Almeida Theatre Spring 2012

BIJAN SHEIBANI TO DIRECT SHOHREH AGHDASHLOO IN FEDERICO GARCIA LORCA’S THE HOUSE OF BERNARDA ALBA

MICHAEL ATTENBOROUGH TO DIRECT SAMANTHA SPIRO IN EDWARDO DE FILIPPO’S FILUMENA IN A NEW ENGLISH VERSION BY TANYA RONDER

JEREMY HERRIN TO DIRECT WORLD PREMIERE OF MATTHEW DUNSTER’S CHILDREN’S CHILDREN

MICHAEL ATTENBOROUGH TO DIRECT JONATHAN PRYCE AS KING LEAR

 

BIJAN SHEIBANI TO DIRECT FEDERICO GARCIA LORCA’S THE HOUSE OF BERNARDA ALBA

Bijan Sheibani will direct Shohreh Aghdashloo in Federico Garcia Lorca’s The House of Bernarda Alba running at the Almeida Theatre from 19 January – 10 March 2012, with press night on 26 January at 7pm. In a new version by Emily Mann The House of Bernarda Alba has designs by Bunny Christie, with lighting by Jon Clark and sound by Dan Jones. Further casting is to be announced shortly.

Following her husband’s funeral in rural Iran, powerful matriarch Bernarda Alba decrees to her five daughters that the household will enter a period of eight years mourning. The only one it seems will escape this fate is the eldest daughter, Angustias, who is already betrothed to the village’s most eligible bachelor. In the strict confines of the house, jealousy and suppressed sexuality rise to the surface. As Bernada’s oppression of her daughters increases it is more than the girls’ liberty that is in danger.

Relocating one of Lorca’s best known works to rural Iran, Iranian stage and screen actor Shohreh Aghdashlo will be leading the cast as Bernarda Alba. This will mark her British stage debut; her television credits include Sajida in House of Saddam for the BBC/HBO, a role for which she won the 2009 Emmy® for Outstanding Supporting Actress in a mini-series or movie. She was named Best Supporting Actress by the Independent Spirit Awards, the New York Film Critics, and the Los Angeles Film Critics Association for her role in House of Sand and Fog. Her other film credits include The Stoning of Soraya M, The Sisterhood of the Traveling Pants 2, The Nativity Story, The Lake House and X-Men: The Last Stand, as well as Persian language films Gozaresh and Sute-Delan. She has made regular guest appearances on 24, ER and Will & Grace. On stage her credits include Rainbow on tour in the USA and extensive work with the Drama Workshop of Tehran. Aghdashloo is the co-founder of LA based Theatre Company Workshop 79.

Bijan Sheibani is an Associate Director at the National Theatre where he has directed Arnold Wesker’s The Kitchen as well as Greenland and Our Class. As Artistic Director of Actors Touring Company (2007 to 2010) his productions include Eurydice and The Brother’s Size at the Young Vic and Ghosts of Those Who Return at the Arcola. His Laurence Olivier award-winning production of Gone Too Far was produced by the Royal Court. Earlier this year he directed Harold Pinter’s Moonlight for the Donmar Warehouse. The House of Bernarda Alba is Sheibani’s second production for the Almeida, after The Fixer part of WRITE Playwriting Festival in 2006.

Spanish poet and playwright Federico Garcia Lorca’s first play Mariana Pineda was staged in 1927. As well as The House of Bernarda Alba his other plays include Blood Wedding, staged by the Almeida in 2005 directed by Rufus Norris and starring Gael Garcia Bernal, and Yerma. His first volume of poems, Gypsy Ballads, was published in 1928.

MICHAEL ATTENBOROUGH TO DIRECT TANYA RONDER’S NEW VERSION OF DE FILIPPO’S FILUMENA

Michael Attenborough will direct Samantha Spiro in Eduardo de Filippo’s Filumena in a new English version by Tanya Ronder running at the Almeida from 15 March – 12 May 2012, with press night on 22 March at 7pm. Designs are by Rob Jones, with lighting by Tim Mitchell and sound by John Leonard. Casting will be announced shortly.

