Betty Blue Eyes – Review
April 14, 2011
A review of Betty Blue Eyes at the Novello Theatre in London
Sarah Lancashire as Joyce in Betty Blue Eyes. Photo: Roy Tan
BETTY BLUE EYES 
A little bit of austerity joy has sprung up at the Novello Theatre where Cameron Mackintosh’s latest West End venture, Betty Blue Eyes, based on Malcolm Mowbray’s 1984 film A Private Function, has started a squealingly good run.
Set in a small Yorkshire town just after the Second World War, when austerity and food rationing is starting to bite hard, a group of local dignitaries plan to raise and slaughter an illegal pig for an exclusive, private function to celebrate the impending wedding of Princess Elizabeth to Phillip.
Alongside this runs the story of timid chiropodist Gilbert (Reece Shearsmith) and his social-climbing wife Joyce (Sarah Lancashire), who are thwarted in their efforts to get a foothold on the town’s social ladder and decide to steal the pig as an act of revenge (and hunger!).
Given the peculiarly British subject matter and source material, Mackintosh has clearly taken a gamble in hiring US screenwriters Ron Cowen and Daniel Lipman to pen the book of the show, particularly as it’s their first musical. However, having a bit of distance from a subject is not a bad thing and they’ve written some pacey, witty dialogue that captures the spirit of the times without paying undue reverence to the movie.
But it’s the musical numbers by George Stiles and Anthony Drewe that go much further than the book in rounding out the themes of the show, without ever losing sight of the “let’s have fun” element which is writ large throughout this production.
Betty Blue Eyes is the most tuneful, humorous and inventive original score we’ve heard in the West End for some time, with a number of songs guaranteed to be around forever. Cameron Mackintosh has championed Stiles & Drewe for decades and they have enjoyed notable success but never a big West End production to truly call their own. Mackintosh had to step up to the plate at some point, and he’s done so with a show that will, finally, put this writing duo firmly on the international map of Class A theatre composers.
There is also no doubt that Alan Bennett’s screenplay for A Private Function, written with the movie’s director Malcolm Mowbray, is a major factor in the night’s success. Whilst the film was a little too depressing to be jolly good farce and too much like comedy to be a decent observation of post-war Britain, it was carried by Bennett’s beautifully observed characters – and the performances of Maggie Smith, Michael Palin, Denholm Elliot et al.
Much of the success of Richard Eyre’s production is based on the same factors. An animatronics pig may be the title lead of Betty Blue Eyes (given the rumoured expense of the pig, it was strangely unanimated, with stellar facial gestures but nothing that a good Jim Henson puppet couldn’t have achieved), but the real leads act Betty off the stage.
Sarah Lancashire in the role of Joyce Chivers is as close to a musical theatre revelation as you are likely to get, and plays her like she has been at the epicentre of musical theatre life in Britain for the last thirty years. There’s no question that the song of the night is “Nobody”, which she delivers with a fierce gusto that will be sung back to Cameron Mackintosh by thousands of auditioning gals for decades to come.
Lancashire plays Joyce much warmer than Maggie Smith, which in some ways highlights the tonal difference between the show and the film. Anyone who can play a sexy, house-proud Northern matriarch whilst singing big, show-stopping numbers, all the while adding an emotional heart, a dry wit and a beautifully composed showbiz smile, gets my vote!
Reece Shearsmith in Betty Blue Eyes. Photo: Roy Tan
The League of Gentlemen’s Reece Shearsmith puts in a surprisingly emotive and convincing performance as Gilbert, presumably honed from years of playing it straight in macabre (or farcical) surrounds, and whilst he is not an obvious song and dance man, he makes Gilbert his own.
Adrian Scarborough doesn’t have a lot of room for manoeuvre with Wormwold, the government food inspector who, in true ‘Allo ‘Allo! style, is not only dressed as the Gestapo, but continually referred to as the Gestapo, taking the show more in the direction of Panto through no fault of his own. His big number, Painting By Heart, which reveals his passion for his work – and the painting of illegal meat to render it inedible – seems to come too early, and we need to see more of his evil ways before he can lighten up and show us his passionate side.
