OLIVIER AWARDS – Best Actress Winners

OLIVIER AWARDS – BEST ACTRESS WINNERS

Best Actress

2010 Rachel Weisz for A Streetcar Named Desire
2009 Margaret Tyzack for The Chalk Garden
2008 Kristin Scott Thomas for Chekhov’s The Seagull
2007 Tamsin Greig for Much Ado About Nothing
2006 Eve Best for Hedda Gabler
2005 Clare Higgins for Hecuba
2004 Eileen Atkins for Honour
2003 Clare Higgins for Vincent In Brixton
2002 Lindsay Duncan for Private Lives
2001 Julie Walters for All My Sons
2000 Janie Dee for Comic Potential
1999 Eileen Atkins for The Unexpected Man
1998 Zoë Wanamaker for Electra
1997 Janet McTeer for A Doll’s House
1996 Judi Dench for Absolute Hell
1995 Clare Higgins for Sweet Bird Of Youth
1994 Fiona Shaw for Machinal
1993 Alison Steadman for The Rise And Fall Of Little Voice
1992 Juliet Stevenson for Death And The Maiden
1991 Kathryn Hunter for The Visit
1989/90 Fiona Shaw for Electra, As You Like It and The Good Person Of Sichuan
1987 Judi Dench for Antony and Cleopatra
1986 Lindsay Duncan for Les Liaisons Dangereuses
1985 Yvonne Bryceland for The Road To Mecca

Actress of the Year in a New Play

1988 Pauline Collins for Shirley Valentine
1984 Thuli Dumakude for Poppie Nongena
1983 Judi Dench for Pack Of Lies
1982 Rosemary Leach for 84 Charing Cross Road
1981 Elizabeth Quinn for Children Of A Lesser God
1980 Frances de la Tour for Duet For One
1979 Jane Lapotaire for Piaf
1978 Joan Plowright for Filumena
1977 Alison Fiske for Dusa, Fish, Stas and Vi
1976 Peggy Ashcroft for Old World

Actress of the Year in a Revival

1988 Harriet Walter for Twelfth Night and The Three Sisters
1984 Vanessa Redgrave for The Aspern Papers
1983 Frances de la Tour for A Moon For The Misbegotten
1982 Cheryl Campbell for A Doll’s House
1981 Margaret Tyzack for Who’s Afraid Of Virginia Woolf?
1980 Judi Dench for Juno And The Paycock
1979 Zoë Wanamaker for Once In A Lifetime
1978 Dorothy Tutin for The Double Dealer
1977 Judi Dench for Macbeth
1976 Dorothy Tutin for A Month In The Country

Best Actress in a Musical

2010 Samantha Spiro for Hello Dolly!
2009 Elena Roger for Piaf
2008 Leanne Jones for Hairspray
2007 Jenna Russell for Sunday In The Park With George
2006 Jane Krakowski for Guys And Dolls
2005 Laura Michelle Kelly for Mary Poppins
2004 Maria Friedman for Ragtime at the Piccadilly
2003 Joanna Riding for My Fair Lady
2002 Martine McCutcheon for My Fair Lady
2001 Samantha Spiro for Merrily We Roll Along
2000 Barbara Dickson for Spend Spend Spend
1999 Sophie Thompson for Into The Woods
1998 Ute Lemper for Chicago
1997 Maria Friedman for Passion
1996 Judi Dench for A Little Night Music
1995 Ruthie Henshall for She Loves Me
1994 Julia McKenzie for Sweeney Todd
1993 Joanna Riding for Carousel
1992 Wilhelmenia Fernandez for Carmen Jones
1991 Imelda Staunton for Into The Woods
1989/90 Lea Salonga for Miss Saigon
1988 Patricia Routledge for Candide
1987 Nichola McAuliffe for Kiss Me Kate
1986 Lesley Mackie for Judy
1985 Patti LuPone for Les Misérables and The Cradle Will Rock
1984 Natalia Makarova for On Your Toes
1983 Barbara Dickson for Blood Brothers
1982 Julia McKenzie for Guys And Dolls
1981 Carlin Glynn for The Best Little Whorehouse In Texas
1980 Gemma Craven for They’re Playing Our Song
1979 Virginia McKenna for The King And I

OLIVIER AWARDS – Best Supporting Winners

OLIVIER AWARDS – Best Supporting Winners

Best Performance in a Supporting Role

2009 Patrick Stewart for Hamlet
2008 Rory Kinnear for The Man Of Mode
2007 Jim Norton for The Seafarer
2006 Noma Dumezweni for A Raisin In The Sun, Young Vic
2005 Amanda Harris for Othello
2004 Warren Mitchell for The Price

Best Actress in a Supporting Role

2010 Ruth Wilson for A Streetcar Named Desire
2002 Marcia Warren for Humble Boy
2001 Pauline Flanagan for Dolly West’s Kitchen
2000 Patricia Hodge for Money
1997 Deborah Findlay for Stanley
1995 Dora Bryan for The Birthday Party
1994 Helen Burns for The Last Yankee
1993 Barbara Leigh-Hunt for An Inspector Calls
1992 Frances de la Tour for When She Danced
1991 Sara Crowe for Private Lives
1984 Marcia Warren for Stepping Out
1983 Abigail McKern for As You Like It
1982 Anna Massey for The Importance Of Being Earnest
1981 Gwen Watford for Present Laughter
1980 Suzanne Bertish for Nicholas Nickleby
1979 Doreen Mantle for Death Of A Salesman
1978 Elizabeth Spriggs for Love Letters On Blue Paper
1977 Mona Washbourne for Stevie

