Anna Christie starring Jude Law at the Donmar Warehouse – Round-up of Reviews

As Michael Grandage ends his 10 year stewardship as artistic director of the Donmar Warehouse, he’s certainly going out with a bang.

In a final season that includes some big names, including Jude Law, Ruth Wilson, Douglas Hodge, Karen Gillan and Eddie Redmayne, it’s Law and Wilson up first in a new production of Eugene O’Neill’s Anna Christie (until 8 October 2011).

Eugene O’Neill’s epic, Pulitzer prize winning play is directed by Donmar associate Rob Ashford, fresh from directing Shrek The Musical at the Theatre Royal Drury Lane, and with design is by Paul Wills, whose Donmar productions include The Man Who Had All The Luck and Novecento.

Both Jude Law and Ruth Wilson are returning to the Donmar after performances in 2009: Law in Hamlet for the Donmar West End season and Ruth Wilson in A Streetcar Named Desire.

So what did the critics think? See our round-up of reviews, below.

 

Donmar Warehouse names new head

The Donmar Warehouse in London has named Josie Rourke as the new artistic director of the successful Covent Garden venue. She will take over from Michael Grandage at the beginning of 2012.

It has been rumoured for some time that Rourke, 34, who is currently artistic director of the Bush Theatre, would take over at the Donmar. Her stewardship of the Bush since 2007 has seen a number of high profile productions, successful funding drives and the relocation of the venue to a new home, which will open in September this year. She has also worked in Sheffield, at the Royal Court, the Old Vic and London’s National Theatre.

Rourke is also directing the forthcoming high-profile production of Much Ado About Nothing at the Wyndham’s Theatre (from 16 May) starring David Tennant and Catherine Tate.

Grandage has proved a hugely successful artistic director at the Donmar over the past 10 years through a succession of hit shows including his Olivier and Tony Award winning production of Red starring Alfred Molina . He in turn inherited the venue from Sam Mendes, who cemented the Donmar’s reputation as a world-class theatre.

Rourke said that she was “thrilled and honoured” to be taking up the post and that, “ten years ago, I started my career as the Resident Assistant Director at the Donmar. Nothing could make me more proud than to return to the place where I began. Both Michael Grandage and Sam Mendes have always been great friends and invaluable mentors and when I take over as the Donmar’s Artistic Director I will inherit their legacy of twenty years of wonderful productions, extraordinary performances and great nights out at the theatre.”

Michael Grandage commented that the Donmar’s board of directors had made “an inspired appointment” and that “the Donmar will now benefit from that energy and leadership.”

Grandage’s last season at the Donmar will include Jude Law and Ruth Wilson starring in Eugene O’Neill’s play Anna Christie, Douglas Hodge in John Osborne’s Inadmissible Evidence and Eddie Redmayne in Richard II.

LINKS

More Donmar Warehouse news

More news on Josie Rourke

Book tickets to Josie Rourke’s new production of Much Ado About Nothing

 

Nunn directs Sienna Miller in Rattigan

Trevor Nunn will direct Hollywood actress Sienna Miller in a new revival of Terence Rattigan’s 1942 play Flare Path at the Theatre Royal Haymarket this spring.

Flare Path is to be Nunn’s first production as Artistic Director of the Theatre Royal Haymarket Company, following Jonathan Kent and Sean Mathias in the role.

Flare Path (from 4 March 2011) joins a long list of plays timed for Terence Rattigan’s centenary this year, including Thea Sharrock’s new production of Cause Célèbre at The Old Vic from 17 March starring Anne-Marie Duff and Niamh Cusack, Less Than Kind currently playing at the Jermyn Street Theatre starring Sara Crowe, In Praise of Love at the Royal & Derngate in Northampton from 1 April directed by Richard Beecham, and a revival of The Deep Blue Sea at the West Yorkshire Playhouse from 18 February starring Maxine Peake. Also a new movie version of The Deep Blue Sea, starring Simon Russell-Beale, Rachel Weisz and Tom Hiddleston, will open this year in cinemas this year.

In the play Sienna Miller plays Patricia Graham, a former actress married to a pilot but caught in a love triangle. Miller was last seen on stage in 2009 at Broadway’s Roundabout Theatre in After Miss Julie alongside Jonny Lee Miller, who will be starring in Frankenstein at the National Theatre from 5 February. She was last seen in London in As You Like It at the Wyndham’s Theatre in 2005. Recent films include The Edge of Love and G.I. Joe. Her partner, Jude Law, is also scheduled to appear in the West End this year, in Anna Christie at the Donmar Warehouse from 8 August.

Trevor Nunn comes to the production after directing Birdsong at the Comedy Theatre starring Ben Barnes, which closed on Saturday. His production of A Little Night Music continues to run on Broadway.

Flare Path will be designed by Stephen Brimson Lewis.

MORE ABOUT FLARE PATH

It is 1942. At the Falcon Hotel, on the edge of an airfield in Lincolnshire, Teddy, a young bomber pilot is celebrating a reunion with his actress wife Patricia. Events take an unexpected turn, when Peter a famous heartthrob film star arrives, and an urgent bombing mission over Germany is ordered. As the night gives way to dawn, Patricia finds herself at the centre of a passionate conflict of love and loyalty as unpredictable as the war in the skies.

Flare Path was first performed in the West End at the Apollo Theatre in 1942. It is based on Rattigan’s own Bomber Command experiences when he served as a tail gunner during the Second World War. He later reworked Flare Path into a screenplay and in 1945 the re-titled The Way to the Stars starring Michael Redgrave was successfully released.

Book tickets to Flare Path at the Theatre Royal Haymarket

Jude Law in new Donmar season

Donmar Warehouse artistic director Michael Grandage has announced his final season, starring Jude Law, Ruth Wilson, Douglas Hodge and Eddie Redmayne.

Michael Grandage will end his 10 year stewardship of the Donmar Warehouse in London’s Covent Garden this year with an impressive season of big-hitting plays.

Stepping down from the role in December 2011, Grandage has maintained critical and audience success at the Donmar, and ensured that the small venue continues to punch far above its weight.

His final season kicks off with a new production of Eugene O’Neill’s epic, Pulitzer prize winning play Anna Christie (from 8 August 2011) starring Ruth Wilson and Jude Law, and directed by Donmar associate Rob Ashford. Design is by Paul Wills, whose Donmar productions include The Man Who Had All The Luck and Novecento.

Both Jude Law and Ruth Wilson are returning to the Donmar after performances in 2009: Law in Hamlet for the Donmar West End season and Ruth Wilson in A Streetcar Named Desire.

Also in the season is a revival of Inadmissible Evidence (from 13 October 2011) by John Osborne, which will see Douglas Hodge star in Jamie Lloyd’s new production, designed by Soutra Gilmour.

Douglas Hodge, who returns to the Donmar after the venue’s West End production of Guys and Dolls and The Collection/The Lover, will play Bill Maitland, a middle aged lawyer struggling to avoid the harsh truths of his life and keep a hold on reality. He is currently starring in La Cage Aux Folles on Broadway.

Finally, Eddie Redmayne returns to the theatre following his Olivier and Tony Award-winning performance in Red, to play the title role in Shakespeare’s Richard II (from 1 December 2011). Michael Grandage will direct, making this his final production at the Donmar whilst as artistic director, with design by Richard Kent.

Other highlights for the Donmar in 2011 include:

• A US tour of Michael Grandage’s current Donmar production of King Lear, playing at the Brooklyn Academy of Music (from 28 April 2011) and starring Derek Jacobi and Gina McKee.
• Securing the lease of the main Earlham Street venue and also purchasing a new rehearsal, education and office space in Covent Garden to help grow and secure the organisation.
• Michael Grandage’s acclaimed 2008 production of Enid Bagnold’s The Chalk Garden to be produced for BBC Radio 3 (broadcast 13 March 2011 at 8pm), reuniting the original cast including Margaret Tyzack and Penelope Wilton.

