Betty Blue Eyes cast recording announced
August 19, 2011
Good news for Betty Blue Eyes fans.
Sarah Lancashire in Betty Blue Eyes
The Cameron Mackintosh show at the Novello Theatre in London is going to release a cast recording – although there’s still no news of an exact release date.
To get fans whipped up a first track has been released via Betty’s Facebook page, with Sarah Lancashire and cast singing Lionheart from the show.
Adapted from Alan Bennett and Malcolm Mowbray’s comic film ‘A Private Function’, Betty Blue Eyes features a score by Stiles and Drewe (Mary Poppins) and a cast led by Sarah Lancashire as Joyce and Reece Shearsmith as Gilbert.
Betty Blue Eyes is directed by Richard Eyre with a book by Ron Cowen and Daniel Lipman.
LINKS
LISTEN to Sarah Lancashire sing Lionheart from musical Betty Blue Eyes
SPECIAL OFFER: Book tickets to Betty Blue Eyes
Betty Blue Eyes Ticket Offer – Save £13.50
June 15, 2011
Sarah Lancashire in Betty Blue Eyes
Valid Monday to Friday performances until the 31 August
Adapted from Alan Bennett and Malcolm Mowbray’s hilarious comic film ‘A Private Function’, Betty Blue Eyes is the joyous new musical from Cameron Mackintosh.
This utterly British musical has a deliciously witty score by Stiles and Drewe (Mary Poppins) and a marvellous cast of great British actors, headed by Sarah Lancashire as Joyce, Reece Shearsmith as Gilbert and, of course, Betty as Herself.
Enjoy a very special offer on tickets to see this smash-hit new show.
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Valid Monday to Friday performances until the 31 August
Betty Blue Eyes and Free Dinner Offer
April 19, 2011
Sarah Lancashire in Betty Blue Eyes
Package Availability: Valid Monday to Thursday evenings. Excludes bank holidays and school holidays
IT’S 1947 – AUSTERITY BRITAIN, BELTS ARE BEING TIGHTENED, FAIR SHARES FOR ALL, THE COLDEST WINTER IN DECADES AND A ROYAL WEDDING. SOUND FAMILIAR?
Adapted from Alan Bennett and Malcolm Mowbray’s hilarious comic film ‘A Private Function’; a tale that centres around Betty, an adorable pig who is being illegally reared to ensure that the local dignitaries can celebrate the forthcoming Royal Wedding with a lavish banquet while everyone else makes do with Spam!
This utterly British musical, full of eccentric characters, has a deliciously witty score by Stiles and Drewe and a marvellous cast of great British actors, headed by Sarah Lancashire as Joyce, Reece Shearsmith as Gilbert and, of course, Betty as Herself.
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BOOK NOW: Enjoy a delicious free theatre dinner at either Porter’s English restaurant or Maxwell’s restaurant – both in Covent Garden – when booking a full price £59.50 ticket to see Betty Blue Eyes.
Package Availability: Valid Monday to Thursday evenings. Excludes bank holidays and school holidays
Exclusive Photos: Betty Blue Eyes – The First Night
April 15, 2011
One of the highlights of the West End’s year took place on Wednesday, as a star-studded audience gathered at the Novello Theatre in London for the first night of Betty Blue Eyes, produced by Cameron Mackintosh.
The show is Cameron’s first new musical for a decade and wowed both the audience and critics alike with its porky tale starring Sarah Lancashire and Reece Shearsmith.
Our official photographer Roy Tan was invited to follow the show’s composer George Stiles on his journey through the day and night of the launch of the show, meeting the creative team including the show’s lyricist Anthony Drewe, book writers Ron Cowen and Daniel Lipman, director Richard Eyre, and a host of famous faces.
Here we take a fascinating behind-the-scenes peek at final preparations for the show and the glamorous after-party at the Waldorf Hilton in London.
LINKS
Book tickets to Betty Blue Eyes at the Novello Theatre
Betty Blue Eyes – Review
April 14, 2011
A review of Betty Blue Eyes at the Novello Theatre in London
Sarah Lancashire as Joyce in Betty Blue Eyes. Photo: Roy Tan
BETTY BLUE EYES
A little bit of austerity joy has sprung up at the Novello Theatre where Cameron Mackintosh’s latest West End venture, Betty Blue Eyes, based on Malcolm Mowbray’s 1984 film A Private Function, has started a squealingly good run.
Set in a small Yorkshire town just after the Second World War, when austerity and food rationing is starting to bite hard, a group of local dignitaries plan to raise and slaughter an illegal pig for an exclusive, private function to celebrate the impending wedding of Princess Elizabeth to Phillip.
