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OLIVIER AWARDS – Best Play Winners

June 15, 2010 

OLIVIER AWARDS – Best Play Winners

Best New Play

2011 Clybourne Park by Bruce Norris
2010 The Mountaintop
2009 Black Watch by Gregory Burke
2008 A Disappearing Number
2007 Blackbird by David Harrower
2006 On The Shore Of The Wide World by Simon Stephens
2005 The History Boys by Alan Bennett
2004 The Pillowman by Martin McDonagh

The BBC Award for Best New Play

2003 Vincent In Brixton by Nicholas Wright
2002 Jitney by August Wilson
2001 Blue/Orange by Joe Penhall
2000 Goodnight Children Everywhere by Richard Nelson
1999 The Weir by Conor McPherson
1998 Closer by Patrick Marber
1997 Stanley by Pam Gems
1996 Skylight by David Hare
1995 Broken Glass by Arthur Miller
1994 Arcadia by Tom Stoppard
1993 Six Degrees Of Separation by John Guare
1992 Death And The Maiden by Ariel Dorfman
1991 Dancing At Lughnasa by Brian Friel
1989/90 Racing Demon by David Hare
1988 Our Country’s Good by Timberlake Wertenbaker
1987 Serious Money by Caryl Churchill
1986 Les Liaisons Dangereuses by Christopher Hampton
1985 Red Noses by Peter Barnes
1984 Benefactors by Michael Frayn
1983 Glengarry Glen Ross by David Mamet
1982 Another Country by Julian Mitchell
1981 Children Of A Lesser God by Mark Medoff
1980 The Life And Adventures Of Nicholas Nickleby by Charles Dickens, adapted by David Edgar
1979 Betrayal by Harold Pinter
1978 Whose Life Is It Anyway? by Brian Clark
1977 The Fire That Consumes by Henry de Montherlant, English version by Vivian Cox with Bernard Miles
1976 Dear Daddy by Denis Cannan

Best Revival

2011 After the Dance directed by Thea Sharrock
2010 Cat On A Hot Tin Roof
2009 The Histories
2007 The Crucible by Arthur Miller
2006 Hedda Gabler by Henrik Ibsen in a new version by Richard Eyre
2005 Hamlet by William Shakespeare
2004 Mourning Becomes Electra by Eugene O’Neill
2003 Twelfth Night by William Shakespeare and Uncle Vanya by Anton Chekov
1995 As You Like It by William Shakespeare
1994 Machinal by Sophie Treadwell
1993 An Inspector Calls by J.B. Priestley
1992 Hedda Gabler by Henrik Ibsen
1991 Pericles by William Shakespeare

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London Theatre – 2009 Preview

December 30, 2008 

If theatre mirrors life then you would expect 2009 to be a bad year for the performing arts in London: economic downturns and credit crunches sound like gloomy news for our discretionary entertainment spending. But West End theatre box office figures have kept on going up in recent years, and the huge number of new productions sailing into town during 2009 could mean that Theatreland manages to buck the trend.

THE GREAT REVIVAL

The RSC, National Theatre, Donmar and Old Vic dominated straight drama in the West End in 2008, and they haven’t finished yet. Big hitters coming to town include Judi Dench and Rosamund Pike in the Donmar in the West End’s Madame de Sade at the Wyndhams; Jude Law offering us his, hopefully fighting fit, Hamlet; Gillian Anderson in Ibsen’s A Doll’s House and Rachel Weisz in A Streetcar Named Desire at the Donmar Warehouse; Helen Mirren making her return to the London stage in Phaedra at the National Theatre; and a number of crowd-pleasing revivals at the Old Vic, no more so than Dancing at Lughnasa, Brian Friel’s hugely successful play starring Andrea Corr, and Sam Mendes directing Chekhov’s The Cherry Orchard and Shakespeare’s A Winter’s Tale, both featuring Ethan Hawke, Simon Russell Beale and Sinead Cusack.

STAR POWER

Other stars shimmying into town include Ian McKellen and Patrick Stewart in Samuel Beckett’s Waiting for Godot at the Haymarket, Ken Stott and Hayley Atwell in Arthur Miller’s A View from the Bridge at the Duke of York’s, heavy-hitter Pete Postlethwaite as King Lear at the Young Vic, and Antony Sher giving us his Prospero in the RSC’s The Tempest. The Gavin and Stacey phenomenon continues to roll on, as we see Joe Orton’s delicious romp Entertaining Mr Sloane at the Trafalgar Studios starring Gavin himself, Matthew Horne, alongside Imelda Staunton; whilst Gavin’s onscreen Mum Alison Steadman plays a barking Leeds housewife in Alan Bennett’s Enjoy at the Gielgud Theatre.

NEW PLAYS

The sharp eyed amongst you will notice that all of these plays are revivals rather than new work, keeping audiences firmly in their comfort zones. That said, new plays may be thin on the ground but not absent all together, with the National offering up Richard Bean’s England People Very Nice, following two lovers across four centuries, and Samuel Adamson’s Mrs Affleck set in the 1950s. Jez Butterworth has two new plays in pre-production, with comedy Parlour Song at the Almeida and Jerusalem at the Royal Court. Also at the Royal Court, Mark Ravenhill will bring his new play Over There. Plus Hollywood man of the moment James McAvoy is to star in Richard Greenberg’s acclaimed play Three Days of Rain at the Apollo, and at The Old Vic Richard Dreyfuss headlines the world premiere of American playwright Joe Sutton’s new play Complicit, directed by Kevin Spacey.

“BASED ON A FILM”

In musical theatre, 2009 promises to be a year of great big fabulous and familiar shows, surely enough to see us through the dark times? And it’s no coincidence that many of them are based on hugely successful films.

Oliver! will be well and truly steaming ahead through 2009 at the Drury Lane Theatre Royal with Rowan Atkinson and Jodie Prenger; La Cage Aux Folles will continue camping it up at the Playhouse but with Graham Norton taking over from Douglas Hodge; and at the Adelphi Theatre Lee Mead will bow out of Joseph to be replaced by Gareth Gates.

Jason Donovan will be donning the wigs and lip gloss to take us on an Australian power-mince in Priscilla Queen of the Desert at the Palace Theatre. And Sister Act at the London Palladium will be doing its best to recreate the fun of the film, helped along by Whoopi Goldberg as co-producer. And not quite a musical but as good as, Calendar Girls the stage play will up the naked flesh quotient in the West End, starring Patricia Hodge and Lynda Bellingham at the Noel Coward Theatre.

Also in musicals-land the power of reality TV continues to wield its power, with Gareth Gates going into Joseph at the Adelphi Theatre, the X-factor’s Niki Evans continuing in Blood Brothers at the Phoenix, Jodie Prenger in Oliver at the Drury Lane, and Ray Quinn and Danny Bayne in Grease – joined for a limited time by the legendary Jimmy Osmond.

KIDS RULE

Kids should also see a good year in 2009 with an enormous live theatrical production of Walking with Dinosaurs coming to a stadium near you, and War Horse transfers from its successful run at the National Theatre to the New London Theatre.


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