Shows coming up at the theatre ahead of Grandage’s final season include musical comedy The 25th Annual Putnam County Spelling Bee; Harold Pinter’s Moonlight starring David Bradley, Deborah Findlay and Daniel Mays; and Michael Grandage directing Felicity Jones in Schiller’s Luise Miller.

No announcement has yet been made as to Grandage’s successor at the Donmar Warehouse.

MORE ON MICHAEL GRANDAGE

Michael Grandage’s previous work at the Donmar includes King Lear, Red (also Broadway – Tony and Drama Desk Awards for Best Director of a Play), The Chalk Garden (Evening Standard and Critics’ Circle Awards for Best Director), Othello (Evening Standard Award for Best Director), John Gabriel Borkman, Don Juan in Soho, Frost/Nixon (also West End and Broadway), The Cut, The Wild Duck (Critics’ Circle Award for Best Director), Guys and Dolls (Donmar in the West End – Olivier Award for Outstanding Musical Production), Grand Hotel (Evening Standard Award for Best Director, Olivier Award for Outstanding Musical Production), Henry IV, After Miss Julie, Caligula (Olivier Award for Best Director) and The Vortex. As part of the Donmar in the West End season Grandage directed Ivanov – Evening Standard and Critics’ Circle Awards for Best Director, Twelfth Night, Madame de Sade and Hamlet (also Kronborg Castle and Broadway). Other West End work includes Evita. He was the Artistic Director of Sheffield Theatres 1999 – 2005, where his many productions included Don Carlos (Evening Standard Award for Best Director).

Grandage took over as Artistic Director of the Donmar Warehouse in November 2002. Between 2002 and 2012 Grandage will have presented seventy productions. Under his leadership, the company have garnered over eighty major awards including Oliviers, Tonys, Critics’ Circle and Evening Standard Awards. For Grandage personally this includes, Tony and Drama Desk Awards for Best Director of a Play for Red, Evening Standard and Critics’ Circle Awards for Best Director for Ivanov, Evening Standard and Critics’ Circle Awards for Best Director for The Chalk Garden, Evening Standard Award for Best Director for Othello, Critics’ Circle Award for Best Director for The Wild Duck, Olivier Award for Outstanding Musical Production for Guys and Dolls, Evening Standard Award for Best Director and Olivier Award for Outstanding Musical Production for Grand Hotel, and Olivier Award for Best Director for Caligula.

From 2000 to 2005 he served as Artistic Director of Sheffield Theatres where he produced over 40 plays with predominantly young directors and designers. His own work there included Richard III with Kenneth Branagh, Edward II with Joseph Fiennes, The Tempest with Derek Jacobi and an award- winning production of Don Carlos which transferred to the West End.

LINKS

Donmar Warehouse website

Donmar Warehouse: Artistic Director Michael Grandage Announces His Farewell Season At Donmar Warehouse: Ruth Wilson, Jude Law, Douglas Hodge And Eddie Redmayne Return To The Donmar For Grandage’s Final Productions

KING LEAR TO TRANSFER TO BROOKLYN ACADEMY OF MUSIC FOLLOWING UK TOUR

DONMAR TO PURCHASE NEW REHEARSAL AND OFFICE SPACE

THE CHALK GARDEN COMPANY REUNITES FOR BBC RADIO 3 BROADCAST

With his critically acclaimed production of King Lear soon to embark on a national tour, Michael Grandage today announces his farewell season as Artistic Director of the Donmar Warehouse, stepping down from the role in December 2011.

Following the run of the musical comedy The 25th Annual Putnam County Spelling Bee; David Bradley, Deborah Findlay and Daniel Mays lead the company of Pinter’s Moonlight before Michael Grandage directs Felicity Jones in Schiller’s Luise Miller in a new version by Mike Poulton. His final season, announced today, sees the return of many Donmar alumni in new productions of Anna Christie by Eugene O’Neill, Inadmissible Evidence by John Osborne and Richard II by William Shakespeare. He is joined in his final season by his two outgoing Associate Directors Jamie Lloyd and Rob Ashford.

On becoming Artistic Director in 2002, Grandage took over a company that owned neither theatre nor rehearsal space. Under his tenure the company have purchased the lease of the theatre (taking ownership in 2016), and today he also announces their intention to purchase an office, education and rehearsal space for the company before he departs. This legacy will help secure the long term future of the Donmar in uncertain financial times.

Michael Grandage said today “After nearly ten years running the Donmar, it is a very exciting and emotional moment to announce my farewell season. From next month to February 2012 we will be presenting six new productions and I am delighted this final year celebrates so much of the repertoire we have presented over the last decade. It is particularly wonderful to be joined by so many friends and colleagues in this last season of work – it is these collaborations and creative partnerships both on stage and with the staff at the Donmar, that have made the achievements of the past ten years possible, and I hope the range and diversity of our programme continues to reach out to many more people in the year ahead”.

Grandage took over as Artistic Director of the Donmar Warehouse in November 2002 and his final production of Richard II will close in February 2012. During a decade of leading the organisation he has created an international theatre with a commitment to connecting with as many people as possible through touring, education and affordable ticket prices, as well as continuing to produce work of the highest quality at the company’s home base in Covent Garden.

Between 2002 and 2012 Grandage will have presented seventy productions. Under his leadership, the company have garnered over eighty major awards including Oliviers, Tonys, Critics’ Circle and Evening Standard Awards. For Grandage personally this includes, Tony and Drama Desk Awards for Best Director of a Play for Red, Evening Standard and Critics’ Circle Awards for Best Director for Ivanov, Evening Standard and Critics’ Circle Awards for Best Director for The Chalk Garden, Evening Standard Award for Best Director for Othello, Critics’ Circle Award for Best Director for The Wild Duck, Olivier Award for Outstanding Musical Production for Guys and Dolls, Evening Standard Award for Best Director and Olivier Award for Outstanding Musical Production for Grand Hotel, and Olivier Award for Best Director for Caligula.

Grandage’s inaugural production in 2002 was The Vortex with Chiwetel Ejiofor, a relationship he was to renew five years later with his multi-award-winning production of Othello. He has put the European repertoire at the heart of his programming, engaging with leading writers to offer new adaptations of foreign classics including David Greig (Caligula and Creditors), Tom Stoppard (Pirandello’s Henry IV and Ivanov) and David Eldridge (The Wild Duck and John Gabriel Borkman). The Donmar’s award-winning production of Schiller’s Mary Stuart, in a new version by Peter Oswald, transferred to the West End and Broadway.

He has also continued to present musicals re-imagined in the intimate Donmar surroundings, including Grand Hotel, Parade, and most recently Passion; as well as work from the contemporary American repertoire such as A Streetcar Named Desire, and twentieth century British plays including The Chalk Garden, Old Times, Betrayal and a festival of work devoted to T.S. Eliot, with a revival of The Family Reunion as its centrepiece. New writing has provided the company with two of its biggest successes in recent years – Peter Morgan’s Frost/Nixon which enjoyed a West End transfer and a run on Broadway, and John Logan’s Red which saw the company return to Broadway and win six Tonys at the 2010 awards.

During his tenure, Grandage put accessibility at the forefront of the company’s ethos – he introduced a national touring programme and an extensive education programme which has grown annually over the last nine years. In 2009 he led the company into the West End for a year long season of work at the Wyndham’s Theatre – Donmar West End – at Donmar prices, a top price of £32.50 and with over 130 tickets for each performance at just £10. The season – Ivanov with Kenneth Branagh, Twelfth Night with Derek Jacobi, Madame de Sade with Judi Dench and Hamlet with Jude Law – played to 98% capacity.

In addition to a national touring programme, Grandage has also overseen the expansion of the company internationally – in 2009 the Donmar’s work played across 4 continents. Recent US work includes Red, Creditors, Hamlet, Frost/Nixon and Mary Stuart; in Australia, the Donmar’s award-winning Guys and Dolls; in Argentina, Piaf and in Europe, Piaf (Spain) and Hamlet (Denmark).