In the balmy heat of late ‘40s Naples, Filumena Marturano lies on her deathbed waiting to marry Domenico Soriano, the man who has kept her as his mistress for twenty-five years. But no sooner has the priest completed the ceremony, than Filumena makes a miraculous recovery. As he reels in shock, Domenico discovers that this brilliant, iron-willed woman has a few more surprises for him.

Olivier award-winning Samantha Spiro will make her Almeida debut in the title role. She has most recently been seen on stage at the Royal Court in Arnold Wesker’s Chicken Soup with Barley where she was also seen in The Family Play. Her previous theatre credits include Hello Dolly, Much Ado About Nothing, As You Like It, Lady Be Good, Macbeth and The Boys from Syracuse all for Regent’s Park Open Air Theatre, Twelfth Night for the Donmar Warehouse at Wyndham’s Theatre, Funny Girl for Chichester Festival Theatre and Two Thousand Years and Cleo, Camping, Emanuelle and Dick for the National Theatre. Her television credits Rock and Chips, Grandma’s House, After You’ve Gone, Coupling and Cold Feet and her film credits include A Running Jump, Tomorrow La Scala, From Hell, Cor Blimey and Beyond Bedlam.

Tanya Ronder previously wrote a new version of Lorca’s Blood Wedding for the Almeida as well as Or Nearest Offer, a new play for the Almeida Youth Theatre and Chain Play II, a fundraising event for the Theatre. Her adaptation of Vernon God Little was produced by the Young Vic who also staged Ronda’s version of Peribanez. Her stage adaptation of Peter Pan was presented at Kensington Gardens. For the Royal Shakespeare Company she wrote a new version of Ionesco’s Macbett.

Michael Attenborough is Artistic Director of the Almeida Theatre where his productions have been The Mercy Seat, Five Gold Rings, Brighton Rock, The Late Henry Moss, Enemies, There Came A Gypsy Riding, Big White Fog, Awake and Sing!, The Homecoming, In a Dark Dark House, When the Rain Stops Falling, Measure for Measure, Through A Glass Darkly and, most recently, The Knot of the Heart. Previously, he was Associate Director at, Mercury Theatre, Colchester (1972-74), Leeds Playhouse (1974-79), Young Vic (1979-80) and Artistic Director at, Palace Theatre, Watford (1980-84), and Hampstead Theatre (1984-89), and was Principal Associate Director for the Royal Shakespeare Company (1990-2002). On leaving the Royal Shakespeare Company he became an Honorary Associate Artist. Attenborough‘s freelance work includes productions at the National Theatre, the Royal Court, in the West End and on Broadway. His production of Neil LaBute’s Reasons To Be Pretty will open at the Almeida in November this year.

Italian playwright, actor, screen writer, poet and author Eduardo De Filippo’s plays include Filumena, Napoli Milionaria, La Grande Magia, Saturday, Sunday, Monday and The Syndiacte.

JEREMY HERRIN TO DIRECT WORLD PREMIERE OF MATTHEW DUNSTER’S CHILDREN’S CHILDREN

Jeremy Herrin will direct the world premiere of Matthew Dunster’s Children’s Children running at the Almeida from 17 May – 30 June 2012, with press night on 24 May. Designs are by Robert Innes Hopkins with lighting by Neil Austin and sound by Ian Dickinson. Casting will be announced shortly.

Michael and Gordon have been best friends since acting college. Now, 20 years later, Michael is Mr Saturday Night TV but failing actor Gordon is struggling with enormous debts. Meanwhile Gordon’s daughter Effie couldn’t care less about her Dad’s problems – she is far more interested in the film that her cool boyfriend is making and setting up an ecologically sound clothing label. When Gordon asks Michael to lend him a large sum of money it sets in motion a series of events that reveal irreparable cracks in the characters’ relationships.

Playwright, director and actor Matthew Dunster’s writing credits include a new adaptation of Saturday Night Sunday Morning which opens at the Royal Exchange Theatre in February 2012. Previously his adaptation of Hans Christian Anderson’s The Most Incredible Thing was produced at Sadler’s Wells Theatre. His play You Can See The Hills received its world premiere at the Royal Exchange Theatre before a transfer to the Young Vic. His production of Doctor Faustus ran at Shakespeare’s Globe Theatre this summer and his production of Mogadishu opened at the Royal Exchange before transferring to the Lyric Hammersmith. For the National Theatre he has directed Love The Sinner.