Alongside this runs the story of timid chiropodist Gilbert (Reece Shearsmith) and his social-climbing wife Joyce (Sarah Lancashire), who are thwarted in their efforts to get a foothold on the town’s social ladder and decide to steal the pig as an act of revenge (and hunger!).
Given the peculiarly British subject matter and source material, Mackintosh has clearly taken a gamble in hiring US screenwriters Ron Cowen and Daniel Lipman to pen the book of the show, particularly as it’s their first musical. However, having a bit of distance from a subject is not a bad thing and they’ve written some pacey, witty dialogue that captures the spirit of the times without paying undue reverence to the movie.
But it’s the musical numbers by George Stiles and Anthony Drewe that go much further than the book in rounding out the themes of the show, without ever losing sight of the “let’s have fun” element which is writ large throughout this production.
Betty Blue Eyes is the most tuneful, humorous and inventive original score we’ve heard in the West End for some time, with a number of songs guaranteed to be around forever. Cameron Mackintosh has championed Stiles & Drewe for decades and they have enjoyed notable success but never a big West End production to truly call their own. Mackintosh had to step up to the plate at some point, and he’s done so with a show that will, finally, put this writing duo firmly on the international map of Class A theatre composers.
There is also no doubt that Alan Bennett’s screenplay for A Private Function, written with the movie’s director Malcolm Mowbray, is a major factor in the night’s success. Whilst the film was a little too depressing to be jolly good farce and too much like comedy to be a decent observation of post-war Britain, it was carried by Bennett’s beautifully observed characters – and the performances of Maggie Smith, Michael Palin, Denholm Elliot et al.
Much of the success of Richard Eyre’s production is based on the same factors. An animatronics pig may be the title lead of Betty Blue Eyes (given the rumoured expense of the pig, it was strangely unanimated, with stellar facial gestures but nothing that a good Jim Henson puppet couldn’t have achieved), but the real leads act Betty off the stage.
Sarah Lancashire in the role of Joyce Chivers is as close to a musical theatre revelation as you are likely to get, and plays her like she has been at the epicentre of musical theatre life in Britain for the last thirty years. There’s no question that the song of the night is “Nobody”, which she delivers with a fierce gusto that will be sung back to Cameron Mackintosh by thousands of auditioning gals for decades to come.
Lancashire plays Joyce much warmer than Maggie Smith, which in some ways highlights the tonal difference between the show and the film. Anyone who can play a sexy, house-proud Northern matriarch whilst singing big, show-stopping numbers, all the while adding an emotional heart, a dry wit and a beautifully composed showbiz smile, gets my vote!
Reece Shearsmith in Betty Blue Eyes. Photo: Roy Tan
The League of Gentlemen’s Reece Shearsmith puts in a surprisingly emotive and convincing performance as Gilbert, presumably honed from years of playing it straight in macabre (or farcical) surrounds, and whilst he is not an obvious song and dance man, he makes Gilbert his own.
Adrian Scarborough doesn’t have a lot of room for manoeuvre with Wormwold, the government food inspector who, in true ‘Allo ‘Allo! style, is not only dressed as the Gestapo, but continually referred to as the Gestapo, taking the show more in the direction of Panto through no fault of his own. His big number, Painting By Heart, which reveals his passion for his work – and the painting of illegal meat to render it inedible – seems to come too early, and we need to see more of his evil ways before he can lighten up and show us his passionate side.
Also, painting Wormwold as the evil villain takes some of the meanness away from the town’s elite, reinforced by turning Allardyce (a lovely performance by Jack Edwards) into a warm and cuddly “pigophile” and Dr Swayby, played by David Bamber, as a rather one-dimensional bigot (his anti-Semitic remarks may have been historically accurate, but don’t fit well in a show that presents itself as nothing less than a joyous romp through the post-war years). All of this slightly undermines what’s at the story’s heart: that British class meant that not everyone was living in austere times.
Richard Eyre has put together a fine, National Theatre-quality supporting cast, notably Ann Emery as Mother Dear. It could have just have been me, but there felt like a subtle nod to Les Miserables in a number of scenes, perhaps some light Cameron Mackintosh ribbing by the creative team, with barricades stormed by headscarf-clad matriarchs through Stephen Mear’s quirky and inventive choreography.
Design by Tim Hatley ensures that the show keeps momentum, beautifully set against a cartoon-like blue sky and green hills.
For Mackintosh, Betty Blue Eyes must feel like a small, austerity production. The Novello is not quite a tiny, converted chocolate factory in South London, but for a producer more used to enormous productions that go global, Betty Blue Eyes must feel small-scale. However, Mackintosh is a canny producer, not only for capitalising on our current austerity and impending Royal wedding, but in creating a show that can tour to any sized venue in Britain, filling gaps in Arts funding-cut theatres nationwide, and a production that can be played out in village halls for the next fifty years.