Grandage is a keen supporter of new talent, both on stage and behind the scenes. The company’s most recent venture, Donmar Trafalgar, is a three year initiative to promote the work of recent graduates of the Donmar’s Resident Assistant Director scheme. The second season of work will begin at the end of this year with work directed by Hamish Pirie, Abbey Wright and Paul Hart.

From 2000 to 2005 he served as Artistic Director of Sheffield Theatres where he produced over 40 plays with predominantly young directors and designers. His own work there included Richard III with Kenneth Branagh, Edward II with Joseph Fiennes, The Tempest with Derek Jacobi and an award- winning production of Don Carlos which transferred to the West End.

ANNA CHRISTIE
by Eugene O’Neill

Cast includes: Jude Law, Ruth Wilson
Director: Rob Ashford; Designer: Paul Wills
Composer and Sound Designer: Adam Cork

4 August – 8 October
Press night: 9 August

‘We’re all poor nuts, and things happen, and we just get mixed in wrong’

Exiled from her home by the Old Devil Sea to the inland plains, Anna Christie’s life changed forever at just five years of age. Fifteen years later, she is reunited with the father who sent her away and sets sail in search of a new beginning.

Eugene O’Neill’s epic Pulitzer Award-winning play about love and forgiveness charts one woman’s longing to forget the dark secrets of her past and hope for salvation.

Jude Law returns to the Donmar to plat Mat Burke. He previously played the title role in Michael Grandage’s production of Hamlet for the Donmar West End season for which he won the Critics’ Circle Award for Best Shakespearean Performance. Law’s other theatre work includes Dr Faustus and ‘Tis Pity She’s a Whore (Young Vic), Les Parents Terribles (National Theatre and Broadway) and Death of a Salesman (West Yorkshire Playhouse). His film work includes Hugo Cabret, Contagion, Repo Men, Sherlock Holmes, The Imaginarium of Dr Parnassus, The Repossession Mambo, Sleuth, My Blueberry Nights, The Holiday, Closer, Alfie, The Aviator, Cold Mountain, Road to Perdition, The Talented Mr Ripley and Wilde.

Ruth Wilson returns to the Donmar to play Anna Christie reuniting her with director Rob Ashford. He directed her as Stella in A Streetcar Named Desire for which she won the Olivier for Best Supporting Actress. Her other theatre work includes Through a Glass Darkly (Almeida Theatre), Philistines (National Theatre) and Good (Sound Theatre). Her television credits include Luther, The Prisoner, Freezing, Mad, A Real Summer, Capturing Mary, Jane Eyre and Suburban Shootout; and for film, Get Off My Land.

Eugene O’Neill (1888 – 1936) was one of the greatest American playwrights. His many works for the stage include Beyond the Horizon, The Emperor Jones, Desire Under the Elms, Strange Interlude, Mourning Becomes Electra, The Iceman Cometh, Long Day’s Journey into Night and A Moon for the Misbegotten. He was awarded the Nobel Prize for Literature in 1936.

Rob Ashford returns to the Donmar to direct. His previous work for the company includes the critically acclaimed productions of A Streetcar Named Desire (South Bank Theatre Award) and Parade – which marked his directorial debut. As a director his work includes Promises, Promises (Broadway Theater) and How to Succeed in Business without Really Trying (opening March 2011 at the Al Hirschfeld Theatre). He was the choreographer on Michael Grandage’s Guys and Dolls for the Donmar at the Piccadilly Theatre. His other credits include Candide (ENO, La Scala and La Chatelet Theatre), Michael Grandage’s production of Evita (Adelphi Theatre); Thoroughly Modern Millie (both UK and US – Tony Award for Best Choreography) and the films Love Walked In and Beyond the Sea. Ashford serves on the Board of the Society of Stage Directors and Choreographers.

INADMISSIBLE EVIDENCE
by John Osborne

Cast includes: Douglas Hodge

Director: Jamie Lloyd; Designer: Soutra Gilmour; Lighting Designer: James Farncombe
Composer and Sound Designers: Ben and Max Ringham

13 October – 26 November
Press night: 18 October

‘I can’t escape it. I can’t forget it. And I begin again.’

Bill Maitland, a middle aged lawyer, struggles to avoid the harsh truths of his life and keep a hold on reality. As those closest to him begin to draw away, he puts himself on trial to fight for his sanity.

John Osborne’s poignant, witty and intensely compelling portrait of loss, betrayal and defeat releases the author’s characteristic display of soaring rhetorical venom to powerful effect.

Douglas Hodge returns to the company to play Bill Maitland. His previous work for the Donmar includes Michael Grandage’s production of Guys and Dolls (Piccadilly Theatre) and The Collection/The Lover; and as an Associate Director for the Donmar, he directed Dimetos, Murder in the Cathedral (part of the Donmar’s TS Eliot Festival) and Absurdia. His other theatre work includes his celebrated performance as Albin in Les Cages Aux Folles for which he won the Olivier and Tony Awards for Best Actor in a Musical (Menier, Playhouse Theatre and Longacre Theatre on Broadway). His other theatre work includes A Matter of Life and Death, Betrayal and Burned by the Sun (National Theatre), The Caretaker (Comedy Theatre) and Dumb Show (Royal Court). For television, his credits include Outnumbered, Skins, Whistleblowers, Lift, Mansfield Park, Spooks, The Way We Live Now and The Russian Bride; and for film, Robin Hood, Scenes of a Sexual Nature and Vanity Fair.

John Osborne (1929 – 1994) was a playwright, screenwriter and actor. His principal works for the stage include Look Back in Anger, The Entertainer, Epitaph for George Dillon, Luther, A Patriot for Me and The Hotel in Amsterdam (revived by the Donmar under Michael Grandage in 2003).

Jamie Lloyd directs. As Associate Director of the Donmar, Lloyd’s work for the company includes The 25th Annual Putnam County Spelling Bee – currently in rehearsals, Passion – centrepiece of the company’s Sondheim at 80 Season and winner of the Evening Standard Award for Best Musical, Polar Bears, Piaf (Donmar Warehouse, Vaudeville Theatre, Buenos Aires – ADEET Award for Best Production and Clarin Award for Best Musical Production – and Spain) and readings as part of the TS Eliot Festival and the Tennessee Williams’ season. His other credits include Salome (Headlong), The Little Dog Laughed (Garrick Theatre) Three Days of Rain (Apollo Theatre), Eric’s (Liverpool Playhouse), The Pride (Royal Court – Olivier Award for Outstanding Achievement), The Lover and The Collection (Comedy Theatre) and The Caretaker (Sheffield Crucible and Tricycle).

RICHARD II
by William Shakespeare

Cast includes: Eddie Redmayne

Director: Michael Grandage; Designer: Richard Kent; Lighting Designer: David Plater

1 December 2011 – 4 February 2012
Press night: 6 December

‘O call back yesterday, bid time return’

King Richard banishes his noblemen and seizes their land to fuel his own wars. As anger mounts, a battle for the soul of England begins and one man’s divine right to rule is called into question.

Shakespeare’s poetic masterpiece is an epic tale of destruction, ruin and decay that casts light on the decline of a kingdom and the solitude of power.

Richard II reunites Grandage and Redmayne who recently worked together on the multi-award-winning production of John Logan’s Red. Following performances at the Donmar, the production transferred to Broadway winning 6 Tony Awards, including Best Director for Grandage and Best Performance by a Featured Actor for Redmayne.