Jeremy Herrin is Associate Director of the Royal Court where he directed the UK premiere of David Hare’s The Vertical Hour as well as Richard Bean’s The Heretic and Polly Stenham’s award-winning That Face which subsequently transferred to the West End. His production of Much Ado About Nothing opened at Shakespeare’s Globe earlier this year and next month his production of Ariel Dorfman’s Death and the Maiden will open at the Pinter Theatre. Herrin will direct Joe Penhall’s Haunted Child for the Royal Court opening in December. His production of David Hare’s South Downs is currently playing at Chichester Festival Theatre. Children’s Children marks Herrin’s directorial debut at the Almeida.

MICHAEL ATTENBOROUGH TO DIRECT JONATHAN PRYCE IN TITLE ROLE AS KING LEAR

Michael Attenborough will direct Jonathan Pryce as William Shakespeare’s King Lear running at the Almeida Theatre from the 31 August – 3 November 2012, with press night 11 September. Designs are by Tom Scutt with lighting by Jon Clark and sound and music by Dan Jones. Further casting will be announced shortly.

When Lear asks each of his daughters to profess their love for him, he is flattered by the false hyperbole of Regan and Goneril. When his youngest daughter Cordelia confesses to love him simply as a daughter should, his pride is dented and he casts her out of his kingdom. Too late to realise his mistake, and forced from power by his offspring, an increasingly impotent and frail Lear descends into madness.
Tony and Olivier award-winning actor Jonathan Pryce made his Almeida debut playing Martin in Edward Albee’s The Goat or, Who is Sylvia? His extensive theatre credits includes The Caretaker for Liverpool Everyman and the Trafalgar Studios, Glengarry Glen Ross at the Apollo Theatre, A Reckoning for Soho Theatre and My Fair Lady at the National Theatre and the Theatre Royal Drury Lane as well as Oliver at the London Palladium, Miss Saigon at the Theatre Royal Drury Lane, Uncle Vanya and The Seagull in the West End, Hamlet for the Royal Court, Measure for Measure at the Royal Shakespeare Company and Comedians at the Old Vic. His film and television work includes Cranford, Hysteria, Pirates of the Caribbean, Tomorrow Never Dies, What a Girl Wants, Victoria and Albert, Evita, Unconditional Love, Brazil and Carrington.

Michael Attenborough directs.

King Lear is sponsored by Coutts & Co.

King Lear is part of the World Shakespeare Festival. The festival, produced by the Royal Shakespeare Company for London 2012, will showcase the best of the UK and international creative talents, exploring the contemporary relevance of Shakespeare.

PRINCIPAL PARTNER

The Almeida Theatre is grateful to its Principal Partner Aspen whose new three year commitment started this summer, building on the existing long term relationship between the two companies. Aspen’s commitment to the Almeida Theatre will ensure continued bold programming, artistic endeavour and risk taking. Aspen, established in 2002, is a leading specialty insurance and reinsurance company with over 670 employees in eight countries. www.aspen.bm

The Almeida Theatre is supported by Arts Council England.

Release issued by: Premier PR

LINKS

Almeida Theatre website

Chichester Festival announces new season

The Chichester Festival Theatre has announced its new 2011 season, including a major celebration of the work of Terence Rattigan and three new productions of classic musicals.

High-profile directors include Trevor Nunn, Max Stafford-Clark, Jonathan Church, Philip Franks and Sean Mathias.

Michael Ball and Imelda Staunton to star in Sondheim’s Sweeney Todd.

Sir Ian McKellen returns to Chichester to star alongside Michael Pennington in The Syndicate.

Chichester Festival Theatre has announced its new 2011 season, starting on 9 May. Artistic Director Jonathan Church has put together an impressive slate of new productions, attracting major directors and stellar acting talent to cover both drama and musicals.

Three big musicals will be revived this year, following Chichester’s 2010 stage version of famous film weepy Love Story, which is currently playing at the Duchess Theatre in London. The season kicks off with Jerry Bock and Sheldon Harnick’s She Loves Me (from 9 May), starring Joe McFadden and Dianne Pilkington, and directed and choreographed by Stephen Mear. The show was last seen in the West End in 1994 starring Ruthie Henshall, John Gordon Sinclair and Tracie Bennett.

