November 20, 2013
The joyous, fast-paced, feel-good family musical with amazing choreography and music by Oscar winner Alan Menken (Beauty and the Beast), Newsies is a Broadway mega-hit.
Another huge hit from Disney, Newsies is the Tony, Drama Desk and Outer Critics Circle Award winner great for families.
Inspired by the Disney movie, Newsies features a script by Harvey Fierstein (Kinky Boots) and a score by Oscar winner Alan Menken (Beauty and the Beast).
Set in New York City at the turn of the century, Newsies is the tale of Jack Kelly, a newsboy and leader of a ragged band of ‘newsies,’ who dreams of a better life. But when publishing titans Joseph Pulitzer and William Randolph Hearst raise distribution prices at the newsboys’ expense, Jack finds a cause to fight for and rallies newsies from across the city to strike for what’s right.
June 13, 2010
OLIVIER AWARDS – Best Musicals Winners
Best New Musical
2012 Matilda The Musical by Dennis Kelly and Tim Minchin
2011 Legally Blonde – The Musical book by Heather Hach, music and lyrics by Laurence O’Keefe and Nell Benjamin at the Savoy
2010 Spring Awakening, music by Duncan Sheik, book and lyrics by Steven Sater, based on the play by Frank Wedekind, at the Novello theatre
2009 Jersey Boys, book by Marshall Brickman & Rick Elice, music by Bob Gaudio, lyrics by Bob Crewe at the Prince Edward theatre
2008 Hairspray, book by Mark O’Donnell and Thomas Meehan, music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, based on the John Waters film,
2007 Caroline, Or Change, book and lyrics by Tony Kushner, music by Jeanine Tesori
2006 Billy Elliot – The Musical, book and lyrics by Lee Hall, music by Elton John
2005 The Producers book by Mel Brooks & Thomas Meehan; music and lyrics by Mel Brooks and by special arrangement with StudioCanal
2004 Jerry Springer – The Opera music by Richard Thomas, book and lyrics by Stewart Lee & Richard Thomas
2003 Our House by Tim Firth, music and lyrics by Madness
2001 Merrily We Roll Along — music and lyrics by Stephen Sondheim, book by George Furth, suggested by a play by George S Kaufman and Moss Hart
2000 Honk! The Ugly Duckling – music by George Stiles, book and lyrics by Anthony Drewe, based on the story by Hans Christian Andersen
1999 Kat And The Kings by David Kramer and Taliep Petersen
1998 Beauty And The Beast – music by Alan Menken, lyrics by Howard Ashman and Tim Rice, book by Linda Woolverton
1997 Martin Guerre – book by Alain Boublil and Claude-Michel Schönberg, music by Claude-Michel Schönberg, lyrics by Edward Hardy and Stephen Clark, original French text by Alain Boublil, additional lyrics by Herbert Kretzmer and Alain Boublil
1996 Jolson The Musical – written by Francis Essex and Rob Bettinson
1995 Once On This Island – book and lyrics by Lynn Ahrens, music by Stephen Flaherty, based upon the novel My Love My Love by Rosa Guy
1994 City Of Angels – book by Larry Gelbart, music by Cy Coleman, lyrics by David Zippel
1993 Crazy For You – music and lyrics by George Gershwin and Ira Gershwin, book by Ken Ludwig
1992 Carmen Jones by Oscar Hammerstein II, based on Meilhac and Halévy’s adaptation of Prosper Merimée’s Carmen with original music by Bizet
1991 Sunday In The Park with George – music and lyrics by Stephen Sondheim, book by James Lapine
1989/90 Return To The Forbidden Planet by Bob Carlton
1988 Candide – book adapted from Voltaire by Hugh Wheeler, music by Leonard Bernstein, lyrics by Richard Wilbur
1987 Follies – music and lyrics by Stephen Sondheim, book by John Goldman
1986 The Phantom Of The Opera – music by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe
1985 Me And My Girl – book and lyrics by L. Arthur Rose and Douglas Furber, music by Noel Gay
1984 42nd Street – music by Harry Warren, lyrics by Al Dubin, book by Michael Stewart and Mark Bramble, based on a novel by Bradford Ropes