Eddie Redmayne returns to the Donmar to play Richard II. He previously appeared in Red (Olivier and Tony Awards for Best Supporting Actor) and Hecuba. His other theatre work includes Now or Later (Royal Court) and The Goat (Almeida Theatre and Apollo Theatre). His television credits include Miraculous Year, The Pillars of the Earth, Tess of the D’Urbervilles, Elizabeth I and In Search of Shakespeare; and for film, My Week with Marilyn, Black Death, Glorious 1939, Powder Blue, Yellow Handkerchief, The Other Boleyn Girl, Savage Grace, Elizabeth: The Golden Age and The Good Shepherd.

Donmar Artistic Director Michael Grandage directs his final production for the company. Previous work for the Donmar includes King Lear, Red (also Broadway – Tony and Drama Desk Awards for Best Director of a Play), The Chalk Garden (Evening Standard and Critics’ Circle Awards for Best Director), Othello (Evening Standard Award for Best Director), John Gabriel Borkman, Don Juan in Soho, Frost/Nixon (also West End and Broadway), The Cut, The Wild Duck (Critics’ Circle Award for Best Director), Guys and Dolls (Donmar in the West End – Olivier Award for Outstanding Musical Production), Grand Hotel (Evening Standard Award for Best Director, Olivier Award for Outstanding Musical Production), Henry IV, After Miss Julie, Caligula (Olivier Award for Best Director) and The Vortex. As part of the Donmar in the West End season Grandage directed Ivanov – Evening Standard and Critics’ Circle Awards for Best Director, Twelfth Night, Madame de Sade and Hamlet (also Kronborg Castle and Broadway). Other West End work includes Evita. He was the Artistic Director of Sheffield Theatres 1999 – 2005, where his many productions included Don Carlos (Evening Standard Award for Best Director).

DONMAR – U.S.A.

KING LEAR
by William Shakespeare

At the Brooklyn Academy of Music
28 April – 5 June

Cast includes: Harry Atwell, Tom Beard, Pippa Bennett-Warner, Stefano Braschi, Ron Cook, Michael Hadley, Derek Hutchinson, Derek Jacobi, Paul Jesson, Gwilym Lee, Gina McKee, Justine Mitchell, Alec Newman, Amit Shah, Gideon Turner, Ashley Zhangazha

Director: Michael Grandage; Designer: Christopher Oram
Lighting Designer: Neil Austin; Composer and Sound Designer: Adam Cork

The Donmar Warehouse returns to BAM following last year’s critically acclaimed production of Strindberg’s Creditors directed by Alan Rickman. The company made their BAM debut in 2003 with Sam Mendes’ productions of Twelfth Night and Uncle Vanya.

Prior to performances at BAM, King Lear will be broadcast to cinemas worldwide on 3 February as part of NT Live, and embark on an 8 week national tour to Venue Cymru, Llandudno (21 – 26 February), Belfast Opera House (28 February – 5 March), Glasgow Theatre Royal (7 – 12 March), Milton Keynes Theatre (14 – 19 March), The Lowry, Salford (21 – 26 March), Richmond Theatre (28 March – 2 April), Bath Theatre Royal (4 – 9 April) and Hall for Cornwall, Truro (11 – 16 April).

“Who is it that can tell me who I am?”

An ageing monarch. A kingdom divided. A child’s love rejected. As Lear’s world descends into chaos, all that he once believed is brought into question.

One of the greatest works in western literature, King Lear explores the very nature of human existence: love and duty, power and loss, good and evil.

Derek Jacobi and Michael Grandage renew their collaboration, having previously worked together on The Tempest, Don Carlos and Twelfth Night. Grandage’s creative team – Christopher Oram, Neil Austin and Adam Cork are the Tony Award-winning team behind the company’s recent Broadway smash hit Red.

SECURING THE DONMAR’S LONG TERM FUTURE

Under Michael Grandage’s tenure, the Donmar Warehouse has secured two major capital assets in purchasing both a property in Covent Garden for rehearsal, education and office space on a 112 year lease, and the theatre site on Earlham Street on a 125 year lease. This marks a significant step for the charity and for the independent future of the Donmar as a producing theatre.

The Donmar, which, until now, hasn’t owned its own offices, rehearsal rooms or theatre site, has set aside reserves over the last few years to make these capital purchases a priority. The revenue has been generated from many of Grandage’s productions staged outside the Donmar from Guys and Dolls to last year’s Red, and has enabled the company to build a designated capital fund under his tenure. This reserve will now form the springboard for a fundraising campaign to complete these plans.

The Donmar Warehouse currently has to rent a variety of different spaces across London for its rehearsal, auditions, office staff and education work. The Donmar Board recently committed to the purchase of a building in Covent Garden to become its creative home. This will enable the company to continue to achieve all its artistic ambitions to the highest standards and also overcome many practical and financial constraints imposed by the present situation.

The purchase of the theatre site in Earlham Street went ahead in 2008 and the Donmar charity will continue to work closely with its current landlord, ATG, for the remaining five years of ATG’s lease on the theatre before taking sole possession.

DONMAR ON BBC RADIO

THE CHALK GARDEN
by Enid Bagnold

Cast: Steph Bramwell, Suzanne Burden, Jamie Glover, Felicity Jones, Clifford Rose, Una Stubbs, Margaret Tyzack, Penelope Wilton

Director: Michael Grandage

Michael Grandage’s production of The Chalk Garden is being recorded for BBC Radio 3 with the company reuniting for this special event – it will be broadcast on Sunday 13 March at 8pm. Previously BBC Radio 3 broadcast Michael Grandage’s production of Othello with Chiwetel Ejiofor.

The Chalk Garden opened at the Donmar in 2008 to great critical acclaim winning many awards, including the Olivier, Critics’ Circle and Evening Standard Awards for Best Actress for Margaret Tyzack, the Evening Standard Award for Best Actress for Penelope Wilton, and the Evening Standard and Critics’ Circle Award for Best Director for Michael Grandage.

The child’s a flower. She grows in liberty.

Raised in a manor house beside the sea, where the flowers struggle to grow, sixteen-year-old Laurel runs wild. As her eccentric grandmother tends to the garden, Laurel’s need for love forces her into a world of fantasy. But things begin to change with the sudden appointment of a governess who brings a mysterious new presence to an already dysfunctional household.

The Chalk Garden was first staged in London at the Theatre Royal Haymarket in 1956 – John Gielgud directed Edith Evans and Peggy Ashcroft. The garden of the play was inspired by Bagnold’s own garden at North End House in Rottingdean.

DONMAR EDUCATION

To complement the Donmar’s productions the company continues to undertake a programme of education and outreach work led by their team of Education practitioners, including Education specialists and former Resident Assistant Directors.

Around the forthcoming season, the Donmar will deliver its playwriting project Write Up around the production of Moonlight. The project aims to inspire participants to write a short play, which is developed with the help of professional writing practitioners and performed on the Donmar stage by a cast of professional actors. For this project, participants will be encouraged to use the Donmar’s production of Pinter’s Moonlight as their inspiration and stimulus.

Also, in keeping with its commitment to access, the Donmar is providing a programme of work to compliment King Lear on its nationwide tour. The project, Reuniting the Kingdom will see the Donmar recreate their Schools Matinee programme with schools in each of the eight venues. Donmar Education practitioners will deliver workshops inspired by the rehearsal process, focusing on text, voice, character and the themes of the Donmar’s production. Students who would not necessarily be able to afford to attend the production will be offered a discounted ticket price and will receive a complimentary resource and edited version of the text.

As part of the core Education programme there is a Schools Matinee for each production. This programme allows over 200 young people to attend a production, participate in a post-show discussion with the cast which is led by the Resident Assistant Director, and also undertake a preparatory workshop in their school led by one of the Education Associates. To support the teachers through this programme a Teachers Preview Performance and a Resource Pack are provided.

Release issued by: Donmar Warehouse press office

LINKS

Donmar Warehouse website

Tony Awards tonight

The annual Tony Awards will be announced tonight, Sunday 13 June 2010, at Radio City Music Hall in New York.

The star-studded event will be hosted by Sean Hayes, best known as Jack from Will & Grace and currently starring in Promises, Promises on Broadway.