Also, painting Wormwold as the evil villain takes some of the meanness away from the town’s elite, reinforced by turning Allardyce (a lovely performance by Jack Edwards) into a warm and cuddly “pigophile” and Dr Swayby, played by David Bamber, as a rather one-dimensional bigot (his anti-Semitic remarks may have been historically accurate, but don’t fit well in a show that presents itself as nothing less than a joyous romp through the post-war years). All of this slightly undermines what’s at the story’s heart: that British class meant that not everyone was living in austere times.
Richard Eyre has put together a fine, National Theatre-quality supporting cast, notably Ann Emery as Mother Dear. It could have just have been me, but there felt like a subtle nod to Les Miserables in a number of scenes, perhaps some light Cameron Mackintosh ribbing by the creative team, with barricades stormed by headscarf-clad matriarchs through Stephen Mear’s quirky and inventive choreography.
Design by Tim Hatley ensures that the show keeps momentum, beautifully set against a cartoon-like blue sky and green hills.
For Mackintosh, Betty Blue Eyes must feel like a small, austerity production. The Novello is not quite a tiny, converted chocolate factory in South London, but for a producer more used to enormous productions that go global, Betty Blue Eyes must feel small-scale. However, Mackintosh is a canny producer, not only for capitalising on our current austerity and impending Royal wedding, but in creating a show that can tour to any sized venue in Britain, filling gaps in Arts funding-cut theatres nationwide, and a production that can be played out in village halls for the next fifty years.
PAUL RAVEN
LINKS
Book tickets to Betty Blue Eyes at the Novello Theatre in London
First Look Photos: Betty Blue Eyes at the Novello Theatre
April 4, 2011
Exclusive photos of new Cameron Mackintosh musical Betty Blue Eyes at the Novello Theatre in London
Reece Shearsmith and Betty in Betty Blue Eyes
Cameron Mackintosh’s latest stage production is a joyous new musical based on Alan Bennett and Malcolm Mowbray’s acclaimed screenplay A Private Function.
Betty Blue Eyes, currently in previews at the Novello Theatre, stars multi-talented actress Sarah Lancashire and The League of Gentlemen’s Reece Shearsmith as formidable social climber Joyce Chilvers and her downtrodden husband Gilbert, played in the film by Maggie Smith and Michael Palin.
They join a talented cast including Olivier Award winner Adrian Scarborough (After the Dance, Gavin & Stacey) as Wormold, David Bamber (My Night With Reg) as Swaby, Ann Emery (Billy Elliot) as Mother Dear, Jack Edwards as Allardyce, Mark Meadows as Lockwood… and a rather talented animatronic pig called Betty!
Betty Blue Eyes is directed by the award-winning Richard Eyre and penned by George Stiles (music) and Anthony Drewe (lyrics), with a book by Ron Cowen and Daniel Lipman.
LINKS
Book tickets to Betty Blue Eyes at the Novello Theatre in London
REECE SHEARSMITH in Betty Blue Eyes
January 31, 2011
The League of Gentlemen’s Reece Shearsmith in Betty Blue Eyes.
Reece Shearsmith usually does the scaring rather than being scared: his recent work in Ghost Stories at the Duke of York’s Theatre and as part of The League of Gentlemen, have often left audiences feeling very unnerved.
But in Betty Blue Eyes, Cameron Mackintosh’s latest stage musical, he is the one scared to death – by a formidable wife!
Shearsmith plays hen-pecked, down-trodden husband Gilbert Chilvers, whose wife Joyce (played by Sarah Lancashire) is a social climber who will stop at nothing within their small Yorkshire village. Set just after the Second World War, when the locals of the village want to celebrate the forthcoming Royal wedding, post-war rationing prompts them to illegally raise a pig for the event. But Gilbert and Joyce have their own ideas for the animal – a plan that throws the village into chaos.
The show is based on Alan Bennett and Malcolm Mowbray’s acclaimed screenplay A Private Function, with husband and wife famously played by Michael Palin and Maggie Smith.