1983 Blood Brothers by Willy Russell
1982 Poppy – book and lyrics by Peter Nichols, music by Monty Norman
1981 Cats – music by Andrew Lloyd Webber, based on Old Possum’s Book of Practical Cats by T.S. Eliot
1980 Sweeney Todd – music and lyrics by Stephen Sondheim, book by Hugh Wheeler, based on the play by Christopher Bond
1979 Songbook – music by Monty Norman, lyrics by Julian More, book by Monty Norman and Julian More
1978 Evita – lyrics by Tim Rice, music by Andrew Lloyd Webber
1977 The Comedy Of Errors by William Shakespeare, music by Guy Woolfenden
1976 A Chorus Line – book by James Kirkwood and Nicholas Dante, music by Marvin Hamlisch, lyrics by Edward Kleban
Outstanding Musical Production
2007 Sunday In The Park With George, music and lyrics by Stephen Sondheim, book by James Lapine
2006 Guys And Dolls, based on a story and characters of Damon Runyon, music and lyrics by Frank Loesser, book by Jo Swerling and Abe Burrows
2005 Grand Hotel book by Luther Davis; music & lyrics by Robert Wright and George Forrest; additional music and lyrics by Maury Yeston; based on Vicki Baum’s Grand Hotel
2004 Pacific Overtures music and lyrics by Stephen Sondheim, book by John Weidman, additional material by Hugh Wheeler
2003 Anything Goes music and lyrics by Cole Porter, original book by PG Wodehouse and Guy Bolton and Howard Lindsay & Russel Crouse, new book by Timothy Crouse & John Weidman
2002 My Fair Lady book and lyrics by Alan Jay Lerner, music by Frederick Loewe, adapted from Bernard Shaw’s Pygmalion and Gabriel Pascal’s motion picture
2001 Singin’ In The Rain — based on the MGM film, original choreography by Gene Kelly and Stanley Donen, screenplay and adaptation by Betty Comden and Adolph Green, songs by Nacio Herb Brown and Arthur Freed
2000 Candide – music by Leonard Bernstein, book adapted from Voltaire by Hugh Wheeler, in a new version by John Caird, lyrics by Richard Wilbur, additional lyrics by Stephen Sondheim, John Latouche, Lillian Hellman, Dorothy Parker and Leonard Bernstein
1999 Oklahoma! music by Richard Rodgers, book & lyrics by Oscar Hammerstein II
1998 Chicago – lyrics by Fred Ebb, music by John Kander, book by Fred Ebb and Bob Fosse
1997 Tommy – music and lyrics by Pete Townshend, book by Pete Townshend and Des McAnuff
Best Musical Revival
2012 Crazy For You at the Regent’s Park Open Air Theatre
2011 Into the Woods at the Regent’s Park Open Air Theatre
2010 Hello Dolly!, book by Michael Stewart, music and lyrics by Jerry Herman, based on the play The Matchmaker by Thornton Wilder, at the Open Air theatre
2009 La Cage aux Folles, music and lyrics by Jerry Herman, book by Harvey Fierstein, based on the play “La Cage Aux Folles” by Jean Poiret, at the Playhouse theatre
2008 The Magic Flute – Impempe Yomlingo
1995 She Loves Me – book by Joe Masteroff, music by Jerry Bock, lyrics by Sheldon Harnick and based on a play by Miklos Laszlo
1994 Sweeney Todd – music and lyrics by Stephen Sondheim, book by Hugh Wheeler, from an adaptation by Christopher Bond
1993 Carousel – music by Richard Rodgers, book and lyrics by Oscar Hammerstein II, based on the play Liliom by Ferenc Molnár as adapted by Benjamin F Glazer
1992 The Boys From Syracuse – music by Richard Rodgers, lyrics by Lorenz Hart, book by George Abbott
1991 Show Boat – book and lyrics by Oscar Hammerstein II, music by Jerome Kern
Performance of the Year in a Musical
1978 Elaine Paige for Evita
1977 Ann Sharkey for Maggie
Outstanding Achievement of the Year in Musicals
1984 Ned Sherrin for the conception of The Ratepayers’ Iolanthe
1982 Guys And Dolls
1981 Gillian Lynne, choreographer of Cats
May 21, 2010
Valid Monday to Friday performances until the 18th June (Excludes school holidays)
westendtheatre.com presents £26 off tickets to major musical SISTER ACT at the London Palladium.