From 27 June, MGM musical Singin’ in the Rain gets a brand new production by Jonathan Church, starring Adam Cooper, Daniel Crossley and Scarlett Strallen. The musical trio is completed at the end of the season by the much talked-about and anticipated new production of Stephen Sondheim’s Sweeney Todd (from 24 September), directed by Jonathan Kent and starring Michael Ball in the title role and Imelda Staunton as Mrs Lovett.

The festival will also celebrate the work of Terence Rattigan with a mini season of productions, timed to coincide with the playwright’s centenary year in 2011. Shows include The Deep Blue Sea (from 13 July) directed by Philip Franks; and The Browning Version (from 2 September) directed by Angus Jackson, alongside the world premiere of a new one-act play by David Hare, South Downs, directed by Jeremy Herrin and commissioned by the Rattigan Trust as a response to The Browning Version. Also Nicholas Wright’s new play Rattigan’s Nijinsky, based on a screenplay by Rattigan, will get a world premiere from 19 July  directed by Philip Franks; and from 31 July the festival will hold a series of rehearsed readings of some of Rattigan’s lesser-known plays, including First Episode,  Adventure Story, Variation On A Theme, Heart To Heart and Harlequinade, plus In Praise Of Rattigan, devised by Jack Tinker and Martin Tickner and directed and featuring Penelope Keith.

Other new productions include Trevor Nunn following his spring production of Rattigan’s Flare Path in the West End, by directing Tom Stoppard’s Rosencrantz and Guildenstern Are Dead (from 20 May); Max Stafford-Clark and his Out of Joint theatre company join forces with Chichester to revisit Caryl Churchill’s 1982 play Top Girls (from 23 June); and Sir Ian McKellen stars in a new version of Eduardo De Filippo’s The Syndicate (from 21 July), also starring Michael Pennington and directed by Sean Mathias.

LINKS

Chichester Festival Theatre website

Video: Sweeney Todd – Michael Ball and Imelda Staunton on The Michael Ball Show

Chichester Festival Theatre Announces Festival 2011

At the heart of the sixth season from Artistic Director Jonathan Church and Executive Director Alan Finch will be ‘a Festival within a Festival’ celebrating the achievements of playwright Terence Rattigan in the centenary year of his birth. There will be productions of two of his finest plays, The Deep Blue Sea and The Browning Version, both of which will play in conjunction with the world premiere of a connected piece, Rattigan’s Nijinsky by Nicholas Wright and South Downs by David Hare. There will also be a series of Rattigan-themed rehearsed readings, discussions and talks. For the first time, the season also features three musicals, She Loves Me, Singin’ in the Rain and Sweeney Todd, which will form the beginning, middle and end of the Festival. Vastly different in style and content, these three productions reflect the diversity and range of musical theatre itself.

SHE LOVES ME
Book by Joe Masteroff
Music by Jerry Bock
Lyrics by Sheldon Harnick
9 May – 18 June, Minerva Theatre (Press Night: Monday 16 May 7.00pm)

Director & Choreographer: Stephen Mear
Designer: Anthony Ward
Lighting Designer: Chris Davey
Musical Director: Phil Bateman
Sound Designer: Matt McKenzie
Orchestrator: Steven Edis

A witty and warm-hearted musical gem – later reworked for the big screen as The Shop Around the Corner and You’ve Got Mail – this is the delightful story of Georg and Amalia, two lovelorn assistants in a 1930s parfumerie. They squabble by day but at night write anonymous love letters, both unaware that they are each other’s secret correspondent.

The cast features Joe McFadden. Last at Chichester in Festival 05’s How to Succeed in Business Without Really Trying, his other credits include Chitty Chitty Bang Bang and Rent on stage and Heartbeat, Casualty and Cranford on television.

Dianne Pilkington plays Amalia. Her stage credits include The 39 Steps, Wicked, The Wolf Man, Taboo, Tonight’s The Night, The Beautiful Game and Les Misérables.

The musical will be directed and choreographed by Chichester Festival Theatre Associate Stephen Mear.