The awards, the most important in the US arts calendar, will feature performances from current Broadway shows including American Idiot, Fela!, Memphis, Million Dollar Quartet, La Cage aux Folles, A Little Night Music and Ragtime. Star presenters will include Katie Holmes, Will & Jada Pinkett Smith, Angela Lansbury, Mark Sanchez, Daniel Radcliffe, Barbara Cook, Stanley Tucci, Idina Menzel and Laura Bell Bundy!

Other appearances and performances will include Glee’s Lea Michele and Matthew Morrison, Paula Abdul, Antonio Banderas, Cate Blanchett, Kristin Chenoweth, Michael Douglas, Scarlett Johansson, Lucy Liu, Helen Mirren, Chris Noth, Bernadette Peters, Raquel Welch and David Hyde Pierce, who will receive a special Tony Award and is slated to appear in London next month in La Bete at the Comedy Theatre.

Shows up for awards this year include a revival of August Wilson’s Fences starring Denzel Washington (10nominations); Broadway musical Fela! (11 nominations) – and which makes its UK premiere at the National Theatre in November; and nods for a number of high-profile Hollywood stars including Christopher Walken (Behanding in Spokane), Liev Schreiber (A View From The Bridge), and Scarlett Johansson (A View from the Bridge).

Recent Broadway musical The Addams Family starring Nathan Lane and Bebe Neuwirth, failed to find favour with the Tony awards committee, scoring only two nominations – best original score and best supporting actor in a musical for Kevin Chamberlin.

UK creatives or shows have garned 28 nominations this year. The Menier Chocolate Factory in South London will be awaiting news on two of its successful productions that have transferred to Broadway and received 15 Tony nominations:  La Cage Aux Folles opened at the Longacre Theatrein April to enormous critical acclaim. The show features original London star Douglas Hodge and US actor Kelsey Grammer, both of whom have been nominated in the best actor in a musical category. In total the show has picked up 11 nominations, including best revival of a musical, scenic design (Tim Shortall), costume design  (Matthew Wright),  lighting design (Nick Richings), sound design (Jonathan Deans), direction (Terry Johnson), choreography (Lynne Page), orchestrations (Jason Carr) and best supporting actor (Robin De Jesus).

Also A Little Night Music, which started life at the Menier in 2008 before transferring to the Garrick theatre in the West End, opened on Broadway at the Walter Kerr theatre in December 2009. It has picked up 4 nominations, including competing against La Cage in the best musical revival category, and nods for Catherine Zeta-Jones (best actress in a musical), Angela Lansbury (best supporting actress in a musical), and sound design (Dan Moses Schreier and Gareth Owen).

Other nominated UK shows include the Donmar Warehouse’s transfer of Red which enjoys 7 nominations including best play, best actor for Alfred Molina, best supporting actor for Eddie Redmayne, and best scenic design (Christopher Oram), lighting design (Neil Austin), sound design (Adam Cork) and direction (Michael Grandage). The Donmar production of Hamlet sees a nod for Jude Law and best lighting design of a play for Neil Austin. And the Royal Court’s production of Enron, which failed on Broadway but continues to sell well in London is nominated for best original score (music by Adam Cork and lyrics by Lucy Prebble), best supporting actor for Stephen Kunken, best sound design (Adam Cork) and best lighting design (Mark Henderson). Also veteran UK actress Rosemary Harris also received a best supporting nod for The Royal Family and one of the UK’s greatest living playwrights, Alan Ayckbourn, will receive a lifetime achievement award.

US viewers can watch the awards on CBS from 8pm ET. Selected countries are also airing the awards over the next week, although not in the UK. TonyAwards.com will only be featuring live footage of the red carpet arrivals and Creative Arts Awards from 6pm until 8pm ET.

See a list of Tony Award 2010 nominations here

www.tonyawards.com

La Cage dominates Tony nominations

The UK’s Menier Chocolate Factory has scored another hit with its production of La Cage Aux Folles – this time on Broadway.

The small South London arts venue has dominated this year’s Tony Awards nominations – with a total of 15 nods. Its musical productions of Jerry Herman’s La Cage Aux Folles and Stephen Sondheim’s A Little Night Music have both garnered multiple nominations for their Broadway transfers.

La Cage Aux Folles premiered at the Chocolate Factory in 2008 before transferring the Playhouse Theatre in London, and opened at the Longacre Theatre on Broadway last month to enormous critical acclaim.

The show features original London star Douglas Hodge and US actor Kelsey Grammer, both of whom have been nominated in the best actor in a musical category. In total the show has picked up 11 nominations, including best revival of a musical, scenic design (Tim Shortall), costume design  (Matthew Wright),  lighting design (Nick Richings), sound design (Jonathan Deans), direction (Terry Johnson), choreography (Lynne Page), orchestrations (Jason Carr) and best supporting actor (Robin De Jesus).

A Little Night Music, which started life at the Menier in 2008 before transferring to the Garrick theatre in the West End, opened on Broadway at the Walter Kerr theatre in December 2009. It has picked up 4 nominations, including competing against La Cage in the best musical revival category, and nods for Catherine Zeta-Jones (best actress in a musical), Angela Lansbury (best supporting actress in a musical), and sound design (Dan Moses Schreier and Gareth Owen).

Overall, it has been a successful year for the UK on Broadway, with a total of 28 nominations going to UK creatives. Other celebrated UK shows include the Donmar Warehouse’s transfer of Red which enjoys 7 nominations including best play, best actor for Alfred Molina, best supporting actor for Eddie Redmayne, and best scenic design (Christopher Oram), lighting design (Neil Austin), sound design (Adam Cork) and direction (Michael Grandage).

The Donmar also saw its production of Hamlet garner a best actor nod for Jude Law and best lighting design of a play for Neil Austin.

The Royal Court’s production of Enron, which transferred to Broadway but was not well received and has closed early at the Broadhurst Theatre, was nominated for best original score (music by Adam Cork and lyrics by Lucy Prebble), best supporting actor for Stephen Kunken, best sound design (Adam Cork) and best lighting design (Mark Henderson). Enron is currently playing to strong audiences in London at the Noel Coward Theatre.

Veteran UK actress Rosemary Harris also received a best supporting nod for The Royal Family and one of the UK’s greatest living playwrights, Alan Ayckbourn, will receive a lifetime achievement award.

Other big hitters nominated this year include a revival of August Wilson’s Fences starring Denzel Washington (10 nominations); Broadway musical Fela! (11 nominations) – and which makes its UK premiere at the National Theatre in November; and nods for a number of high-profile Hollywood stars including Christopher Walken (Behanding in Spokane), Liev Schreiber (A View From The Bridge), and Scarlett Johansson (A View from the Bridge).

Recent Broadway musical The Addams Family starring Nathan Lane and Bebe Neuwirth, failed to find favour with the Tony awards committee, scoring only two nominations – best original score and best supporting actor in a musical for Kevin Chamberlin.

The 64^th awards will be presented on 13 July in New York.

See a list of Tony Award 2010 nominations here

Hollywood stars up for awards

This year’s Olivier Award nominations were announced today, with Hollywood stars dominating the line up of talent.

Keira Knightley, James Earl Jones, Jude Law, James McAvoy, Gillian Anderson and Rachel Weisz are among the big name stars vying for Larry gongs.

Also this year plays continue to dominate the West End, reflected by the organiser’s decision to extend the Best Actor, Best Actress in a Supporting Role and Best Revival categories from five to six nominations.

The main drama-producing houses reaped a number of nominations, notably the Royal Court, who picked up 15 nominations for four different productions – Jerusalem, Enron, The Priory and Cock. The Donmar Warehouse and National Theatre have also done well with 19 nominations between them for plays including the Donmar Warehouse production of Hamlet starring Jude Law, who was also nominated.