PAUL RAVEN
LINKS
Book tickets to Betty Blue Eyes at the Novello Theatre in London
First Look Photos: Betty Blue Eyes at the Novello Theatre
April 4, 2011
Exclusive photos of new Cameron Mackintosh musical Betty Blue Eyes at the Novello Theatre in London
Reece Shearsmith and Betty in Betty Blue Eyes
Cameron Mackintosh’s latest stage production is a joyous new musical based on Alan Bennett and Malcolm Mowbray’s acclaimed screenplay A Private Function.
Betty Blue Eyes, currently in previews at the Novello Theatre, stars multi-talented actress Sarah Lancashire and The League of Gentlemen’s Reece Shearsmith as formidable social climber Joyce Chilvers and her downtrodden husband Gilbert, played in the film by Maggie Smith and Michael Palin.
They join a talented cast including Olivier Award winner Adrian Scarborough (After the Dance, Gavin & Stacey) as Wormold, David Bamber (My Night With Reg) as Swaby, Ann Emery (Billy Elliot) as Mother Dear, Jack Edwards as Allardyce, Mark Meadows as Lockwood… and a rather talented animatronic pig called Betty!
Betty Blue Eyes is directed by the award-winning Richard Eyre and penned by George Stiles (music) and Anthony Drewe (lyrics), with a book by Ron Cowen and Daniel Lipman.
LINKS
Book tickets to Betty Blue Eyes at the Novello Theatre in London
REECE SHEARSMITH in Betty Blue Eyes
January 31, 2011
The League of Gentlemen’s Reece Shearsmith in Betty Blue Eyes.
Reece Shearsmith usually does the scaring rather than being scared: his recent work in Ghost Stories at the Duke of York’s Theatre and as part of The League of Gentlemen, have often left audiences feeling very unnerved.
But in Betty Blue Eyes, Cameron Mackintosh’s latest stage musical, he is the one scared to death – by a formidable wife!
Shearsmith plays hen-pecked, down-trodden husband Gilbert Chilvers, whose wife Joyce (played by Sarah Lancashire) is a social climber who will stop at nothing within their small Yorkshire village. Set just after the Second World War, when the locals of the village want to celebrate the forthcoming Royal wedding, post-war rationing prompts them to illegally raise a pig for the event. But Gilbert and Joyce have their own ideas for the animal – a plan that throws the village into chaos.
The show is based on Alan Bennett and Malcolm Mowbray’s acclaimed screenplay A Private Function, with husband and wife famously played by Michael Palin and Maggie Smith.
Reece Shearsmith has built up an impressive list of stage credits alongside his TV and movie work, including Comedians at the Lyric Hammersmith, The Common Pursuit (Menier Chocolate Factory), The Producers (Theatre Royal, Drury Lane), As You Like It (Wyndham’s Theatre) and Art (Whitehall Theatre), as well as The League of Gentlemen shows at the Theatre Royal Drury Lane and on national tour.
Reece’s TV work includes the biopic of Morecambe and Wise, scary and twistedly funny series Psychoville and, of course, The League of Gentleman. Film includes Burke and Hare, The Cottage, The League of Gentleman’s Apocalypse, Shaun of the Dead and This Year’s Love.
Produced by Cameron Mackintosh, Betty Blue Eyes opens at the Novello Theatre from 19 March 2011, directed by Richard Eyre and penned by George Stiles (music) and Anthony Drewe (lyrics), with a book by Ron Cowen and Daniel Lipman. The show also stars Sarah Lancashire (Coronation Street, Clocking Off) as Joyce Chilvers, Adrian Scarborough (After the Dance, Gavin & Stacey) as Wormold, David Bamber (My Night With Reg) as Swaby, Ann Emery (Billy Elliot) as Mother Dear, Jack Edwards as Allardyce and Mark Meadows as Lockwood.
LINKS
Book tickets to Betty Blue Eyes at the Novello Theatre in London
Interview with Betty Blue Eyes composers Stiles & Drewe
SARAH LANCASHIRE in Betty Blue Eyes
January 31, 2011
Sarah Lancashire takes on Maggie Smith’s role in the new stage musical Betty Blue Eyes.
Cameron Mackintosh’s latest stage musical, Betty Blue Eyes, is based on Alan Bennett and Malcolm Mowbray’s acclaimed screenplay A Private Function. In the film Maggie Smith played the formidable Joyce Chilvers, a role that accomplished TV star Sarah Lancashire will take on in the new stage production when it opens at the Novello Theatre from 19 March 2011.