His productions for Chichester include The Music Man and Funny Girl. Other credits include the forthcoming West End production of Betty Blue Eyes, Shoes, Mary Poppins, for which he received the Olivier Award for Best Choreography, together with Matthew Bourne, and Hello, Dolly! for which he received the Olivier Award for Best Theatre Choreographer.

TOM STOPPARD’S ROSENCRANTZ AND GUILDENSTERN ARE DEAD
20 May – 11 June, Festival Theatre (Press Night: Tuesday 31 May 7.00pm)

Director: Trevor Nunn
Lighting Designer: Tim Mitchell

This richly inventive play retells Hamlet through the eyes of two of its minor characters, Rosencrantz and Guildenstern, who inhabit a world completely beyond their grasp and control.

Tom Stoppard’s plays include The Real Inspector Hound, Jumpers, Travesties, The Real Thing, Arcadia and Rock ‘n’ Roll, while his screenplays include Shakespeare in Love for which he was awarded an Oscar for Best Screenplay, together with co-writer Marc Norman.

Trevor Nunn directed Cyrano de Bergerac for Festival 09. He has been Artistic Director of both the Royal Shakespeare Company and the National Theatre, and his credits include the forthcoming West End production of Flare Path, as well as Birdsong, A Little Night Music, Rock ‘n’ Roll, Hamlet, King Lear, The Seagull and Porgy and Bess.

TOP GIRLS by Caryl Churchill
23 June – 16 July, Minerva Theatre (Press Night: Thursday 30 June 7.00pm)

Director: Max Stafford-Clark
Designer: Tim Shortall
Lighting Designer: Jason Taylor

One of the boldest and most original plays of the 1980s, Top Girls remains equally relevant today. A provocative study of powerful women in Thatcher’s Britain, the play examines the compromises made by women in the quest for success, and what happens to those left behind.

Caryl Churchill’s plays include Cloud Nine, Serious Money, for which she received the Evening Standard Award for Best New Comedy and the Olivier Award for Best New Play, Far Away and A Number.

Max Stafford-Clark returns to Top Girls, having directed its premiere at the Royal Court in 1982. He was Artistic Director of the Royal Court from 1979 – 1993 and of the Traverse Theatre Edinburgh from 1968 – 1970. He co-founded the Joint Stock Theatre Group in 1974 and Out of Joint in 1993. Among his directing credits are regular collaborations with writer Caryl Churchill, including Light Shining in Buckinghamshire, Cloud Nine and Serious Money.

Top Girls is a co-production with Out of Joint.

Contains adult themes and strong language.

SINGIN’ IN THE RAIN
Based on the MGM film
Screenplay and adaptation by Betty Comden and Adolph Green
Songs by Nacio Herb Brown and Arthur Freed
27 June – 10 September, Festival Theatre (Press Night: Tuesday 5 July 7.00pm)

Director: Jonathan Church
Designer: Simon Higlett
Choreographer: Andrew Wright
Lighting Designer: Tim Mitchell
Musical Director: Robert Scott
Sound Designer: Matt McKenzie

This classic musical evokes the era when the silver screen was changed forever by the emergence of talking pictures. The glorious score features Make ‘em Laugh, Good Morning, Moses Supposes and Singin’ in the Rain.

Adam Cooper, whose credits include On Your Toes and Guys and Dolls, plays silent movies star Don Lockwood. The cast also features Daniel Crossley, whose credits include Hello Dolly!, Chicago, Fosse and Mary Poppins, and Scarlett Strallen, who has appeared in The Music Man (Festival 08), Mary Poppins and Chitty Chitty Bang Bang.

Jonathan Church is Chichester’s Festival Theatre’s Artistic Director. His credits for Chichester include The Critic and The Real Inspector Hound, The Grapes of Wrath, Pravda, Hobson’s Choice, The Circle and The Life and Adventures of Nicholas Nickleby. His credits also include Master Class and the Olivier Award-nominated Of Mice and Men.

THE DEEP BLUE SEA by Terence Rattigan
13 July – 3 September, Festival Theatre (Press Night: Monday 25 July 2.15pm)

Director: Philip Franks
Music: Matthew Scott

With his trademark empathy and sensitivity, Rattigan explores the driving force of desire and its devastating consequences through his depiction of Hester Collyer, torn between her love for a callow younger man, and the security of a lifeless marriage.