Reece Shearsmith has built up an impressive list of stage credits alongside his TV and movie work, including Comedians at the Lyric Hammersmith, The Common Pursuit (Menier Chocolate Factory), The Producers (Theatre Royal, Drury Lane), As You Like It (Wyndham’s Theatre) and Art (Whitehall Theatre), as well as The League of Gentlemen shows at the Theatre Royal Drury Lane and on national tour.
Reece’s TV work includes the biopic of Morecambe and Wise, scary and twistedly funny series Psychoville and, of course, The League of Gentleman. Film includes Burke and Hare, The Cottage, The League of Gentleman’s Apocalypse, Shaun of the Dead and This Year’s Love.
Produced by Cameron Mackintosh, Betty Blue Eyes opens at the Novello Theatre from 19 March 2011, directed by Richard Eyre and penned by George Stiles (music) and Anthony Drewe (lyrics), with a book by Ron Cowen and Daniel Lipman. The show also stars Sarah Lancashire (Coronation Street, Clocking Off) as Joyce Chilvers, Adrian Scarborough (After the Dance, Gavin & Stacey) as Wormold, David Bamber (My Night With Reg) as Swaby, Ann Emery (Billy Elliot) as Mother Dear, Jack Edwards as Allardyce and Mark Meadows as Lockwood.
LINKS
Book tickets to Betty Blue Eyes at the Novello Theatre in London
Interview with Betty Blue Eyes composers Stiles & Drewe
SARAH LANCASHIRE in Betty Blue Eyes
January 31, 2011
Sarah Lancashire takes on Maggie Smith’s role in the new stage musical Betty Blue Eyes.
Cameron Mackintosh’s latest stage musical, Betty Blue Eyes, is based on Alan Bennett and Malcolm Mowbray’s acclaimed screenplay A Private Function. In the film Maggie Smith played the formidable Joyce Chilvers, a role that accomplished TV star Sarah Lancashire will take on in the new stage production when it opens at the Novello Theatre from 19 March 2011.
Sarah trained at the Guildhall School of Music and Drama and is best known for her TV work, including playing Raquel in Coronation Street, All The Small Things, Dr Who, Clocking Off, Cherished, Fiver Daughters, Murder Most Horrid, Where The Heart Is, Rose and Maloney, Wurthering Heights, Seeing Red and The Cry.
Her stage work includes playing Miss Adelaide in the Donmar’s production of Guys and Dolls at the Piccadilly theatre, Audrey in Little Shop of Horrors at the Oldham Coliseum and Linda in Blood Brothers at the Albery (now the Noel Coward) Theatre.
Produced by Cameron Mackintosh, Betty Blue Eyes is directed by Richard Eyre and penned by George Stiles (music) and Anthony Drewe (lyrics), with a book by Ron Cowen and Daniel Lipman. The show also stars Reece Shearsmith (The League of Gentlemen) as Gilbert, Adrian Scarborough (After the Dance, Gavin & Stacey) as Wormold, David Bamber (My Night With Reg) as Swaby, Ann Emery (Billy Elliot) as Mother Dear, Jack Edwards as Allardyce and Mark Meadows as Lockwood.
The story is set in a small Yorkshire village just after the Second World War. When the locals want to celebrate the forthcoming Royal wedding, post-war rationing prompts them to illegally raise a pig for the event. But social climber Joyce (Lancashire) and her down-trodden husband Gilbert (Shearsmith) plot a scheme of their own that throws the village into chaos.
LINKS
Book tickets to Betty Blue Eyes at the Novello Theatre in London
Interview with Betty Blue Eyes composers Stiles & Drewe
Betty Blue Eyes opens bookings
December 1, 2010
Booking has opened for new Cameron Mackintosh musical Betty Blue Eyes, coming into the West End this Spring.