The Society of London Theatre, the organiser’s of the awards, have also added a new Audience Award to recognise long-running West End shows which opened before 2009, allowing Billy Elliot the Musical, The Phantom of the Opera, War Horse, We Will Rock You and Wicked another crack at the whip.

In the acting categories, competition will be fierce. The Best Actor category includes James Earl Jones, Jude Law, James McAvoy, Mark Rylance, Ken Stott and Samuel West, whilst the Best Actress category features Gillian Anderson, Lorraine Burroughs, Imelda Staunton, Juliet Stevenson and Rachel Weisz. Keira Knightley (pictured) will compete with Hayley Atwell, Michelle Dockery, Alexandra Gilbreath, Rachael Stirling and Ruth Wilson for Best Actress in a Supporting Role.

Another closely contested category will be Best Revival, with Arcadia, Cat on a Hot Tin Roof, The Misanthrope, A Streetcar Named Desire, A View From the Bridge and Three Days of Rain all up for the award.

In the musical categories, Spring Awakening leads with six nominations, followed by A Little Night Music with five, and Sister Act and Hello, Dolly!, both with four. Nominees include Rowan Atkinson for Oliver!, Sheila Hancock for Sister Act, Maureen Lipman for A Little Night Music and Melanie C for Blood Brothers.

Society of London Theatre President Nica Burns said: “In an outstanding year for drama, a whole new generation of playwrights step into the spotlight. Eight wonderful new plays – challenging, stimulating and inspiring – include two women in their twenties. Mirroring this, the voting for the best acting awards was so close that the nominations had to be increased, with some of the most exciting young acting talent around taking their place alongside some our most acclaimed screen stars. What a memorable year!”

The winners will be announced at the Grosvenor House Hotel on 21 March.

The list of nominees for the 2010 Olivier Awards in full:

BEST ACTRESS

Gillian Anderson for A DOLL’S HOUSE at the Donmar Warehouse

Lorraine Burroughs for THE MOUNTAINTOP at Trafalgar Studio 1

Imelda Staunton for ENTERTAINING MR SLOANE at Trafalgar Studio 1

Juliet Stevenson for DUET FOR ONE at the Almeida theatre and Vaudeville theatre

Rachel Weisz for A STREETCAR NAMED DESIRE at the Donmar Warehouse

BEST ACTOR

James Earl Jones for CAT ON A HOT TIN ROOF at the Novello theatre

Jude Law for HAMLET, Donmar at Wyndham’s theatre

James McAvoy for THREE DAYS OF RAIN at the Apollo theatre

Mark Rylance for JERUSALEM at the Jerwood Theatre Downstairs at the Royal Court and now at the Apollo theatre

Ken Stott for A VIEW FROM THE BRIDGE at the Duke of York’s theatre

Samuel West for ENRON at the Jerwood Theatre Downstairs at the Royal Court and now at the Noël Coward theatre

BEST ACTRESS IN A SUPPORTING ROLE

Hayley Atwell for A VIEW FROM THE BRIDGE at the Duke of York’s theatre

Michelle Dockery for BURNT BY THE SUN at the National Theatre, Lyttelton

Alexandra Gilbreath for TWELFTH NIGHT at the Duke of York’s theatre

Keira Knightley for THE MISANTHROPE at the Comedy theatre

Rachael Stirling for THE PRIORY at the Jerwood Theatre Downstairs at the Royal Court

Ruth Wilson for A STREETCAR NAMED DESIRE at the Donmar Warehouse

BEST ACTOR IN A SUPPORTING ROLE

Mackenzie Crook for JERUSALEM at the Jerwood Theatre Downstairs at the Royal Court and now at the Apollo theatre

Rory Kinnear for BURNT BY THE SUN at the National Theatre, Lyttelton

Tim Pigott-Smith for ENRON at the Jerwood Theatre Downstairs at the Royal Court and now at the Noël Coward theatre

Eddie Redmayne for RED at the Donmar Warehouse

BEST NEW PLAY

ENRON by Lucy Prebble at the Jerwood Theatre Downstairs at the Royal Court and now at the Noël Coward theatre

JERUSALEM by Jez Butterworth at the Jerwood Theatre Downstairs at the Royal Court and now at the Apollo theatre

THE MOUNTAINTOP by Katori Hall at Trafalgar Studio 1

RED by John Logan at the Donmar Warehouse

BEST NEW COMEDY

CALENDAR GIRLS by Tim Firth at the Noël Coward theatre

ENGLAND PEOPLE VERY NICE by Richard Bean at the National Theatre, Olivier

PARLOUR SONG by Jez Butterworth at the Almeida theatre

THE PRIORY by Michael Wynne at the Jerwood Theatre Downstairs at the Royal Court

BEST MUSICAL REVIVAL

Irving Berlin’s ANNIE GET YOUR GUN music and lyrics by Irving Berlin, book by Herbert and Dorothy Fields, at the Young Vic

HELLO DOLLY! book by Michael Stewart, music and lyrics by Jerry Herman, based on the play ‘The Matchmaker’ by Thornton Wilder, at the Open Air theatre

A LITTLE NIGHT MUSIC music and lyrics by Stephen Sondheim, book by Hugh Wheeler, suggested by a film by Ingmar Bergman, originally produced and directed on Broadway by Harold Prince, at the Garrick theatre

Lionel Bart’s OLIVER! based on the original production by Sam Mendes, at the Theatre Royal, Drury Lane

BEST NEW MUSICAL

DREAMBOATS AND PETTICOATS book by Laurence Marks and Maurice Gran, at the Savoy theatre

PRISCILLA QUEEN OF THE DESERT – THE MUSICAL book by Stephan Elliott and Allan Scott, based on the Latent Image/Specific Films motion picture distributed by Metro-Goldwyn-Mayer Inc., at the Palace theatre

SPRING AWAKENING music by Duncan Sheik, book and lyrics by Steven Sater, based on the play by Frank Wedekind, at the Novello theatre

SISTER ACT music by Alan Menken, lyrics by Glenn Slater, book by Cheri Steinkellner and Bill Steinkellner, at the London Palladium

BEST ENTERTAINMENT

ARTURO BRACHETTI: CHANGE written and directed by Sean Foley, original concept by Serge Denoncourt, based on the repertoire of Arturo Brachetti, at the Garrick theatre

DERREN BROWN: ENIGMA written by Derren Brown and Andy Nyman, at the Adelphi theatre

MORECAMBE by Tim Whitnall, at the Duchess theatre

BEST ACTRESS IN A MUSICAL OR ENTERTAINMENT

Melanie C for BLOOD BROTHERS at the Phoenix theatre

Patina Miller for SISTER ACT at the London Palladium

Samantha Spiro for HELLO DOLLY! at the Open Air theatre

Hannah Waddingham for A LITTLE NIGHT MUSIC at the Garrick theatre

Charlotte Wakefield for SPRING AWAKENING at the Novello theatre

BEST ACTOR IN A MUSICAL OR ENTERTAINMENT

Rowan Atkinson for OLIVER! at the Theatre Royal, Drury Lane

Aneurin Barnard for SPRING AWAKENING at the Novello theatre

Bob Golding for MORECAMBE at the Duchess theatre

Alexander Hanson for A LITTLE NIGHT MUSIC at the Garrick theatre

Tony Sheldon for PRISCILLA QUEEN OF THE DESERT – THE MUSICAL at the Palace theatre

BEST SUPPORTING PERFORMANCE IN A MUSICAL OR ENTERTAINMENT

Sheila Hancock for SISTER ACT at the London Palladium

Maureen Lipman for A LITTLE NIGHT MUSIC at the Garrick theatre

Kelly Price for A LITTLE NIGHT MUSIC at the Garrick theatre

Iwan Rheon for SPRING AWAKENING at the Novello theatre

BEST DIRECTOR

Rupert Goold for ENRON at the Jerwood Theatre Downstairs at the Royal Court and now at the Noël Coward theatre