Terence Rattigan’s plays include Separate Tables, In Praise of Love, The Winslow Boy and The Browning Version which will also be staged during Festival 2011. The Deep Blue Sea will be partnered by the world premiere of Rattigan’s Nijinsky (see below) which will be performed by the same company of actors. Both productions form part of the ‘festival within a Festival’ taking place to mark the centenary of Rattigan’s birth.

RATTIGAN’S NIJINSKY by Nicholas Wright WORLD PREMIERE
Based on a screenplay by Terence Rattigan
19 July – 3 September, Festival Theatre (Press Night: Monday 25 July, 7.00pm)

Director: Philip Franks
Music: Matthew Scott

This production marks the staging of two world premieres in one. In 1974 Terence Rattigan wrote a television script for the BBC about Diaghilev, the impresario behind the Ballet Russes and Nijinsky, the most renowned dancer of all time. The screenplay was later withdrawn in mysterious circumstances by Rattigan himself and neither produced nor published.

Now, in his new play, Nicholas Wright imagines why. The dying Rattigan meets Nijinsky’s elderly widow, Romola, to fight over his play. Meanwhile, in the same room, Diaghilev and the young Romola fight over the tormented Nijinsky.

Nicholas Wright’s work includes Mrs Klein, Vincent in Brixton, the adaptation of Philip Pullman’s His Dark Materials trilogy, and The Reporter.

Philip Franks directs both The Deep Blue Sea and Rattigan’s Nijinsky. His productions for Chichester include The Master Builder, Separate Tables, Twelfth Night and The Life and Adventures of Nicholas Nickleby.

THE SYNDICATE (Il Sindaco Del Rione Sanità) by Eduardo De Filippo
In a new version by Mike Poulton
WORLD PREMIERE
21 July – 20 August, Minerva Theatre (Press Night: Tuesday 2 August 7.00pm)

Director: Sean Mathias

Ian McKellen returns to Chichester for the first time in several decades to play Don Antonio, the Godfather making someone an offer they can’t refuse in this witty dark comedy set in 1960s Naples. McKellen’s distinguished career includes theatre credits for Macbeth, Waiting for Godot and King Lear. His film credits include The Lord of the Rings, Gods and Monsters, Richard III, Dance of Death and X Men.

The cast also features Michael Pennington as Dr Fabio. His credits include The Master Builder (Festival 2010), Collaboration and Taking Sides (Festivals 08 and 09), The Iron Lady and Love is My Sin, as well as extensive work with the RSC and his English Shakespeare Company.

Eduardo De Filippo’s plays include Napoli Milionaria, Filumena and Saturday, Sunday and Monday.

Mike Poulton’s adaptations include Wallenstein (Festival 09), The Cherry Orchard, The Father, Fortune’s Fool and Uncle Vanya.

Sean Mathias’ stage credits include Waiting for Godot with Ian McKellen, Breakfast at Tiffany’s, A Little Night Music and the award-winning film Bent.

SOUTH DOWNS by David Hare WORLD PREMIERE
THE BROWNING VERSION by Terence Rattigan
2 September – 8 October, Minerva Theatre (Press Night: Wednesday 14 September 7pm)

South Downs
Director: Jeremy Herrin

David Hare’s new one-act play, written at the invitation of the Rattigan Trust as a response to The Browning Version, concerns a lonely boy at a public school on the South Downs. It is a meditation on learning, faith and teenage friendship set against the backdrop of a Britain still striving to maintain the established order.

David Hare’s plays include The Power of Yes, Stuff Happens, Gethsemane, The Vertical Hour, Amy’s View, Racing Demons, which received an Olivier Award for Best New Play, Murmuring Judges, The Absence of War, Pravda (with Howard Brenton) which received an Evening Standard Award for Best Play and Skylight; his screenplays include The Reader and The Hours.

Jeremy Herrin is Deputy Artistic Director of the Royal Court where he has directed David Hare’s The Vertical Hour, That Face and The Heretic. He has also directed The Family Reunion at the Donmar and Statement of Regret at the National Theatre.