Stars of Betty Blue Eyes Sarah Lancashire and Reece Shearsmith
The new show, which is based on Alan Bennett and Malcolm Mowbray’s acclaimed screenplay A Private Function, has been penned by Mackintosh protégées George Stiles (music) and Anthony Drewe (lyrics), with a book by Ron Cowen and Daniel Lipman.
Richard Eyre will direct the show, which previews from 19 March 2011 at the Novello Theatre.
The musical is a move back to new work for the Les Miserables producer, whose recent projects have been revivals of hit shows such as Mary Poppins and Oliver!, or transfers of Broadway shows Avenue Q and Hair. “Betty Blue Eyes is my first original musical in over ten years”, said Mackintosh. “As a long-time admirer of Alan Bennett’s wickedly funny screenplay for the film A Private Function, I immediately fell in love with this infectious and delicious musical treatment which has expanded on the original”.
The show will see Sarah Lancashire (Coronation Street, Seeing Red) as Joyce Chilvers, played in the 1984 movie by Maggie Smith. Lancashire will be returning to the West End after her brief appearance in Guys & Dolls in 2005. Her hen-pecked husband in the show, Gilbert, will be played by Reece Shearsmith (The League of Gentlemen).
The story is set in a small Yorkshire village just after the Second World War. When the locals want to celebrate the forthcoming Royal wedding of Elizabeth and Philip, post-war rationing prompts them to illegally raise a pig for the event. But social climber Joyce (Lancashire) and her down-trodden husband Gilbert (Shearsmith) plot a scheme of their own that throws the village into chaos.
The show’s opening will coincide with the forthcoming April marriage of Prince William and Kate Middleton.
Other casting includes Adrian Scarborough (After the Dance, Gavin & Stacey) as Wormold, David Bamber (My Night With Reg) as Swaby, Ann Emery (Billy Elliot) as Mother Dear, Jack Edwards as Allardyce and Mark Meadows as Lockwood.
The story is set in a small Yorkshire village just after the Second World War. When the locals want to celebrate the forthcoming Royal wedding, post-war rationing prompts them to illegally raise a pig for the event. But social climber Joyce (Lancashire) and her down-trodden husband Gilbert (Shearsmith) plot a scheme of their own that throws the village into chaos.
The show’s musical director is Richard Beadle, with musical staging by Stephen Mear, design by Tim Hatley, lighting by Neil Austin, sound by Mick Potter, musical supervision by Stephen Brooker and orchestrations by William David Brohn.
Ahead of Betty Blue Eyes, director Richard Eyre will direct Tom Hollander in a new production of Feydeau’s farce A Flea in her Ear at the Old Vic Theatre from 4 December.
Onassis is currently playing at the Novello Theatre starring Robert Lindsay, and is currently booking until 8 January 2011.
Read an interview with George Stiles and Anthony Drewe
Book tickets to Betty Blue Eyes at the Novello Theatre in London
Tony Awards tonight
June 13, 2010
The annual Tony Awards will be announced tonight, Sunday 13 June 2010, at Radio City Music Hall in New York.
Sean Hayes, presenting this year's Tony awards
The star-studded event will be hosted by Sean Hayes, best known as Jack from Will & Grace and currently starring in Promises, Promises on Broadway.
The awards, the most important in the US arts calendar, will feature performances from current Broadway shows including American Idiot, Fela!, Memphis, Million Dollar Quartet, La Cage aux Folles, A Little Night Music and Ragtime. Star presenters will include Katie Holmes, Will & Jada Pinkett Smith, Angela Lansbury, Mark Sanchez, Daniel Radcliffe, Barbara Cook, Stanley Tucci, Idina Menzel and Laura Bell Bundy!
Other appearances and performances will include Glee’s Lea Michele and Matthew Morrison, Paula Abdul, Antonio Banderas, Cate Blanchett, Kristin Chenoweth, Michael Douglas, Scarlett Johansson, Lucy Liu, Helen Mirren, Chris Noth, Bernadette Peters, Raquel Welch and David Hyde Pierce, who will receive a special Tony Award and is slated to appear in London next month in La Bete at the Comedy Theatre.