This hugely enjoyable show stars award-winning actress and Over The Rainbow judge Sheila Hancock as Mother Superior and rising new star Patina Miller as Deloris – plus ex-Blue band member Simon Webbe will be joining the cast from 31 May.
The show has been hailed by critics as “glorious fun!” (The Daily Telegraph),”a divine all singing, all dancing musical comedy!” (Daily Express) and “Sister Act answered all my prayers and more!” (Daily Mail).
SISTER ACT features a score by Alan Menken, eight-time Oscar winner and the genius behind many of the world famous songs from Disney’s movies, including The Little Mermaid, Beauty & The Beast, Aladdin and Enchanted, with lyrics from his long time collaborator, Glenn Slater. The book is by the award-winning team, Cheri and Bill Steinkellner, whose writing credits include the classic television comedy Cheers, and the production is directed by Peter Schneider.
MORE ABOUT SISTER ACT
When Disco diva Deloris Van Cartier witnesses a murder she is put in protective custody in the one place cops are sure she won’t be found – a convent! Disguised as a nun, she finds herself at odds with both the rigid lifestyle and an up tight Mother Superior. Using her unique disco moves and singing talent to inspire the choir Deloris breathes new life into the church and community, but in doing so blows her cover. Soon the gang is giving chase only to find them up against Deloris and the power of her new found Sister Hood.
Sister Act is based on the smash-hit movie, and produced by the movie’s original star Whoopi Goldberg.
News of the World
Valid Monday to Friday performances until the 18th June (Excludes school holidays)
September 9, 2009
A summary of Sister Act reviews
- Charles Spencer – The Telegraph:4/5
- Fiona Mountford – Evening Standard:4/5
- Michael Coveney – The Independent:3/5
- Maxie Szalwinska – The Sunday Times:3/5
- Benedict Nightingale – The Times: 3/5
- Michael Billington – The Guardian: 2/5
- Quentin Letts – Daily Mail: 2/5
Reviews were mixed for major new musical Sister Act at the London Palladium when it opened last week. Some of the big hitters such as Charles Spencer of the Telegraph and Fiona Mountford of the Evening Standard loved the show, whilst others were more reserved.
Based on the hit 1992 film starring Whoopi Goldberg, who is an exec producer on the new stage show, the musical premiered at the Palladium with a performer dressed as a nun abseiling down the side of the theatre and a celebrity filled audience, including Goldberg.
The musical stars West End newcomer Patina Miller as cabaret singer Delores and Sheila Hancock as Mother Superior.
Review of the reviews – Opening Thoughts
OB: “This summer’s feelgood night out in London”
GU: “What we have here is a show that feels less like a personally driven work of art than a commercial exploitation of an existing franchise”
TE: “Sister Act proves more enjoyable on stage than it did on film… Frankly, what’s not to like, especially when you’ve got a chorus line of jiving nuns singing their hearts out ecstatically?”
VA: “Shamelessly and irresistibly entertaining”
DM: “Call me a miserable old monk, but I hated Sister Act”
ES: “Whether or not divine intervention is involved, it’s a wimple-wibbling, habit-forming triumph”
IN: “There’s no such thing as restraint anywhere in Peter Schneider’s production”
ST: “It’s safe to say the stage show trumps the film – at least for aficionados of serious kitsch”
TI: “A rather sweet, sentimental film has been hyped up, coarsened, given… the big, brash Broadway treatment”
The Story / Book
OB: “It’s not the most original story in the world”
GU: “In order to pad out a slight story, every key member of the cast also has to be given a number. As a result, the plot grinds to a halt…”
TE: “The book, by Cheers writers Cheri and Bill Steinkellner, is strong, funny and touching”
DM: “I know I may be taking it too seriously, but I found myself recoiling sharply from this story’s saccharine values and its bullying gaiety”
OB: “[Her] sheer sexy singing vim leaves the film’s star, Whoopi Goldberg, looking retrospectively miscast”
GU: “Patina Miller invests Deloris with a wealth of raucous energy and just about convinces in her conversion from fame-seeking individualist to member of the singing sorority”
TE: “The show’s real find… she has all the comic vitality of Whoopi Goldberg in the film, but she’s sexier and sings up a storm”
VA: “Sassier, snappier and younger… Miller’s powerhouse vocals, pitched somewhere between Gloria Gaynor and Whitney Houston, and her thrillingly fast vibrato act as the show’s engine”
DM: “After an off-key start, shows herself to have a cheesy presence and a Merlin engine of a voice”