Sarah trained at the Guildhall School of Music and Drama and is best known for her TV work, including playing Raquel in Coronation Street, All The Small Things, Dr Who, Clocking Off, Cherished, Fiver Daughters, Murder Most Horrid, Where The Heart Is, Rose and Maloney, Wurthering Heights, Seeing Red and The Cry.
Her stage work includes playing Miss Adelaide in the Donmar’s production of Guys and Dolls at the Piccadilly theatre, Audrey in Little Shop of Horrors at the Oldham Coliseum and Linda in Blood Brothers at the Albery (now the Noel Coward) Theatre.
Produced by Cameron Mackintosh, Betty Blue Eyes is directed by Richard Eyre and penned by George Stiles (music) and Anthony Drewe (lyrics), with a book by Ron Cowen and Daniel Lipman. The show also stars Reece Shearsmith (The League of Gentlemen) as Gilbert, Adrian Scarborough (After the Dance, Gavin & Stacey) as Wormold, David Bamber (My Night With Reg) as Swaby, Ann Emery (Billy Elliot) as Mother Dear, Jack Edwards as Allardyce and Mark Meadows as Lockwood.
The story is set in a small Yorkshire village just after the Second World War. When the locals want to celebrate the forthcoming Royal wedding, post-war rationing prompts them to illegally raise a pig for the event. But social climber Joyce (Lancashire) and her down-trodden husband Gilbert (Shearsmith) plot a scheme of their own that throws the village into chaos.
LINKS
Book tickets to Betty Blue Eyes at the Novello Theatre in London
Interview with Betty Blue Eyes composers Stiles & Drewe
JONATHAN CAKE in A Flea in her Ear
December 9, 2010
Jonathan Cake to co-star with Tom Hollander and Lisa Dillon in A Flea in her Ear
Jonathan Cake has been spending a fair amount of time on Broadway of late, so it’s good to see him come back to London – and to have some fun this Christmas in Richard Eyre’s new production of French farce A Flea in her Ear at the Old Vic.
His recent Broadway escapades include New York Theatre Workshop’s April production of Restoration written and starring Claudia Shear, plus Braham in Christopher Hampton’s The Philanthropist opposite Matthew Broderick, Iachimo in Cymbeline and Jason in Deborah Warner’s Medea with Fiona Shaw.
On the London stage Jonathan has appeared in numerous productions including the National’s Baby Doll and an acclaimed performance in Coriolanus at Shakespeare’s Globe.
TV credits include Extras, Mosely, A Dance to the Music of Time, The Government Inspector, Cold Lazarus, Six Degrees, Empire and Law and Order, with films ranging from First Knight to Brideshead Revisited.
Cake is co-starring in A Flea in her Ear alongside Tom Hollander, Lisa Dillon, Di Botcher, Oliver Cotton, Freddie Fox, Fiona Glascott, Lloyd Hutchinson, Tim McMullan, John Marquez, William Maxwell, Rebecca Night, Maggie Service and Walter van Dyk.
The revival of Georges Feydeau’s 1907 French farce A Flea in her Ear is directed by Richard Eyre in a version by John Mortimer.
Book tickets to A Flea in her Ear at the Old Vic Theatre in London
LISA DILLON in A Flea in her Ear
December 7, 2010
Lisa Dillon returns to the Old Vic in A Flea in her Ear
Glamorous actress Lisa Dillon cannot get enough of the Old Vic theatre in London. She has recently completed a run in Noel Coward’s Design for Living at the South London venue, and now stars in French farce A Flea in her Ear, alongside Jonathan Cake and Tom Hollander.
Dillon is best known for playing Mary Smith in the BBC’s Cranford, but its for her stage work that she is getting the attention. Prior to Design for Living she played another Noel Coward classic – this time Private Lives at the Vaudeville with Kim Cattrall, directed by Richard Eyre – who also directs A Flea in her Ear. She also starred in Coward’s Present Laughter at the National Theatre in 2008 alongside Alex Jennings.
Lisa originally trained at RADA and since graduating her wide-ranging roles have included the lead in Euripides’ Iphigeneia at Aulis at the Crucible Theatre Sheffield, Desdemona in Othello with the RSC, Hedda Gabler at the Almeida and Duke of York’s, Tennessee Williams’ Period of Adjustment, Varya in The Cherry Orchard, Under the Blue Sky in the West End, and Hilda in The Master Builder with Patrick Stewart and directed by Anthony Page, which earned her an Ian Charleson Award for Outstanding Newcomer in 2004.
Her on-screen credits include Cambridge Spies and Bright Young Things.
This new production of Georges Feydeau’s 1907 French farce A Flea in her Ear is directed by Richard Eyre in a version by John Mortimer.
Book tickets to A Flea in her Ear at the Old Vic Theatre in London
