goes out about the bright young thing taking their place (Legally Blonde recently announcing that Carley Stenson is to replace Susan McFadden as Elle Woods caused much gasping, least of all from the rest of the cast, who read it first on Twitter!)
And there is nothing more brutal and shameless than a keen show busting to get into a West End venue. Even bastions of good taste such as the RSC aren’t shy of a little venue-stealing, announcing last month that Matilda would crash into the Cambridge Theatre in October despite Chicago’s long-running status at the venue, thereby prompting lots of speculation about the future of that show.
The National has also followed suit, leaking news last week that their James Cordon hit One Man, Two Guvnors will transfer to the Adelphi, current home of Love Never Dies, in November. The news sent “Love Must Die”-hards into spasms of delight and left Andrew Lloyd Webber’s Really Useful Group to then have to follow with a closing notice.
LND is especially interesting because Lloyd Webber’s Really Useful Group only part-owns the theatre: rumours have circulated for some time that the other owner of the Adelphi, the Nederlander Organization, has been unhappy with the income they are generating from the show (a significant part of a venue’s revenue comes from sales of merchandise and catering, and so depends on getting people through the doors).
I suppose it has to be the way. If you left the incumbent to make the announcement it would never happen, at least not quickly enough for the upstart. But there must be a way to do it with dignity. I tell you, showbusiness… it’s ruthless!