ES: “There can be no disputing the evening’s main draw: 24-year-old Miller… her magnificent voice is rich, soaring and, crucially, unflagging. She might have been unknown last night, but today all that will have changed”
IN: “This unknown 24-year-old from South Carolina is the real deal, a genuine new star, oozing confidence and sex appeal like it was going out of fashion”
ST: “Less brash than Goldberg, but pretty fabulous nonetheless”
TI: “Patina Miller, is the show’s great plus”
OB: “Sheila Hancock and Claire Greenway, as the Mother Superior and the tubby ingenue nun, offer sidespreads of delight and razor-sharp timing”
GU: “Lends the show some needed gravitas”
TE: “A warmer but no less winning performance”
VA: “One of the U.K.’s best-loved actors, does droll like no one else”
DM: “On fine form”
ES: “Delightfully droll”
OB: “Don’t expect the Motown hits of the film; we have a set of new disco inventions, which mostly work”
GU: “Alan Menken’s music admittedly has a pounding effectiveness”
TE: “The disco-inspired score… is a cracker”
VA: “Alan Menken’s new score (aside from the ballads) says goodbye Motown, hello disco… But the problem with pastiche is that it irons out a composer’s individual voice”
ES: “Attractive, gospel-inflected score”
IN: “There’s nothing really refreshingly new here even if you might feel like brushing down your John Travolta poses when you get home”
ST: “Is at its best when tipping its hat to 1970s tunes”
TI: “There’s less deft comedy, but much more music, most of it indebted to the 1970s, where the action is now set. That lets Alan Menken, the composer, have a lot of catchy fun with period rock and disco”
Staging & Direction
OB: “What transforms this… are the sets (Klara Zieglerova), which ravish the eye and dance with glee”
GU: “Everything is coarsely overstated”
TE: “Pacy direction by former Disney executive Peter Schneider”
VA: “Peter Schneider’s extremely well-cast production is enshrined in sets that create little atmosphere”
TI: “The film’s point was that Deloris liberates the nuns’ voices while they liberate her spirit… But there’s no gentle piety here. If Deloris liberates the sisters, it’s for roles in A Chorus Line”
The Last Word
OB: “If you can smother quibbles about the daft story… and if, crucially, you like to save up for big-budget musical spectaculars, this is your night this summer”
GU: “All too typically the nuns, in Anthony van Laast’s choreography, kick up their heels like the Rockettes and prance around in gilt vestments that might be described as surplice to requirements”
TE: “I suspect this musical comedy about a nun on the run could prove habit-forming”
VA: “Is “Sister Act” great theatrical art? No. Is it hit entertainment? Oh, yes”
DM: “Hold on to your wimples”
ES: “Take it away, sisters”
IN: “It’s show time, not musical theatre magic”
ST: “With its lashings of glitter, such is its assault on reticence (and our retinas), the show occasionally has you longing for a spell of calm contemplation, perhaps a vow of silence”
TI: “Patina Miller display the first of her star qualities, a terrific voice. Add warmth, humour, vivacity – and you’ve a star who lacks Whoopi’s wry vulnerability but adds dazzle to the razzle around her”
KEY TO REVIEWS:
August 16, 2009
Save £20 on tickets to Sister Act at the London Palladium
westendtheatre.com presents £20 off tickets to major new musical SISTER ACT at the London Palladium.
The show, starring award-winning actress Sheila Hancock as Mother Superior and rising new star Patina Miller as Deloris, hsa been hailed by critics as “glorious fun!” (The Daily Telegraph),”a divine all singing, all dancing musical comedy!” (Daily Express) and “Sister Act answered all my prayers and more!” (Daily Mail).
More about Sister Act
When Disco diva Deloris Van Cartier witnesses a murder she is put in protective custody in the one place cops are sure she won’t be found – a convent! Disguised as a nun, she finds herself at odds with both the rigid lifestyle and an up tight Mother Superior. Using her unique disco moves and singing talent to inspire the choir Deloris breaths new life into the church and community, but in doing so blows her cover. Soon the gang is giving chase only to find them up against Deloris and the power of her new found Sister Hood. Based on the smash-hit movie, Sister Act features a brand new score by 8 time Oscar winner Alan Menken whose credits include Little Shop of Horrors, Beauty and the Beast, The Little Mermaid and most recently the hit movie Enchanted. Produced by the movie’s original star Whoopi Goldberg, Sister Act stars award-winning actress Sheila Hancock as Mother Superior and rising new star Patina Miller as Deloris.