Shows up for awards this year include a revival of August Wilson’s Fences starring Denzel Washington (10nominations); Broadway musical Fela! (11 nominations) – and which makes its UK premiere at the National Theatre in November; and nods for a number of high-profile Hollywood stars including Christopher Walken (Behanding in Spokane), Liev Schreiber (A View From The Bridge), and Scarlett Johansson (A View from the Bridge).
Glee's Lea Michele rehearsing on Friday for the Tony Awards
Recent Broadway musical The Addams Family starring Nathan Lane and Bebe Neuwirth, failed to find favour with the Tony awards committee, scoring only two nominations – best original score and best supporting actor in a musical for Kevin Chamberlin.
UK creatives or shows have garned 28 nominations this year. The Menier Chocolate Factory in South London will be awaiting news on two of its successful productions that have transferred to Broadway and received 15 Tony nominations: La Cage Aux Folles opened at the Longacre Theatrein April to enormous critical acclaim. The show features original London star Douglas Hodge and US actor Kelsey Grammer, both of whom have been nominated in the best actor in a musical category. In total the show has picked up 11 nominations, including best revival of a musical, scenic design (Tim Shortall), costume design (Matthew Wright), lighting design (Nick Richings), sound design (Jonathan Deans), direction (Terry Johnson), choreography (Lynne Page), orchestrations (Jason Carr) and best supporting actor (Robin De Jesus).
Also A Little Night Music, which started life at the Menier in 2008 before transferring to the Garrick theatre in the West End, opened on Broadway at the Walter Kerr theatre in December 2009. It has picked up 4 nominations, including competing against La Cage in the best musical revival category, and nods for Catherine Zeta-Jones (best actress in a musical), Angela Lansbury (best supporting actress in a musical), and sound design (Dan Moses Schreier and Gareth Owen).
Douglas Hodge and Kelsey Grammer in La Cage Aux Folles
Other nominated UK shows include the Donmar Warehouse’s transfer of Red which enjoys 7 nominations including best play, best actor for Alfred Molina, best supporting actor for Eddie Redmayne, and best scenic design (Christopher Oram), lighting design (Neil Austin), sound design (Adam Cork) and direction (Michael Grandage). The Donmar production of Hamlet sees a nod for Jude Law and best lighting design of a play for Neil Austin. And the Royal Court’s production of Enron, which failed on Broadway but continues to sell well in London is nominated for best original score (music by Adam Cork and lyrics by Lucy Prebble), best supporting actor for Stephen Kunken, best sound design (Adam Cork) and best lighting design (Mark Henderson). Also veteran UK actress Rosemary Harris also received a best supporting nod for The Royal Family and one of the UK’s greatest living playwrights, Alan Ayckbourn, will receive a lifetime achievement award.
US viewers can watch the awards on CBS from 8pm ET. Selected countries are also airing the awards over the next week, although not in the UK. TonyAwards.com will only be featuring live footage of the red carpet arrivals and Creative Arts Awards from 6pm until 8pm ET.
See a list of Tony Award 2010 nominations here
OLIVIER AWARDS – Best Lighting Winners
June 6, 2010
OLIVIER AWARDS – Best Lighting Winners
Best Lighting Design
2011 The White Guard designed by Neil Austin
2010 Burnt By The Sun designed by Mark Henderson
2009 The Chalk Garden designed by Paule Constable
2008 Howard Harrison for Macbeth
2007 Sunday In The Park With George designed by Natasha Chivers and Mike Robertson
2006 Don Carlos designed by Paule Constable
2005 His Dark Materials designed by Paule Constable
2004 Pacific Overtures designed by Hugh Vanstone
2003 Bacchai designed by Peter Mumford
Best Lighting Designer
2002 Mark Henderson for A Midsummer Night’s Dream and The Playboy of the Western World
2001 Hugh Vanstone for The Cherry Orchard and The Graduate
2000 Mark Henderson for Plenty, Spend Spend Spend, Suddenly Last Summer, The Forest, The Lion, the Witch and the Wardrobe, The Real Thing and Vassa
1999 Hugh Vanstone for The Blue Room and The Unexpected Man
1998 Rick Fisher for Chips With Everything and Lady In The Dark
1997 Chris Parry for Tommy
1996 David Hersey for Burning Blue, The Glass Menagerie and Twelfth Night
1995 Mark Henderson for his work during the year
1994 Rick Fisher for Hysteria, Machinal and Moonlight
1993 Howell Binkley for Kiss Of The Spider Woman
1992 Mark Henderson for Murmuring Judges and Long Day’s Journey Into Night
1991 Jean Kalman for Richard III and White Chameleon
La Cage dominates Tony nominations
May 7, 2010
The UK’s Menier Chocolate Factory has scored another hit with its production of La Cage Aux Folles – this time on Broadway.