The Browning Version
Director: Angus Jackson

Classics master Andrew Crocker-Harris, brilliant scholar turned unpopular teacher is retiring from a public school to teach in a crammer. His years of self-loathing, buttoned-up disappointment and humiliation are released by a small gesture of unexpected kindness from one of his pupils in this poignant one-act play.

Associate Director Angus Jackson’s credits for Chichester include Goodnight Mister Tom (currently touring), Bingo, Wallenstein, Funny Girl, The Waltz of the Toreadors and Carousel. His other stage credits include Elmina’s Kitchen, Fix Up, Rocket to the Moon and David Hare’s The Power of Yes, all for the National Theatre.

SWEENEY TODD
The Demon Barber Of Fleet Street
Music and lyrics by Stephen Sondheim
Book by Hugh Wheeler
From an adaptation by Christopher Bond
24 September – 5 November, Festival Theatre (Press Night: Thursday 6 October 7pm)

Director: Jonathan Kent
Designer: Anthony Ward
Choreographer: Denni Sayers
Lighting Designer: Mark Henderson
Musical Director: Nicholas Skilbeck
Sound Designer: Paul Groothuis

Acclaimed musical theatre actor Michael Ball takes the title role in this dark and witty portrayal of corruption and revenge, generally acknowledged as Sondheim’s masterpiece. Combining elements of horror with English music hall, the musical depicts Sweeney Todd’s return to nineteenth century London following years of false imprisonment.

Stephen Sondheim’s musicals include Follies, A Little Night Music, Sunday in the Park with George and Passion.

Michael Ball’s stage credits include originating the role of Edna Turnblad in Hairspray, for which he won Laurence Olivier and Whatsonstage Awards for Best Actor in a Musical. He will be reprising the role on tour this Spring. Other stage credits include Les Misérables, Chitty Chitty Bang Bang, The Phantom of the Opera, Passion and The Woman in White. Last year he co-produced the West End production of Love Story following its Chichester premiere during Festival 2010.

Award-winning actress Imelda Staunton plays Sweeney Todd’s accomplice, the pie-shop owner Mrs Lovett. Staunton’s film credits include Vera Drake for which she received the BAFTA Best Actress Award and an Oscar nomination, Another Year, the Harry Potter series and Shakespeare in Love. Her stage credits include Entertaining Mr Sloane, Guys and Dolls and Into The Woods. On television she has featured in Cranford and Psychoville.

Jonathan Kent directed A Month in the Country for Chichester’s Festival 2010. Other recent work includes the National Theatre production of Oepidus starring Ralph Fiennes and The Fairy Queen at Glyndebourne. He was Artistic Director of the Almeida Theatre for 12 years where his work included When We Dead Awaken, All For Love, Medea, The School For Wives and Gangster No.1.

Age guideline: 12+

TERENCE RATTIGAN – A CELEBRATION
As part of this year’s celebration of the life and work of Terence Rattigan, there will be a series of rehearsed readings of some of his lesser-known plays with members of the Festival Company and special guests.

FIRST EPISODE (1933)
Sunday 31 July, Minerva Theatre 3.00pm
Directed by Philip Franks
Written with Philip Heimann while Rattigan was still at Oxford, this play depicts the devastating impact of a visiting actress upon a group of undergraduates.

IN PRAISE OF RATTIGAN
Sunday 7 August, Minerva Theatre 3.00pm
Directed by and featuring Penelope Keith
An entertainment devised by Jack Tinker and Martin Tickner.

ADVENTURE STORY (1949)
Sunday 14 August, Minerva Theatre 3.00pm
Directed by Tim Hoare
One of Rattigan’s own favourite plays – never been produced since its premiere – this sweeping historical drama is the story of Alexander the Great, who conquers the world and loses his soul.

VARIATION ON A THEME (1958)
Sunday 21 August, Minerva Theatre 3.00pm
Directed by Michael Oakley
Rattigan’s retelling of the story of Camille, in which Marguerite Gaultier falls hopelessly in love with a bisexual dancer much younger than herself.

HEART TO HEART (1962)
Sunday 4 September, Minerva Theatre 3.00pm
Directed by Philip Franks
During the course of a live interview, an eminent politician is forced to reveal the truth about his political and personal life. This prophetic play is based on the infamous television interview programme Face to Face hosted by John Freeman from 1959 – 1962.