April 7, 2009
London theatre is pulling out all of the stops this summer to ensure that the capital’s theatre scene remains a chief attraction for millions of UK and overseas visitors.
A host of big hitting stars and large scale musicals are lined up to showcase a range of new productions, including performances by Jude Law, Helen Mirren, Ethan Hawke, Gillian Anderson and Ian McKellen.
The death of drama in the West End has been greatly exaggerated given the wide ranging slate of classic and contemporary plays premiering this summer. One of the most high profile will be Jude Law, taking to the stage in Shakespeare’s most famous play, Hamlet, directed by Michael Grandage as part of his Donmar in the West End season. A strong supporting cast includes Penelope Wilton as Gertrude and Kevin McNally as Claudius, from 29 May at the Wyndham’s Theatre.
From Danes to Dames and Helen Mirren returns to London and the National Theatre from 4 June in Racine’s tragic play Phedre. The play concerns a woman (Mirren) consumed by passion for her stepson, which is highly plausible given that the stepson is played by hot young thing and Mamma Mia! The Movie star Dominic Cooper.
Helen Mirren starred in successful British movie Calendar Girls – which is now coming to the stage in a brand new production starring Patricia Hodge and Sian Phillips. Written by Tim Firth, the story of a group of middle-aged Women’s Institute members who pose for a calendar with a difference is playing at the Noel Coward Theatre.
Stage legends Ian McKellen and Patrick Stewart are reuniting after their onscreen antics in the X-Men movies to give us Waiting for Godot at the Haymarket Theatre from 20 April, in what promises to be a standout production of Samuel Beckett’s classic.
Talents from New York and London will converge at The Old Vic from 23 May for The Bridge Project – a three year partnership between The Old Vic, the Brooklyn Academy of Music and Neal Street Productions. Academy Award-winning director Sam Mendes will direct a new version of The Cherry Orchard plus Shakespeare’s The Winter’s Tale, in a cast that features Ethan Hawke, Simon Russell Beale, Sinead Cusack and recent star of Woody Allen’s Vicky Christina Barcelona, Rebecca Hall.
The Cherry Orchard is a new translation by Tom Stoppard, who will also see his 1993 play Arcadia revived in a new production at the Duke of York’s Theatre starring his son Ed Stoppard and Samantha Bond and Dan Stevens. In its first run at the National Theatre the play won a slew of awards including Critics’ Circle, Evening Standard and Olivier Awards.
Other notable players making their way into town include Prunella Scales (Fawlty Towers) in Carrie’s War at the Apollo Theatre, and Gillian Anderson, who will star in Henrik Ibsen’s A Doll’s House at the Donmar Warehouse, joining a stellar cast that includes Christopher Eccleston, Toby Stephens, Tara Fitzgerald and Anton Lesser.
Musical theatre is firmly “based on a film” this year as a blockbuster stage production of Sister Act joins a West End brimming with adaptations of movies, including recent addition Priscilla Queen of the Desert starring Jason Donovan and long-runners Hairspray with Michael Ball, Dirty Dancing, The Lion King, Billy Elliot, Andrew Lloyd-Webber’s Sunset Boulevard – and Grease, which will star Dancing on Ice winner Ray Quinn as Danny from 11 May.
Sister Act, which runs from 7 May at the London Palladium, is produced by the film’s original star Whoopi Goldberg and features Sheila Hancock and rising star Patina Miller, with music courtesy of Alan Menken (Disney’s Beauty & The Beast).
Other movie-to-stage shows on the horizon include the Broadway production of Legally Blond opening at the Savoy Theatre at the end of the year and a stage adaptation of Oscar winning film Ghost, directed by Matthew Warchus, set for 2010.
Chief amongst the new musicals opening in London in the later part of 2009 will be Andrew Lloyd Webber’s world premiere of The Phantom of the Opera sequel Love Never Dies at the Adelphi Theatre in early November. The show is set to star current London Phantom Ramin Karimloo and will follow its London opening with productions in Toronto, Shanghai and then Broadway.