La Cage Aux Folles starring Douglas Hodge and Kelsey Grammer
The small South London arts venue has dominated this year’s Tony Awards nominations – with a total of 15 nods. Its musical productions of Jerry Herman’s La Cage Aux Folles and Stephen Sondheim’s A Little Night Music have both garnered multiple nominations for their Broadway transfers.
La Cage Aux Folles premiered at the Chocolate Factory in 2008 before transferring the Playhouse Theatre in London, and opened at the Longacre Theatre on Broadway last month to enormous critical acclaim.
The show features original London star Douglas Hodge and US actor Kelsey Grammer, both of whom have been nominated in the best actor in a musical category. In total the show has picked up 11 nominations, including best revival of a musical, scenic design (Tim Shortall), costume design (Matthew Wright), lighting design (Nick Richings), sound design (Jonathan Deans), direction (Terry Johnson), choreography (Lynne Page), orchestrations (Jason Carr) and best supporting actor (Robin De Jesus).
A Little Night Music, which started life at the Menier in 2008 before transferring to the Garrick theatre in the West End, opened on Broadway at the Walter Kerr theatre in December 2009. It has picked up 4 nominations, including competing against La Cage in the best musical revival category, and nods for Catherine Zeta-Jones (best actress in a musical), Angela Lansbury (best supporting actress in a musical), and sound design (Dan Moses Schreier and Gareth Owen).
Catherine Zeta Jones and Angela Lansbury in A Little Night Music
Overall, it has been a successful year for the UK on Broadway, with a total of 28 nominations going to UK creatives. Other celebrated UK shows include the Donmar Warehouse’s transfer of Red which enjoys 7 nominations including best play, best actor for Alfred Molina, best supporting actor for Eddie Redmayne, and best scenic design (Christopher Oram), lighting design (Neil Austin), sound design (Adam Cork) and direction (Michael Grandage).
The Donmar also saw its production of Hamlet garner a best actor nod for Jude Law and best lighting design of a play for Neil Austin.
The Royal Court’s production of Enron, which transferred to Broadway but was not well received and has closed early at the Broadhurst Theatre, was nominated for best original score (music by Adam Cork and lyrics by Lucy Prebble), best supporting actor for Stephen Kunken, best sound design (Adam Cork) and best lighting design (Mark Henderson). Enron is currently playing to strong audiences in London at the Noel Coward Theatre.
Veteran UK actress Rosemary Harris also received a best supporting nod for The Royal Family and one of the UK’s greatest living playwrights, Alan Ayckbourn, will receive a lifetime achievement award.
Other big hitters nominated this year include a revival of August Wilson’s Fences starring Denzel Washington (10 nominations); Broadway musical Fela! (11 nominations) – and which makes its UK premiere at the National Theatre in November; and nods for a number of high-profile Hollywood stars including Christopher Walken (Behanding in Spokane), Liev Schreiber (A View From The Bridge), and Scarlett Johansson (A View from the Bridge).
Recent Broadway musical The Addams Family starring Nathan Lane and Bebe Neuwirth, failed to find favour with the Tony awards committee, scoring only two nominations – best original score and best supporting actor in a musical for Kevin Chamberlin.
The 64th awards will be presented on 13 July in New York.
See a list of Tony Award 2010 nominations here