HARLEQUINADE (1949)
Sunday 25 September, Minerva Theatre 6.00pm
Directed by Angus Jackson
This humourous caricature of post-war theatre life was originally performed in a double bill with The Browning Version, which plays this season in the Minerva Theatre.

There will also be various other events, pre- and post-show talks, Saturday shorts and workshops related to Festival 2011 productions. Full details are in the Festival brochure, pages 25 – 27, or online at www.cft.org.uk/takingpart

Priority Booking for Friends of Chichester Festival Theatre opens on Thursday 17 February at 10.00am. To become a Friend of the Theatre and benefit from priority booking and discounted tickets, call 01243 781312 or join online at www.cft.org.uk/friends.

Online public booking opens for everyone on Monday 28 February at 10.00am. Telephone and counter booking opens for everyone on Thursday 3 March. Tickets £10 – £38 available online at www.cft.org.uk or contact the Box Office on 01243 781312.

Chichester Festival Theatre is working in partnership with The University of Chichester to offer reduced price tickets for the first three performances of all productions in the Festival Theatre. To book for The University of Chichester Festival Theatre Previews, visit www.cft.org.uk or call the Box Office on 01243 781312.

Release issued by: Chichester Festival Theatre press office

LINKS

Chichester Festival Theatre website

OLIVIER AWARDS – Best Comedy Winners

OLIVIER AWARDS – Best Comedy Winners

Best New Comedy

2010 The Priory
2009 God of Carnage
2008 Rafta Rafta
2007 John Buchan’s The 39 Steps adapted by Patrick Barlow from an original concept by Simon Corble and Nobby Dimon
2006 Heroes by Gerald Sibleyras translated by Tom Stoppard

Best Comedy

2003 The Lieutenant Of Inishmore by Martin McDonagh
2002 The Play What I Wrote by Hamish McColl, Sean Foley and Eddie Braben
2001 Stones In His Pockets by Marie Jones
2000 The Memory Of Water by Shelagh Stephenson
1999 Cleo, Camping, Emmanuelle And Dick by Terry Johnson
1998 Popcorn by Ben Elton
1997 Art by Yasmina Reza
1996 Mojo by Jez Butterworth
1995 My Night With Reg by Kevin Elyot
1994 Hysteria by Terry Johnson
1993 The Rise And Fall Of Little Voice by Jim Cartwright
1992 La Bête by David Hirson
1991 Out Of Order by Ray Cooney
1989/90 Single Spies by Alan Bennett
1988 Shirley Valentine by Willy Russell
1987 Three Men On A Horse by John Cecil Holm and George Abbott
1986 When We Are Married by J.B. Priestley
1985 A Chorus Of Disapproval by Alan Ayckbourn
1984 Up’N’Under by John Godber
1983 Daisy Pulls It Off by Denise Deegan
1982 Noises Off by Michael Frayn
1981 Steaming by Nell Dunn
1980 Educating Rita by Willy Russell
1979 Middle Age Spread by Roger Hall
1978 Filumena by Eduardo de Filippo, adapted by Keith Waterhouse and Willis Hall
1977 Privates On Parade by Peter Nichols
1976 Donkey’s Years by Michael Frayn

Best Comedy Performance

1995 Niall Buggy for Dead Funny
1994 Griff Rhys Jones for An Absolute Turkey
1993 Simon Cadell for Travels With My Aunt
1992 Desmond Barrit for The Comedy Of Errors
1991 Alan Cumming for Accidental Death Of An Anarchist
1989/90 Michael Gambon for Man Of The Moment
1988 Alex Jennings for Too Clever By Half
1987 John Woodvine for The Henrys
1986 Bill Fraser for When We Are Married
1985 Michael Gambon for A Chorus Of Disapproval
1984 Maureen Lipman for See How They Run
1983 Griff Rhys Jones for Charley’s Aunt
1982 Geoffrey Hutchings for Poppy
1981 Rowan Atkinson for Rowan Atkinson in Revue
1980 Beryl Reid for Born In The Gardens
1979 Barry Humphries for A Night With Dame Edna
1978 Ian McKellen for The Alchemist
1977 Denis Quilley for Privates On Parade
1976 Penelope Keith for Donkey’s Years