A number of shows that have run successfully in other venues are also making their way into the West End including Juliet Stevenson (Truly Madly Deeply) and Henry Goodman in Duet For One at the Vaudeville Theatre; the acclaimed production of Steven Sondheim’s A Little Night Music starring Maureen Lipman at the Garrick Theatre; the National Theatre’s War Horse, a family drama set during World War I about a boy’s adventures to find his beloved horse, at the New London theatre; and following its smash-hit run on Broadway – a new UK production of uber hip musical Spring Awakening at the Novello Theatre.
Other long running musicals that continue to extend their runs and pack them in include Avenue Q – now at the Gielgud Theatre, Blood Brothers, We Will Rock You, Chicago, Wicked, Jersey Boys, Stomp, Oliver!, Mamma Mia!, Les Miserables, Andrew Lloyd-Webber’s Joseph, Roger’s and Hammerstein’s Carousel, Thriller Live featuring the songs of Michael Jackson and an award-winning production of La Cage Aux Folles.
Finally, the V&A Museum in London has opened its new Theatre and Performance galleries following the closure of the Theatre Museum in Covent Garden in 2007. The new galleries will celebrate the UK’s heritage in culture and performance with hundreds of exhibits including costumes, set models, stage props, original posters and playbills, theatrical prints, paintings and photographs from some of London’s most famous theatrical productions.
January 30, 2009
After a year long global search, 24 year-old US actress Patina Miller has been cast to make her West End debut playing the lead role of ‘Deloris Van Cartier’ in the divine new musical comedy “SISTER ACT”. Born and raised in South Carolina, Patina’s previous credits include the critically acclaimed 2008 production of Hair in New York. The role of Deloris in “SISTER ACT” was made famous by Whoopi Goldberg in the movie of the same name, and Goldberg is a co-producer of the stage version.
Starring alongside Patina will be Sheila Hancock as ‘Mother Superior’. To many, a national treasure and a multi-BAFTA nominee, Sheila’s career spans theatre, television, radio and film and she won a 2007 Olivier Award for her performance in Cabaret. Dad’s Army and EastEnders actor Ian Lavender also stars as ‘Monsignor Howard’. “SISTER ACT” opens at the London Palladium on 2 June, following previews from 7 May.
Whoopi Goldberg says:
“I am proud to announce that we’ve finally found you an amazing girl to play Deloris. It wasn’t easy, but we did it. And boy, can she sing (unlike some people we know – me!). And in order to match her, we went for the best and we got the brilliant… Sheila Hancock is our Mother Superior, a legend and not just in my mind. I think together they will reinvent SISTER ACT and bring it to a whole new level…can you tell I’m excited?”
Also starring in “SISTER ACT” will be Chris Jarman as ‘Shank’, Ako Mitchell as ‘Eddie’, Katie Rowley Jones as ‘Sister Mary Robert’, Claire Greenway as ‘Sister Mary Patrick’ and Julia Sutton as ‘Sister Mary Lazarus’, Thomas Goodridge as ‘TJ’, Nicolas Colicos as ‘Bones’ and Ivan De Freitas as ‘Dinero’. The cast also includes Vanessa Barmby, Amy Booth-Steel, Julian Cannonier, Ben Clare, Helen Colby, Kate Coyston, Jennie Dale, Jaymz Denning, Nia Fisher, Alison Harding, Paul Kemble, Debbie Kurup, George Long, Hugh Maynard, Jo Napthine, Aysa O’Flaherty, Landi Oshinowo, Verity Quade, Helen Walsh and Emma Woods.
“SISTER ACT” features a score by Alan Menken, eight-time Oscar winner and composer of many of the world famous songs from Disney’s movies, including The Little Mermaid, Beauty & The Beast, Aladdin and Enchanted, with lyrics from his long- time collaborator Glenn Slater. The book is by the award-winning team Cheri and Bill Steinkellner, whose writing credits include the classic television comedy Cheers, and the production is directed by Peter Schneider.
“SISTER ACT” has musical supervision by Michael Kosarin, choreography by Anthony Van Laast, set design by Klara Zieglerova, costume design by Lez Brotherston, sound design by Mick Potter, lighting design by Natasha Katz and musical direction by Nicholas Skilbeck.
“SISTER ACT” is produced in London by Whoopi Goldberg and Stage Entertainment, producers of Hairspray, Strictly Come Dancing The Live Tour!, High School Musical and Saturday Night Fever.