Michael Grandage for HAMLET, Donmar at Wyndham’s theatre

Lindsay Posner for A VIEW FROM THE BRIDGE at the Duke of York’s theatre

Ian Rickson for JERUSALEM at the Jerwood Theatre Downstairs at the Royal Court and now at the Apollo theatre

Bijan Sheibani for OUR CLASS at the National Theatre, Cottesloe

BEST REVIVAL

ARCADIA directed by David Leveaux at the Duke of York’s theatre

CAT ON A HOT TIN ROOF directed by Debbie Allen at the Novello theatre

THE MISANTHROPE directed by Thea Sharrock at the Comedy theatre

A STREETCAR NAMED DESIRE directed by Rob Ashford at the Donmar Warehouse

A VIEW FROM THE BRIDGE directed by Lindsay Posner at the Duke of York’s theatre

THREE DAYS OF RAIN directed by Jamie Lloyd at the Apollo theatre

BEST THEATRE CHOREOGRAPHER

Matthew Bourne for OLIVER! at the Theatre Royal, Drury Lane

Bill T Jones for SPRING AWAKENING at the Novello theatre

Anthony Van Laast for SISTER ACT at the London Palladium

Stephen Mear for HELLO DOLLY! at the Open Air theatre

BEST LIGHTING DESIGN

BURNT BY THE SUN designed by Mark Henderson at the National Theatre, Lyttelton

ENRON designed by Mark Henderson the Jerwood Theatre Downstairs at the Royal Court and now at the Noël Coward theatre

SPRING AWAKENING designed by Kevin Adams at the Novello theatre

THREE DAYS OF RAIN designed by Jon Clark at the Apollo theatre

BEST SET DESIGN

ENGLAND PEOPLE VERY NICE designed by Mark Thompson with animation by Pete Bishop at the National Theatre, Olivier

ENRON designed by Anthony Ward at the Jerwood Theatre Downstairs at the Royal Court and now at the Noël Coward theatre

JERUSALEM designed by Ultz at the Jerwood Theatre Downstairs at the Royal Court and now at the Apollo theatre

RED designed by Christopher Oram at the Donmar Warehouse

BEST COSTUME DESIGN

HELLO DOLLY! designed by Peter McKintosh at the Open Air theatre

MADAME DE SADE designed by Christopher Oram, Donmar at Wyndham’s theatre

THE MISANTHROPE designed by Amy Roberts at the Comedy theatre

PRISCILLA, QUEEN OF THE DESERT- THE MUSICAL designed by Tim Chappel and Lizzy Gardiner at the Palace theatre

BEST SOUND DESIGN

EVERY GOOD BOY DESERVES FAVOUR designed by Christopher Shutt at the National Theatre, Olivier

JERUSALEM designed by Ian Dickinson for Autograph at the Jerwood Theatre Downstairs at the Royal Court and now at the Apollo theatre

MOTHER COURAGE AND HER CHILDREN designed by Andrew Bruce and Nick Lidster for Autograph at the National Theatre, Olivier

SPRING AWAKENING designed by Brian Ronan at the Novello theatre

THE AUDIENCE AWARD FOR MOST POPULAR SHOW

BILLY ELLIOT THE MUSICAL music by Elton John, books and lyrics by Lee Hall at the Victoria Palace

THE PHANTOM OF THE OPERA music and book by Andrew Lloyd Webber, lyrics by Charles Hart, book and additional lyrics by Richard Stilgoe at His Majesty’s theatre

WAR HORSE based on the novel by Michael Morpurgo, adapted by Nick Stafford at the New London theatre

WE WILL ROCK YOU based on the songs of Queen, by Ben Elton in collaboration with Brian May and Roger Taylor at the Dominion theatre

WICKED music and lyrics by Stephen Schwartz, book by Winnie Holzman at the Apollo Victoria theatre

OUTSTANDING ACHIEVEMENT IN AN AFFILIATE THEATRE

Soho Theatre/ Tiata Fahodzi for IYA ILE (THE FIRST WIFE)

The Tricycle Theatre for THE GREAT GAME

The Royal Court for COCK at the Jerwood Theatre Upstairs

BEST NEW OPERA PRODUCTION

The Royal Opera’s DER FLIEGENDE HOLLÄNDER at the Royal Opera House

The Royal Opera’s LULU at the Royal Opera House

English National Opera’s PETER GRIMES at the London Coliseum

The Royal Opera’s TRISTAN UND ISOLDE at the Royal Opera House

OUTSTANDING ACHIEVEMENT IN OPERA

Anja Kampe for her performance in the Royal Opera’s DER FLIEGENDE HOLLÄNDER at the Royal Opera House

Stuart Skelton for his performance in English National Opera’s PETER GRIMES at the London Coliseum

Nina Steme for her performance in the Royal Opera’s TRISTAN UND ISOLDE at the Royal Opera House

Michael Volle for his performances in the Royal Opera’s LULU and TRISTAN AND ISOLDE at the Royal Opera House

BEST NEW DANCE PRODUCTION

Russell Maliphant’s AFTERLIGHT at Sadler’s Wells

Birmingham Royal Ballet’s E=MC² at Sadler’s Wells

The Brandstrup – Rojo project’s GOLDBERG at the Royal Opera House

Rambert Dance Company’s A LINHA CURVA at Sadler’s Wells

Fabulous Beast Dance’s THE RITE OF SPRING at the London Coliseum

OUTSTANDING ACHIEVEMENT IN DANCE

Colin Dunne for his performance in OUT OF TIME at The Barbican Pit

Michael Hulls for his lighting designs for Russell Maliphant’s TWO:FOUR:TEN at the London Coliseum; and for Russell Maliphant’s AFTERLIGHT and for Ex Machina & Sylvie Guillem’s EONNAGATA at Sadler’s Wells

Rambert Dance Company for an outstanding year of new work

London theatre – summer preview

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London theatre is pulling out all of the stops this summer to ensure that the capital’s theatre scene remains a chief attraction for millions of UK and overseas visitors.

A host of big hitting stars and large scale musicals are lined up to showcase a range of new productions, including performances by Jude Law, Helen Mirren, Ethan Hawke, Gillian Anderson and Ian McKellen.

The death of drama in the West End has been greatly exaggerated given the wide ranging slate of classic and contemporary plays premiering this summer. One of the most high profile will be Jude Law, taking to the stage in Shakespeare’s most famous play, Hamlet, directed by Michael Grandage as part of his Donmar in the West End season. A strong supporting cast includes Penelope Wilton as Gertrude and Kevin McNally as Claudius, from 29 May at the Wyndham’s Theatre.

From Danes to Dames and Helen Mirren returns to London and the National Theatre from 4 June in Racine’s tragic play Phedre. The play concerns a woman (Mirren) consumed by passion for her stepson, which is highly plausible given that the stepson is played by hot young thing and Mamma Mia! The Movie star Dominic Cooper.

Helen Mirren starred in successful British movie Calendar Girls – which is now coming to the stage in a brand new production starring Patricia Hodge and Sian Phillips. Written by Tim Firth, the story of a group of middle-aged Women’s Institute members who pose for a calendar with a difference is playing at the Noel Coward Theatre.

Stage legends Ian McKellen and Patrick Stewart are reuniting after their onscreen antics in the X-Men movies to give us Waiting for Godot at the Haymarket Theatre from 20 April, in what promises to be a standout production of Samuel Beckett’s classic.

Talents from New York and London will converge at The Old Vic from 23 May for The Bridge Project – a three year partnership between The Old Vic, the Brooklyn Academy of Music and Neal Street Productions. Academy Award-winning director Sam Mendes will direct a new version of The Cherry Orchard plus Shakespeare’s The Winter’s Tale, in a cast that features Ethan Hawke, Simon Russell Beale, Sinead Cusack and recent star of Woody Allen’s Vicky Christina Barcelona, Rebecca Hall.