Best Actor in a Supporting Role

2010 Eddie Redmayne for Red
2002 Toby Jones for The Play What I Wrote
2001 Ben Daniels for All My Sons
2000 Roger Allam for Money
1997 Trevor Eve for Uncle Vanya
1995 Ken Stott for Broken Glass
1994 Joseph Mydell for Perestroika
1993 Julian Glover for Henry IV (Parts 1 and 2)
1992 Oleg Menshikov for When She Danced
1991 David Bradley for King Lear
1984 Edward Petherbridge for Strange Interlude
1983 Alan Devlin for A Moon For The Misbegotten
1982 David Healy for Guys And Dolls
1981 Joe Melia for Good
1980 David Threlfall for Nicholas Nickleby
1979 Patrick Stewart for Antony And Cleopatra
1978 Robert Eddison for Twelfth Night
1977 Nigel Hawthorne for Privates On Parade

Best Supporting Performance

2003 Essie Davis for A Streetcar Named Desire
1999 Brendan Coyle for The Weir
1998 Sarah Woodward for Tom & Clem
1996 Simon Russell Beale for Volpone
1989/90 Michael Bryant for Hamlet, The Voysey Inheritance and Racing Demon
1988 Eileen Atkins for Cymbeline, The Winter’s Tale and Mountain Language
1987 Michael Bryant for King Lear and Antony And Cleopatra
1986 Paul Jesson for The Normal Heart
1985 Imelda Staunton for A Chorus Of Disapproval and The Corn Is Green
1976 Margaret Courtenay for Separate Tables

Best Performance in a Supporting Role in a Musical

2010 Iwan Rheon for Spring Awakening
2009 Lesli Margherita for Zorro
2008 Tracie Bennett for Hairspray
2007 Sheila Hancock for Cabaret
2006 Celia Imrie for Acorn Antiques – The Musical!
2005 Conleth Hill for The Producers
2004 The Chorus of Jerry Springer – The Opera
2003 Paul Baker for Taboo
2002 Martyn Jacques for Shockheaded Peter
2001 Miles Western for Pageant
2000 Jenny Galloway for Mamma Mia!
1999 Shuler Hensley for Oklahoma!
1998 James Dreyfus for Lady In The Dark
1997 Clive Rowe for Guys And Dolls
1996 Sheila Gish for Company
1995 Tracie Bennett for She Loves Me
1994 Sara Kestelman for Cabaret
1993 Janie Dee for Carousel
1992 Jenny Galloway for The Boys From Syracuse
1991 Karla Burns for Show Boat

The Female of the Species Review

Though Australian playwright Joanna Murray-Smith denies that Margot Mason (Eileen Atkins – pictured) the heroine of her new play The Female of the Species is based on her fellow country woman, Germaine Greer, there is no mistaking the similarities between the two women. For starters, both are rampant feminists with an impressive body of work behind them and, just as Greer was once the victim of a young female stalker who caused her a certain amount of physical distress, Ms Murray-Smith’s play pivots on the unexpected arrival of a young girl student called Molly (Anna Maxwell-Martin) who manacles Margot to her desk.

Molly’s sudden appearance initially proves to be an unwanted distraction for Margot who is in the throes of writer’s block, having only managed to write a couple of hundred words of her latest book.

Molly, or so it would appear, is on a mission of hero-worship. Turns out though, that the reason for her visit is pickled in revenge. Margot’s feminist writings, (such as The Cerebral Vagina and Madame Ovary) have, she claims, ruined her life. So she produces a gun, handcuffs Margot to her desk, and commences a cat-and-mouse game in which the roles of cat and mouse, via a thought-provoking debate on the pros and cons of feminism, are continually changing.

So far so diverting. But with the arrival of Margot’s daughter Tess (Sophie Thompson), the seeds of farce are firmly planted and the play begins to spin out of control. Clearly modelled on Julie Walters’s Mrs. Overall, Tess is the epitome of an exhausted, frazzled overburdened housefrau, married to a man she doesn’t love and who, unable to cope with the incessant demands of her young kids, leaves them ‘home alone’ as she flees the coop.

Next on the scene is Tess’s husband Bryan (Paul Chahidi), a decent enough but boring wimp of a business man who does his best to calm the volatile situation. The fourth visitor to appear is a macho taxi-driver (Con O’Neill) whose wife no longer loves him and who is determined to get in touch with his sensitive side by becoming a new man.

Finally entering the fray is Theo (Sam Kelly), Margot’s agitating gay publisher, who, it turns out, once slept with Margot at a swinging sixties party, and is Tess’s father.

By this point, a strong whiff of desperation has taken over as the pros and cons of feminism are flogged lifeless. The play, which lasts 90 minutes without an interval, seems to be floundering in bad gags and loose ends, while the wonderful Eileen Atkins spends much of the latter half of the play, with very little to say for herself and reacting rather than acting.

The rest of the cast do their best with the material, but apart from some stimulating exchanges between Margot and her captor, and, on occasion, Murray Smith’s satirical and humorous take on everything Germaine Greer stands for, The Female of the Species is, at best, only sporadically entertaining.

Roger Michell directs and the country-house setting by Mark Thompson, is bucolic and colourful.

CLIVE HIRSCHHORN. Courtesy of This Is London.

THE FEMALE OF THE SPECIES. Vaudeville Theatre, London.

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