The Cherry Orchard is a new translation by Tom Stoppard, who will also see his 1993 play Arcadia revived in a new production at the Duke of York’s Theatre starring his son Ed Stoppard and Samantha Bond and Dan Stevens. In its first run at the National Theatre the play won a slew of awards including Critics’ Circle, Evening Standard and Olivier Awards.

Other notable players making their way into town include Prunella Scales (Fawlty Towers) in Carrie’s War at the Apollo Theatre, and Gillian Anderson, who will star in Henrik Ibsen’s A Doll’s House at the Donmar Warehouse, joining a stellar cast that includes Christopher Eccleston, Toby Stephens, Tara Fitzgerald and Anton Lesser.

Musical theatre is firmly “based on a film” this year as a blockbuster stage production of Sister Act joins a West End brimming with adaptations of movies, including recent addition Priscilla Queen of the Desert starring Jason Donovan and long-runners Hairspray with Michael Ball, Dirty Dancing, The Lion King, Billy Elliot, Andrew Lloyd-Webber’s Sunset Boulevard – and Grease, which will star Dancing on Ice winner Ray Quinn as Danny from 11 May.

Sister Act, which runs from 7 May at the London Palladium, is produced by the film’s original star Whoopi Goldberg and features Sheila Hancock and rising star Patina Miller, with music courtesy of Alan Menken (Disney’s Beauty & The Beast).

Other movie-to-stage shows on the horizon include the Broadway production of Legally Blond opening at the Savoy Theatre at the end of the year and a stage adaptation of Oscar winning film Ghost, directed by Matthew Warchus, set for 2010.

Chief amongst the new musicals opening in London in the later part of 2009 will be Andrew Lloyd Webber’s world premiere of The Phantom of the Opera sequel Love Never Dies at the Adelphi Theatre in early November. The show is set to star current London Phantom Ramin Karimloo and will follow its London opening with productions in Toronto, Shanghai and then Broadway.

A number of shows that have run successfully in other venues are also making their way into the West End including Juliet Stevenson (Truly Madly Deeply) and Henry Goodman in Duet For One at the Vaudeville Theatre; the acclaimed production of Steven Sondheim’s A Little Night Music starring Maureen Lipman at the Garrick Theatre; the National Theatre’s War Horse, a family drama set during World War I about a boy’s adventures to find his beloved horse, at the New London theatre; and following its smash-hit run on Broadway – a new UK production of uber hip musical Spring Awakening at the Novello Theatre.

Other long running musicals that continue to extend their runs and pack them in include Avenue Q – now at the Gielgud Theatre, Blood Brothers, We Will Rock You, Chicago, Wicked, Jersey Boys, Stomp, Oliver!, Mamma Mia!, Les Miserables, Andrew Lloyd-Webber’s Joseph, Roger’s and Hammerstein’s Carousel, Thriller Live featuring the songs of Michael Jackson and an award-winning production of La Cage Aux Folles.

Long-running plays in London include scary thriller The Woman in Black, hilarious comedy The 39 Steps based on Alfred Hitchcock’s film and Agatha Christie’s The Mousetrap.

Finally, the V&A Museum in London has opened its new Theatre and Performance galleries following the closure of the Theatre Museum in Covent Garden in 2007. The new galleries will celebrate the UK’s heritage in culture and performance with hundreds of exhibits including costumes, set models, stage props, original posters and playbills, theatrical prints, paintings and photographs from some of London’s most famous theatrical productions.

SAVE UP TO HALF PRICE ON LONDON THEATRE AT WESTENDTHEATRE.COM

London Theatre – 2009 Preview

If theatre mirrors life then you would expect 2009 to be a bad year for the performing arts in London: economic downturns and credit crunches sound like gloomy news for our discretionary entertainment spending. But West End theatre box office figures have kept on going up in recent years, and the huge number of new productions sailing into town during 2009 could mean that Theatreland manages to buck the trend.

THE GREAT REVIVAL

The RSC, National Theatre, Donmar and Old Vic dominated straight drama in the West End in 2008, and they haven’t finished yet. Big hitters coming to town include Judi Dench and Rosamund Pike in the Donmar in the West End’s Madame de Sade at the Wyndhams; Jude Law offering us his, hopefully fighting fit, Hamlet; Gillian Anderson in Ibsen’s A Doll’s House and Rachel Weisz in A Streetcar Named Desire at the Donmar Warehouse; Helen Mirren making her return to the London stage in Phaedra at the National Theatre; and a number of crowd-pleasing revivals at the Old Vic, no more so than Dancing at Lughnasa, Brian Friel’s hugely successful play starring Andrea Corr, and Sam Mendes directing Chekhov’s The Cherry Orchard and Shakespeare’s A Winter’s Tale, both featuring Ethan Hawke, Simon Russell Beale and Sinead Cusack.

STAR POWER

Other stars shimmying into town include Ian McKellen and Patrick Stewart in Samuel Beckett’s Waiting for Godot at the Haymarket, Ken Stott and Hayley Atwell in Arthur Miller’s A View from the Bridge at the Duke of York’s, heavy-hitter Pete Postlethwaite as King Lear at the Young Vic, and Antony Sher giving us his Prospero in the RSC’s The Tempest. The Gavin and Stacey phenomenon continues to roll on, as we see Joe Orton’s delicious romp Entertaining Mr Sloane at the Trafalgar Studios starring Gavin himself, Matthew Horne, alongside Imelda Staunton; whilst Gavin’s onscreen Mum Alison Steadman plays a barking Leeds housewife in Alan Bennett’s Enjoy at the Gielgud Theatre.

NEW PLAYS

The sharp eyed amongst you will notice that all of these plays are revivals rather than new work, keeping audiences firmly in their comfort zones. That said, new plays may be thin on the ground but not absent all together, with the National offering up Richard Bean’s England People Very Nice, following two lovers across four centuries, and Samuel Adamson’s Mrs Affleck set in the 1950s. Jez Butterworth has two new plays in pre-production, with comedy Parlour Song at the Almeida and Jerusalem at the Royal Court. Also at the Royal Court, Mark Ravenhill will bring his new play Over There. Plus Hollywood man of the moment James McAvoy is to star in Richard Greenberg’s acclaimed play Three Days of Rain at the Apollo, and at The Old Vic Richard Dreyfuss headlines the world premiere of American playwright Joe Sutton’s new play Complicit, directed by Kevin Spacey.

“BASED ON A FILM”

In musical theatre, 2009 promises to be a year of great big fabulous and familiar shows, surely enough to see us through the dark times? And it’s no coincidence that many of them are based on hugely successful films.

Oliver! will be well and truly steaming ahead through 2009 at the Drury Lane Theatre Royal with Rowan Atkinson and Jodie Prenger; La Cage Aux Folles will continue camping it up at the Playhouse but with Graham Norton taking over from Douglas Hodge; and at the Adelphi Theatre Lee Mead will bow out of Joseph to be replaced by Gareth Gates.

Jason Donovan will be donning the wigs and lip gloss to take us on an Australian power-mince in Priscilla Queen of the Desert at the Palace Theatre. And Sister Act at the London Palladium will be doing its best to recreate the fun of the film, helped along by Whoopi Goldberg as co-producer. And not quite a musical but as good as, Calendar Girls the stage play will up the naked flesh quotient in the West End, starring Patricia Hodge and Lynda Bellingham at the Noel Coward Theatre.

Also in musicals-land the power of reality TV continues to wield its power, with Gareth Gates going into Joseph at the Adelphi Theatre, the X-factor’s Niki Evans continuing in Blood Brothers at the Phoenix, Jodie Prenger in Oliver at the Drury Lane, and Ray Quinn and Danny Bayne in Grease – joined for a limited time by the legendary Jimmy Osmond.

KIDS RULE

Kids should also see a good year in 2009 with an enormous live theatrical production of Walking with Dinosaurs coming to a stadium near you, and War Horse transfers from its successful run at the National Theatre to the New London Theatre.

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